“... or hopelessly distant bodies could be gathered within a domestic and familiar trope, the green thought in the green shade. Wordsworth notes that the epitaph tends to record the good in everyone, as if they had inhabited a world without cruelty or evil, or mere human failings: ‘the affections are their own ...”

“... everyone is a pilot.’ The man who has written most eloquently about the highlanders of Irian is Peter Mathiesson. In 1961 he was allowed to stay with the Harvard Peabody expedition among the North-Eastern Dani, by the Dutch colonial government, on the understanding that the police and the missionaries would arrive a year later to stop the fighting and ...”

“... Larisa Shepitko’s The Ascent (1977), Bertrand Tavernier’s Life and Nothing But (1989), Peter Jackson’s They Shall Not Grow Old (2018). He captures to vivid effect the distinctive lyrical anguish filmmakers like Jennings and Shepitko bring to their portrayal of the damage that war does to people and places; and, like any good historian, he has a ...”

“... heard of Norman Borlaug, but his invention – the high-yield, short-straw wheat that fuelled the Green Revolution – is consumed every day by the majority of humans on the planet. Without Borlaug’s wheat, there would be no modern food as we know it. Everything from sandwiches to pizza to soy sauce to animal feed is manufactured from wheats adapted from ...”

“... with the feast of colour in the gallery. ‘Emerging from Turner’s heliocentric cathedral,’ Peter Conrad wrote in the Observer, ‘I felt I had cataracts: it takes time to re-accustom your dazzled eyes to the wan, monochrome mock-up we call reality.’ Turner, and his great advocate Ruskin, would surely have sighed with impatience at these ...”

“... the gates of Vienna; the Californian venture capitalist’s belief in the coming Singularity; deep Green projections of ecosystem collapse; medics’ warnings of antibiotic resistance; the ever present threat of financial meltdown. These visions of catastrophic change are a dramatisation, on the largest scale, of the disasters that shape people’s everyday ...”

“... is a legal system in tatters.One apparently minor but actually serious event flagged up by SB is Peter Hain’s outing, under the shelter of parliamentary privilege, of Philip Green as the beneficiary of a court order giving temporary anonymity in a current case. MPs and peers – and certainly Lord Hain – know that the ...”

“... exchange is between Rhiannon and Gwen, wife of Malcolm, who was once in love with Rhiannon though Peter was much more so, so much so that she had to have an abortion in consequence. The two are talking in Gwen’s kitchen, where ‘with a small start Rhiannon noticed that the bottle of white wine on the table in front of her was not the same as the one they ...”

“... and neighbours – traditions of give-and-take which still survived in the postwar Bethnal Green anthropologised by Michael Young and Peter Willmott in Family and Kinship in East London (1957). Davin’s respect for the resourcefulness, grit and loyalty of these working families is clear: the streets may have been ...”

“... sitting on a park bench, wearing a flat cap and a raincoat buttoned up to the neck, listening to Peter Cook. I was drawn in, however, almost against my will. Cathcart points out that we are less interested in the weather than we are supposed to be. While British people do talk about the weather, he says, that does not mean they care about it. I think it goes ...”

“... with painful photographs of urban poverty in Wales, Newcastle, Coatbridge, Limehouse, Bethnal Green, Stepney, Poplar, St Pancras and Durham (there’s not a single photograph of Wigan): to counteract Orwell’s odd views. Before The Road to Wigan Pier was published, Orwell was in Spain, on the second of his journeys of ‘political’ enlightenment. There ...”

“... never solved. One person he particularly impresses is an artist, getting on in years, called Peter Blythe, who was – someone says at a dinner party – ‘pretty famous back in the day’. He is in fact still famous outside the village, busy putting on a new exhibition at a Mayfair gallery, but most locals think him eccentric or ludicrous or dangerous ...”

“... Tynan was the first, and flamboyantly the foremost, of their number. In fact, his father Sir Peter Peacock, chairman of the family chain of Midland drapery stores, could easily have sent him to a public school, and wished to. But his mother, Letitia Rose Tynan, feared that if he left home, he might discover his parents’ guilty secret. She and Sir ...”

“... eskimo in his igloo, the bedouin in his tent or the Englishman in his semi really lust for deep green marble floors, Tiffany glassware, five-foot-wide walnut staircases, private lifts and faux-Sheraton cabinets that roll back to reveal television screens. But the zest of Wolfe’s depiction of modern times arises in largest part from his endearingly ...”

“... his act may look dull and formulaic: he simply got uppity with a luckless straight man called Peter Brough and showered him with childish insults. But he was able to bring on a troop of co-stars – Max Bygraves (‘I’ve arrived … and to prove it, I’m here!’), Tony Hancock, Gilbert Harding, Harry Secombe, Beryl Reid, Bernard Miles and Hattie ...”