“... as he is about the costs of the Falklands, or the welfare of the Polish Government. Like Mr Foot, John Rentoul of the New Statesman has contributed some crucial articles – turning-points in the affair. David Leigh of the Observer wrote on 6 January 1985, ‘The intercepted Argentine signals were decoded and telexed at the time directly to Navy HQ at ...”

“... including Pompeo Batoni and Anton Raphael Mengs. She met and formed a lasting friendship with John Soane, but it was Henry Fuseli whose ‘extraordinary visions struck my fancy’. He inspired some of the best of her later work. Without her father, however, the family business did not flourish and her mother, of whom nobody, including Maria, seems to have ...”

“... although it seems no live recordings survive from their heyday – that is, before Lou Reed kicked John Cale out of the band, ending three years of almost symbiotic closeness. John Cale was born in the small Welsh coal town of Garnant, between Swansea and Carmarthen, in 1942. His father was a miner; his mother had worked in ...”

“... and the movie I selected, or, as a matter of fact, my daughter Tricia selected it, was Chisum with John Wayne. It was a Western. FDR was known to admire Myrna Loy and Ike to enjoy watching shoot-’em-ups; underdog Harry Truman had been inspired by Frank Capra’s 1948 State of the Union and, as the son of a sometime Hollywood mogul, Kennedy was groomed for ...”

“... 1965, rummaging through a junk shop, Wilson found a bootlegged 78 with the label: ‘Bessie Smith – Nobody in Town Can Bake a Sweet Jelly Roll Like Mine.’ Wilson had heard rock and roll and pop songs as a child but never the blues. Smith’s sound was a revelation. ‘The universe stuttered and everything fell to ...”

“... in office, President Clinton was more parsimonious in granting pardons than any president since John Adams two hundred years earlier. But he made up for this at the end when he cast aside the ordinary process for handling federal clemency applications and, in the words of the American lawyer Margaret Colgate, ‘enjoyed a final unencumbered opportunity to ...”

“... follows a remarkable passage: ‘Among the neglected men I have found Robert Bage, Henry Brooke, John Bunyan, Geoffrey Chaucer, Thomas Delaney [sic], Emanuel Ford, William Godwin, Richard Graves, Robert Greene, Robert Henryson, Charles Johnstone, Charles Lever, M.G. Lewis, Thomas Lodge, Henry MacKenzie [sic], Thomas Malory, Charles Maturin, Walter ...”

“... 1743, Anna Letitia Aikin was the product of a distinguished Unitarian background, the daughter of John Aikin, a revered teacher at the Warrington Academy. The academy was effectively the leading university for those dissenters who had enough money to get an education but who were forbidden by law to take degrees at Oxford or Cambridge. Although, like all such ...”

“... media friendly, discounts to TV crews who look like TV crews. The Paramount is clearly the joint John Lanchester’s characters allude to in The Debt to Pleasure. ‘Bed, sheets, fittings, lamps, lightbulbs – all black ... I stayed in a flash hotel in New York that was a bit like that.’ The cab-summoners, out on the street, in long torpedo coats and wool ...”

“... chances are that in a couple of years the paper-back Final Exit will be freely available from W.H. Smith, and that in ten years Britain will have a euthanasia law similar to that of Holland, where doctors (with less relish than Jack Kevorkian, one hopes) can legally shorten the final suffering of their ...”

“... 1959. The editors leave it to letters from his intimates – Linda Porter, his secretary Madeline Smith and his valet Paul Sylvain – to spell out the extent of Porter’s anguish. ‘It is Mr C.P’s severe order that none of his good friends be told anything,’ Sylvain wrote in 1951, documenting Porter’s breakdown in Paris and his return incognito to ...”

“... Wyndham Lewis’s portrait of Stephen Spender upstages a row of portraits by Lamb, Coldstream and John because of its linear clarity and bite, and a Matthew Smith holds your eye by force of juicy paint and saturated colour alone. Yet thin paint in the work of Stanley Spencer and Paul Nash is part of an Englishness (or ...”

“... comes only, in Salome, with death. The Climax shows Salome holding up the severed head of John the Baptist to look him in the eyes, beside the lines: ‘J’ai baisé ta bouche Iokanaan/J’ai baisé ta bouche.’ Below and between the two a phallic lily rises. The Art Journal found Beardsley’s work upsetting, ‘terrible in its weirdness’, full ...”

“... and photocopies of photocopies, distributed for teaching or among friends and colleagues. In 2003, John Ashbery claimed that a trunk containing Murray’s manuscripts had been lost by removal men when her papers were being shipped to the archive at Smith College where they are now held. In 2014, an inquiry by Mark ...”

“... years, who is spattered with ordure in The Dunciad; ‘stage-struck priests’ like the Rev. John Home, whose Douglas gave rise to a Scottish roar from the pit: ‘Whaur’s yer Wullie Shakespeare noo?’ There is word of parsonical whorings and slayings, of deep draughts in taverns and stews; there are all manner of clerical bruisers, men like the Revds ...”