Fritz Lang and the Life of Crime
Michael Wood, 20 April 2017
“... Opera in the early 18th century they knew the hoodlums on the stage were meant to represent Robert Walpole and his cabinet. But what I see in The Testament of Dr Mabuse and The Big Heat is not really an allegory, and not a plain imitation of reality either. It is an escalation of reality, a magnified version of what is already there: in the first ... ”