“... gloss of gore. Another dialectical metaphor, deployed as the Volunteer is leaving the ‘broad brown murk’ of the Humber – ‘To north and south, a scanty shoreline welds the rusted steel of estuary and sky’ – welds the supposed opposites of nature and industry (and the rust is a reminder that industry is not immune to nature, that the destructive ...”

“... appear effete and irrelevant’. Over the years, a lot of these effete and irrelevant artists – John Updike, Norman Mailer, Jonathan Franzen – have launched tirades against him. The most concise comes from John Irving, commenting red-faced and furious on live TV: ‘Wolfe’s problem is, he can’t bleeping ...”

“... gnomically (but it’s the truth), ‘Beckmann was time.’ He was successful early, painting John Martin-like catastrophes on a huge scale: visionary, awful, sandy things. The first monograph on him appeared before the First World War, when he was still in his twenties. In the war, he was an ambulance man on the Western Front, before suffering a complete ...”

“... sexual assault. The political centre of the court now shifted from Kennedy to the chief justice, John Roberts. Appointed by George W. Bush in 2005, Roberts was at one time a reliable Republican. He has been a bit less predictable of late, principally because, as chief justice, he is trying to ensure that the court retains a veneer of respectability. Roberts ...”

“... which survives in British Library Harley MS 2250.)The manuscript is unprepossessing. It is a bit brown and the scribal hand is functional, unremarkable, almost ugly. For Simon Armitage the scribe’s letter forms are ‘like crusading chess pieces’, which is a disservice to chessmen. Sometime after it was written, it was illustrated by an artist endowed ...”

“... working people. The earliest known written account of hitchhiking was by a student named Charles Brown Jr, who in 1916 described his 800-mile journey from Fort Wayne, Indiana to New York City. He got rides from, among others, a priest, an artist, a teacher and a doctor, the last of these so fascinated by Brown’s ...”

“... interested in the work of Fernand Léger, whose latest paintings combined Cubism and Futurism: John Golding has construed Malevich’s 1912 painting The Knife Grinder: Principle of Flickering as ‘a marriage between Léger’s Woman in Blue and Duchamp’s Nude Descending a Staircase of 1912’. Like Duchamp’s painting, The Knife Grinder depicted motion ...”

“... converge, just opposite the modern parliament building, and for some miles downstream, the pale brown and blue waters run next to each other, unmixed. The site was chosen by Ismail Kamil ‘Pasha’, son of Muhammad Ali, khedive of Egypt, who had dispatched an army to conquer what is now Sudan. He also licensed a multinational band of freebooters to roam ...”

“... John Minton’s face is familiar – if not from the self-portrait now in the National Portrait Gallery, then from the likeness he commissioned from Lucian Freud and bequeathed to the Royal College of Art. It is very long, large-eyed, hollow-cheeked, with a receding chin and dark tousled hair. Photographs suggest that the self-portrait is a better physical likeness; the truth about his emotional state seems to lie with Lucian Freud ...”

“... bobbing on a sea of angry spume. One good example came nearly two years ago when he quoted Gordon Brown’s notorious line about ‘neo-classical endogenous growth theory’, which had been provided by Brown’s adviser, Ed Balls. ‘So it wasn’t Brown. It was Balls.’ The celebrated ...”

“... A relief, then, to turn from all this deranged big-talk to some sturdy English self-effacement. John Haffenden is steadily becoming the closest we have to a domestic version of the Mansos and Grobels. He has already published a book of earnest conversations with a dozen or so poets and this month he gives it a companion: Novelists in Interview.2 Plodding ...”

“... mean something like ‘went boldly on public record’. To his intimates he was candid enough. To John Blaikie, one of his earliest friends, he recounted in 1874 how, on the occasion of an accident that had put him in fear of death, ‘the Christian revealed religion had never seemed so little worthy of belief.’ When A.C. Benson asked him what he believed ...”

“... you sipped it. The drip-and-strainer method produced a fiendishly strong brew, an opaque deep red brown, which was then sweetened with two teaspoonsful of sugar. You weren’t supposed to taste the milk, it simply stopped the tea being transparent. My grandfather, whom I remember meeting only once, in a room somewhere in the East End that smelled of old age ...”

“... of democracy and with it the BBC and Patten. In 1997, Murdoch was more interested in wrecking John Major’s media legislation than anything else, and had procured from Tony Blair a promise that once in power he would dilute any such legislation. McKnight also argues – convincingly – that were Murdoch interested only in the opinion polls he would have ...”

“... part-Spanish friend is often ‘black’ if there is a hint of Africa in his or her make-up. John Bellew, the husband of Clare Kendry in Nella Larsen’s exquisite novel Passing (1929), responds violently when he finds out that Clare, who has cheeks of ‘ivory’ and hair the colour of ‘pale gold’, is ‘black’. All those years, ...”