“... This makes it a maddening book to read, and only someone who knows the biographies of Welles by Charles Higham, Simon Callow and others is likely to guess what Conrad is up to and why. Yet he is also writing criticism. Here the difference should matter between a line written as a writer writes and a line spoken as an actor reads. Even in a study like this ...”

“... heard in the word ‘Norton’ an echo of that job, and even of his family – he was appointed as Charles Eliot Norton Professor of Poetry. From childhood onwards, Eliot was fascinated not just by names in general, but by his own. Murder in the Cathedral, the 1935 play which, throughout the period covered by this volume of letters, yields a healthy income ...”

“... year Swift published an extract from McGahern’s unpublished first novel. It was spotted by Charles Monteith at Faber, who went on to oversee the publication of many of McGahern’s books. When Swift read the first part of another novel – to be called The Barracks – he wrote: ‘It’s a real advance. Very exciting. I still think the first book ...”

“... reality, brought to the heart of European cities or visited on Korea, Cambodia or Vietnam. In 1869 Charles Dilke wrote that ‘the gradual extinction of the inferior races is not only a law of nature, but a blessing to mankind,’ and with ghoulish eugenist fervour praised Anglo-Saxons as ‘the only extirpating race on earth’. Bombing was first thought of ...”

“... Charles Taylor​ has had a long, fêted career as a philosopher with a particular interest in bringing the French and German traditions into productive conversation with their Anglo-American counterparts, and in bringing political and ethical theorising to bear on contemporary politics both in the UK and in his country of birth, Canada: he was an active participant in the British New Left, and stood more than once as a New Democratic Party candidate for the Canadian parliament ...”

“... a man who manages to appear the supreme egotist, while seeking a kind of extinction of the ego. A passage in the unfinished novel Cécile – which recounts under the thinnest fictional veneer the story of Constant and Charlotte – is remarkably suggestive. The narrator and Cécile rendezvous at the Bal de l’Opéra where, both wearing masks, they stay till ...”

“... demand nothing further of the artist than a smile or a tear.’ According to Jane Mayo Roos, this passage shows ‘the degree to which the public came to the Salon to be amused, titillated, horrified and thrilled, much as they would seek some of the same pleasures at the café-concert.’ And why not? Why shouldn’t they expect successors to great early ...”

“... a handbag. His mother died in a home in Yorkshire in 1961, mentally deranged. Mrs Tynan quotes a passage of self-accusation, written years later, from his journals: ‘If she had come to London and lived with me in the Fifties, she could have been sustained by human contact ... I could have postponed her death at the expense of my own absorption in ...”

“... was another of the things affirmed, as Perry Anderson suggests when summarising an argument by Charles Jencks: In a society where information now mattered more than production, ‘there is no longer an artistic avant-garde’ since ‘there is no enemy to conquer’ in the global electronic network. In the emancipated conditions of today’s ...”

“... about the capacity of style to preserve dead subject-matter. Discussing journalism in his essay ‘Charles Whibley’, he writes: ‘literary style is sometimes assigned almost magical properties, or is credited with being a mysterious preservative for subject-matter which no longer interests. This is far from being absolutely true. Style alone cannot ...”

“... but also a historically-determined direction: that of the Soviet revolutionary struggle. The passage of time diminished the appropriateness of the original direction, and in 1932 Eisenstein, having out-stayed his leave of absence trying to make Que viva Mexico!, found disfavour in the eyes of Russia’s most powerful viewer, Stalin. This was a ...”

“... he was a born academic, absorbed in his armchair analysis of morals and social institutions, and Charles Lamb got his temperament right when he dubbed him ‘the Professor’. The book which made him, Political Justice (1793), was certainly not meant to emulate Tom Paine’s Rights of Man in whipping up the political passions of the man in the street. It was ...”

“... as a boy he met Dickens in Victoria Park, Hackney and talked about authorship to him. There is a passage on these lines in Paul Kelver. But Jerome was not the only public figure to boast of such an encounter (see Coulson Kernahan’s introduction to Moss’s life). Jerome’s works are as treacherous a guide to reality as the travels of Perelman. The ...”

“... is extremely tactile, its touchingness embodied in touch, its feelings felt in the fingers. The passage work in the recapitulation of the first movement of the A minor Piano Sonata (K.410), for example, describes an expressive contour which the hand that plays it brings into being, as though the hand were singing, as though the exquisite dissolutions of the ...”

“... hucksterism and fewer footnotes. You can take the temperature of the writing from the very opening passage, where it is stated that ‘We have placed men on the moon, yet ... ’ In my experience, this is the unvarying prelude to a mass of dissociated generalisations and complaints, of the country-dogsward variety. Gingrich affects to believe that the country ...”