“... This​ book is a departure from John Carey’s normal mode, much more intently introductory than anything else he has written in a long and distinguished career. A Little History of Poetry canters from Gilgamesh and Homer to Mary Oliver and Les Murray in three hundred pages with a breezy sense of mission, assuming in the reader no previous acquaintance with the subject (‘Confessional poetry is poetry that reveals personal confidences, especially relating to mental illness and hospitalisation’) or indeed with other sorts of knowledge that might be thought fairly general (‘Totalitarian regimes seek to control every aspect of life, including writing ...”

“... extracts from a video taken from an interview carried out by an eminent neurologist, Professor John Hodges, and presumably taped for research purposes. It’s sanctioned, one imagines, by John Bayley, whose efforts on behalf of his late wife and her reputation make Max Clifford seem timid and retiring. One lesson of this ...”

“... I was hired​ as an assassin. You don’t bring in a 37-year-old woman to review John Updike in the year of our Lord 2019 unless you’re hoping to see blood on the ceiling. ‘Absolutely not,’ I said when first approached, because I knew I would try to read everything, and fail, and spend days trying to write an adequate description of his nostrils, and all I would be left with after months of standing tiptoe on the balance beam of objectivity and fair assessment would be a letter to the editor from some guy named Norbert accusing me of cutting off a great man’s dong in print ...”

“... of London, where his paternal grandfather had settled in the 1870s. The week Hobsbawm left Berlin, Guy Liddell, MI5’s German-speaking deputy head of counter-espionage, arrived from London. The fearful symmetry in this – history throwing us a stray bone of coincidence – will become clear. Liddell left London on 30 March, and stayed for ten days. He had ...”

“... cool luminous reportage that reminds one of the work of our more storied essayists, Joan Didion or John McPhee. In the past few years the incidence of these big books has increased rapidly: three years ago, Christopher Bram published his Washington tale, Almost History; in 1994, Laura Argiri’s 19th-century melodrama The God in Flight came out, along with ...”

“... a red herring.’ Hitchcock plays on Grant’s innate smooth/twitchy quality (normal, good-looking guy makes small but lethal mistakes) and widens it, makes that image of Grant stand for something like the causality of the film, almost turns his nature into a plot device. This is perfectly illustrated by the alien suit: it emphasises an awkwardness which is ...”

“... foreign to Erasmus’s own style: ‘Holy Father’, for ‘Summus Pontifex’ or ‘Father’ John Fisher for ‘R.P. Johannes Phischerius’. Foreign, too, is the Anglican ring of ‘My Lord Bishop’ (for ‘Reverendissime Praesul’). Saddest of all, that syncretism which led pious Renaissance Christians to apply to God the revered titles of Antiquity ...”

“... coal-owner’s estate in Lawrence to David Storey’s Radcliffe and homoerotic fumblings among the guy ropes. There is the same smack of Mosleyite fellow-travelling that Ishiguro exploits in The Remains of the Day. ‘Stand in the snug every Sunday after service, pull on his thumbs and brag about National Socialism.’ Wodehouse revised by James ...”

“... With the introduction of the private detective film four years later, the other noir founders, John Huston and Humphrey Bogart, shifted audience identification from hunted to hunter. Dashiell Hammett’s Sam Spade in The Maltese Falcon made Bogart a star, although the refugee Peter Lorre provides the film’s only moment of genuine fright Wilder, the ...”

“... opera buffa that keeps delivering.As well as Epstein and Maxwell it can offer such bit players as John Bryan; Steve Wyatt, ‘a hunky Texan oilman’, and his biological father, Bobby Lipman (who killed a young woman while tripping); Ruth, Lady Fermoy; Major Ron Ferguson’s loyalty to the Wigmore Club (a massage parlour); the queen mother’s lodged ...”

“... what amounts to the same schedule of risks. This spells a bad day for the project pioneered by John von Neumann and Oskar Morgenstern in the mid-20th century, of creating univocal preference functions for individual economic actors based on their revealed preferences. Someone who prefers one outcome to another when it’s presented in one way, but reverses ...”

“... striking attitudes with the duff public art we passed along the way. Our most love to loathe is John Ravera’s In Town, an anodised couple chucking their malshapen baby between them, which stands at the southern end of Battersea Bridge. We stopped at a vintage comic store in Putney where the proprietor, although a ringer for Comic Book ...”

“... it’s being republished now with the open aim of reaching the sizeable audience that resurrected John Williams’s Stoner and Richard Yates’s Revolutionary Road. All three books share an interest in sad marriages and a certain amount of diffuse self-pity, but strenuous Flaubertian realism as practised on a mid-20th-century American campus, provided in ...”

“... her fault, poor dear. Twenty years earlier she might have been trading poisoned darts with John Barrymore. But she and her sorority sisters were condemned to representing a girdled, uplifted world whose only edges were in the bones and stitching of their foundation garments. Faced with so much overwhelmingly off-putting evidence, the feminists, and ...”

“... himself with a friend, surf journalist Marcus Sanders. Their translation is into the vernacular of guy inarticulateness, with a little slang, which is to say its frequent awfulness must be intentional. Throughout most of the English-speaking world, citizens speak English like, well, native speakers, and the ability to speak well is a pleasure and a power. But ...”