Blowing over the top of a bottle of San Pellegrino
Adam Mars-Jones: Protest Dance Pop, 15 December 2005
“... it produces obstacles to expression. Then he treats the chosen rules as if they were set in stone, beyond appeal. The supreme example of formalist procedure must be the fugue in music. Once you have decided to write a fugue, your choice of theme is already restricted by the permutations that will be required. A loose fugue is no fugue at all. Once ... ”