At Tate Modern
Nicholas Spice: Agnes Martin , 10 September 2015
“... Do we think of it as a work of sublime simplicity or semi-autistic blankness (I overheard a young man dismiss it with contempt as ‘an accountant’s wildest dream’)? Is it a call to contemplation or the occasion for a cursory glance before moving on? Four works from Agnes Martin’s ‘On a Clear Day’ (1973), a series of thirty Expressionist ... ”