Short Cuts
Paul Myerscough: Iris Murdoch, 7 February 2002
“... from her notebook and pinning them to the beach with pebbles. It’s offered, and has duly been read, as a visual metaphor for an unspeakable loss – one of those moments when cinema aspires to the poetic. The film is full of such images: the blast of a Tube train and the mêlée of the platform stand in for Iris’s linguistic disorientation, her face ... ”