“... Counter Point, and Aldous’s wife was typing the first draft of Lady Chatterley’s Lover, under Lawrence’s eye. Allowed to read this work, Juliette, who had come on a bit, suggested it should be retitled ‘John Thomas and Lady Jane’, an idea which Lawrence liked but his publishers ...”

“... only one to find that England after the Great War was, for the artist, ‘uninhabitable’. D.H. Lawrence found it so, and Graves and then Auden and Isherwood. But the cases don’t click. For Pound – like James and Eliot – had previously found America uninhabitable. Davie finds America inhabitable. I should hope so too. But why wasn’t it part of his ...”

“... to repeal the exclusion laws. Germaine Greer duly became the first woman elected, playing Gertrude Lawrence in a Noel-Gertie colloquy featuring the present writer as Noel. (As you might imagine, she stood out from the cast.) Before that, such an inventive woman as Eleanor Bron had to be content with guest status. The lads weren’t going to give up their boas ...”

“... he was also strongly partisan; on occasions, he came close to ‘going native’, in the manner of John Reed with the Red Guards in Petrograd. His journalism always threatened to tip over into a more direct, military involvement – until he finally became, and died, a soldier. A South African born into a liberal, newspaper-owning family in the Eastern ...”

“... enhance sexual encounters without degrading or demeaning any partner to them. Quotations from Lawrence, Joyce, the pseudonymous Laurence St Clair, Alan Hollinghurst and others, and Nussbaum’s extended commentary on them, provide ample opportunity (not taken advantage of) to have index entries for ‘cocks, soaping of in ...”

“... that painters would have anything left to say about the observable world. It was only while in John Grierson’s employment – collaborating with Auden, Humphrey Jennings and Britten – that Coldstream rediscovered a private, ‘regressive’ zest for painting, working out of hours on ‘a craze for doing heads and faces’. Whatever rationale could be ...”

“... captive by Iraqis, the chances were high that he would be raped. (One presumes nobody told T.E. Lawrence to ‘remember that in 75 per cent of cases when you are male-raped, you will get an erection or ejaculate. Do not worry about that . . . it does not mean that you are gay.’) In September 2003 he touched down in Basra, where he was frantically ...”

“... bud by the fortuitous retirement of one justice followed by the death of another. In appointing John Roberts and Samuel Alito, Bush elevated to the court two jurists with track records of giving the executive branch a wide berth on matters relating to national security. (Once on the court, justices don’t always perform as expected; whether the Roberts ...”

“... well-run European city in the dawn of the 21st century.’ Coetzee also uses Costello’s son, John, who often accompanies her, as a foil. He slumps in the auditorium, worrying that his mother is rambling or sermonising. Is this Coetzee protecting himself by pre-empting criticism? The technique of fiction within fiction is much more complicated than the ...”

“... and shortly afterwards he did. Spender told the story of this first interview over and over again: John Sutherland, his biographer, calculates that he repeated it at least six times in print and uncountable times in lectures and talks and interviews, as well as in conversation. Spender would come to resent Auden’s tendency always to think of him as he had ...”

“... out; and because it isn’t just a matter of time before you get it – as is the case, say, with John Ashbery – you can’t get much literary criticism out of a Thomas poem. (Nothing reveals the banality of paraphrase more than a commentary on one of his poems; his best critics – Empson, Lowell, MacNeice – are inclined to say that they don’t know ...”

“... about middle-aged women suffering. They were Moore’s The Lonely Passion of Judith Hearne (1955), John McGahern’s The Barracks (1961) and Aidan Higgins’s Langrishe, Go Down (1966). It is no coincidence, either, that the best novels about men in the period after independence dealt with figures in extreme and exquisite isolation, as in the novels of Beckett ...”

“... forehead at the front, the flukes at the back – and even in the middle. Melville tells us that John D’Wolf, one of his uncles, was in charge of a ship raised clean out of the water by a whale slipping beneath it and then ‘setting up its back’. During his time on the Essex, Owen Chase had a similar experience in one of the ship’s boats, when a whale ...”

“... As Kathleen Tidrick shows, the ‘evangelical cult of personal example’ developed by the Lawrence brothers in the Punjab, with whom her study starts, was from its earliest phase capable of expansion to accommodate successful oddball adventurers. Of the young men who ‘pacified’ the Punjab in the late 1840s, ...”

“... curator of the museum – the ‘Wonder House’. The curator is a tribute to Kipling’s father, John Lockwood Kipling, who moved to Bombay as curator of the J.J. School of Art in 1865, the year of Kipling’s birth. But through the figure of the curator, Kipling also indirectly acknowledges the existence of a colonial India of intellectual collaboration ...”