“... of Communism the emergence of Senator McCarthy; the Civil Rights movement; Vietnam; the return of Richard Nixon; Watergate – it is all there, introduced with a swift and studied casualness. ‘Meanwhile, the war in Europe ends, the bomb is dropped on Hiroshima, then Nagasaki ... ’ Meanwhile? I suppose there is a blurry sort of truthfulness in this ...”

“... presumably thought his silence was preserving the dignity of the Presidency, but it was at a heavy price. Eisenhower was a very different kind of conservative President from Reagan. The first order of business, he declared, was the elimination of the annual deficit. But his way of setting about this was not Reagan’s – that of cutting taxes and letting the ...”

“... that ‘this is basically a working-class Barbican, and if it were in EC1 rather than SE28 the price of a flat would be astronomical.’ Hatherley waxes eloquent on its central ‘unbelievably long interconnected block’, praises it for being ‘flood-proof and still architecturally cohesive’, and pours scorn on those ‘hack directors’ – Stanley ...”

“... had to sell in order to keep building – and, once Thatcher’s policies took hold, at a price well below market rates. Renters, unsurprisingly, knew a good deal when they saw it; very quickly, the balance between owners and renters turned around. In 1979, 41 per cent of houses in Milton Keynes were owner-occupied; four years later that figure had ...”

“... in modern money), though a fancy locket, jewelled setting or ivory case would be extra. The price sounds reasonable, as long as you don’t try to compute the cost per square inch. He produced various formats and sizes, but the classic Hilliard model was a round or oval portrait a couple of inches wide. The diminutiveness, of course, is part of its ...”

“... they tend to concentrate on themes and characters rather than techniques or questions of language. Richard Eyre’s film Iris (2001) is well paced, well acted, and offers a moving portrait of Murdoch’s succumbing to Alzheimer’s disease. But there is no sense of the writer in the film. We just get the sprightly young woman, the honoured dame and the person ...”

“... hedges and hides. Reason is a scoundrel, stupidity is direct and honest.’ This is the wording of Richard Pevear’s and Larissa Volokhonsky’s 1990 translation – the translation of the notes is by Edward Wasiolek. In David McDuff’s 1993 version we read: ‘The greater the stupidity, the greater the clarity. Stupidity is brief and guileless, while wit ...”

“... Protestant art’s survival and continuing use as a didactic and propagandist tool, but at the price of the aesthetic collapse for which traditional art historians have berated it. Koerner’s readings of Cranach’s art are unfailingly arresting and inventive, but perhaps because of rather than despite their brilliance, one sometimes wonders if he ...”

“... of canonical figures in the postwar pantheon of left-leaning ‘makers’ of the welfare state – Richard Titmuss, Michael Young and E.F. Schumacher – and argues that their international work in an era of rapid decolonisation led all three to look with a more critical eye on statism and ‘planning’. Gandhi was a major influence: his emphasis on community ...”

“... England, progresses through satirists such as Walter Map (under Henry II) and Chaucer (under Richard II), through the attempts to reanimate classical verse satire in the late Elizabethan period, on (at length) through the 18th century, right up to Armando Iannucci’s The Thick of It. Sperrin sees satire as being ‘primarily concerned with regime-level ...”

“... as a visit to the dinosaurs at the Natural History Museum. But this passionless account comes at a price. The second telling aspect is Heath’s extraordinary lack of reflection about the meaning of the events that brought him down. He has nothing interesting to say about what went wrong. The Industry Act of 1972, for example, besides contradicting the ...”

“... parts of Henry VI, which we are now invited to refer to as The First Part of the Contention and Richard Duke of York – 1 Henry VI comes later, after Titus Andronicus. The two parts of Henry IV are similarly split by The Merry Wives, which shows how fiercely attentive to chronology we are required to be. For simplicity’s sake, the following remarks on ...”

“... the fact that nearly two-thirds of those who consulted the 17th-century astrological physician Richard Napier for treatment of their mopish or melancholic moods were women, one must set the observation that, as best one can judge from the admittedly defective data, men greatly outnumbered women among the inmates of 18th and early 19th-century madhouses. It ...”

“... but the essentials, to keep the reader trancedly guessing. It lulls you into pity for the price of a little patience – just a little patience at first is all it needs, and God knows we fallen fellows, failed poets, grounded flyers, time-expired libertines, ought to have plenty of that. God knows, and He won’t ...”

“... belong to commuters who do not commute, or those who have escaped their roots and are paying the price for it. The Vale of Aylesbury (A Perfect Execution) and the Medway (In the Kingdom of Air) are viscerally invoked, without recourse to heritage nudges, Dickensian hints. They come over as places known and experienced, rather than merely researched and ...”