What sort of man?

P.N. Furbank, 18 August 1994

The Letters of Robert Louis Stevenson. Vol. I: 1854-April 1874 
edited by Bradford Booth and Ernest Mehew.
Yale, 525 pp., £29.95, July 1994, 0 300 05183 2
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The Letters of Robert Louis Stevenson. Vol. II: April 1874-July 1879 
edited by Bradford Booth and Ernest Mehew.
Yale, 352 pp., £29.95, July 1994, 0 300 06021 1
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... if one thinks of it, must have lain in a kind of innocence, the insouciance of a born talker. He may have been all the bad things I have called him, but unaffectedly so and without calculation; if he was self-obsessed, he was unselfconsciously self-obsessed. The effect he made on the Osbourne family, when they first set eyes on him, is suggestive. It ...

Agreeing what’s right

Peter Dews, 13 May 1993

Faktizität und Geltung: Beiträge zur Diskurstheorie des Rechts und des demokratischen Rechtsstaats 
by Jürgen Habermas.
Suhrkamp, 667 pp., October 1992, 3 518 58127 9
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... work has been an anxiety that the institutions and practices of the modern democratic state may not be sufficiently firmly anchored in the traditions of German thought and politics. He is convinced that the emancipatory potential of such a state needs to be defended against the powerful current in German philosophy and culture which views democratic ...

Character Building

Peter Campbell, 9 June 1994

Black Riders: The Visible Language of Modernity 
by Jerome McGann.
Princeton, 196 pp., £25, July 1993, 0 691 06985 9
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Letters from the People 
by Lee Friedlander.
Cape, 96 pp., £75, August 1993, 9780224032957
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Margins and Marginality 
by Evelyn Tribble.
Virginia, 194 pp., $35, December 1993, 0 8139 1472 8
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... illustrators and calligraphers, is set stumbling by the weight of its clothing. The aesthete may be charmed, but readers qua readers look only for puritan neatness. Billboards and headlines catch the eye, but if you want more than a few sentences to be read you had best turn to anaesthetic greyness and deny the eye its desire to find visual amusement in ...

Wild Bill

Stephen Greenblatt, 20 October 1994

Essays on Renaissance Literature. Vol. II 
by William Empson, edited by John Haffenden.
Cambridge, 292 pp., £35, May 1994, 0 521 44044 0
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... 1,000 miles an hour, nearer a quarter than a third of a mile a second. ‘More than twice’ that may be put at two-thirds. At the latitude of Athens the cruising royalties, as they keep pace with the dawn, go at about 800 miles an hour, almost a quarter of a mile a second. The working fairy goes almost three times as fast as they do, but they can catch up ...

Where the hell?

Michael Wood, 6 October 1994

The Crossing 
by Cormac McCarthy.
Picador, 426 pp., £14.99, August 1994, 9780330334624
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... hardly even suited to be Mexican.’ ‘I’ve no sympathy with people to whom things happen. It may be that their luck is bad, but is that to count in their favour?’ But an alarming number of others seem to have stepped straight out of the condescending dreams of D.H. Lawrence and Malcolm Lowry, all immemorial wisdom and ethnic patience. They say things ...

Cheeky

Norman Page, 16 March 1989

Collected Letters of Thomas Hardy: Vol. VI, 1920-1925 
edited by Richard Little Purdy and Michael Millgate.
Oxford, 379 pp., £27.50, March 1987, 0 19 812623 9
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Collected Letters of Thomas Hardy: Vol. VII, 1926-1927 
edited by Richard Little Purdy and Michael Millgate.
Oxford, 304 pp., £29.50, October 1988, 0 19 812624 7
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Thomas Hardy: The Offensive Truth 
by John Goode.
Blackwell, 184 pp., £17.95, September 1988, 0 631 13954 0
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The Thomas Hardy Journal. Vol. IV: October 1988 
edited by James Gibson.
Thomas Hardy Society, 80 pp., £2.50, October 1988, 0 00 268541 8
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Hardy’s Metres and Victorian Prosody 
by Dennis Taylor.
Oxford, 297 pp., £32.50, December 1988, 9780198129677
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Collected Short Stories 
by Thomas Hardy.
Macmillan, 936 pp., £16.95, October 1988, 0 333 47332 9
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... therefore, a text quite different from that of a novel or an autobiography, even though they may offer some of the same satisfactions. They are less a Greek urn than a heap of shards. All we know of Hardy, moreover, leads us to suspect that, as with Jane Austen and others, some of the letters we should most like to read are missing. In the final ...

Updike’s Innocence

Craig Raine, 25 January 1990

Just Looking: Essays on Art 
by John Updike.
Deutsch, 210 pp., £19.95, November 1989, 0 233 98501 8
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... see a wrapped brie or camembert with the maker’s name, Eugene Martin, prominently displayed. It may be a parcel, of course. Without looking at the original, it is impossible to be certain, though even in reproduction the label looks printed rather than hand-printed like an address. At any rate, a parcel wouldn’t make quite the Cubist point that Gris is ...

Clean Sweep

Philip Horne, 10 May 1990

Love and Garbage 
by Ivan Klima, translated by Ewald Osers.
Chatto, 217 pp., £12.95, March 1990, 0 7011 3362 7
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The Storyteller 
by Mario Vargas Llosa, translated by Helen Lane.
Faber, 246 pp., £12.99, April 1990, 0 571 15208 2
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The Chase 
by Alejo Carpentier, translated by Alfred Mac Adam.
Deutsch, 122 pp., £9.95, March 1990, 0 233 98550 6
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Aura 
by Carlos Fuentes, translated by Lysander Kemp.
Deutsch, 88 pp., £9.95, April 1990, 0 233 98470 4
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... did not thus acknowledge the fictionality of its own constructions could never escape falsity. It may be that Vargas Llosa has based The Storyteller entirely on actual experiences of his; that nothing in it lacks its corresponding reality. Yet unlike many autobiographers who report, decades after the event, pages of speech as if verbatim, the narrator ...

Being splendid

Stephen Wall, 3 March 1988

Civil to Strangers 
by Barbara Pym.
Macmillan, 388 pp., £11.95, October 1987, 0 333 39128 4
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The Pleasure of Miss Pym 
by Charles Burkhart.
Texas, 120 pp., $17.95, July 1987, 0 292 76496 0
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The World of Barbara Pym 
by Janice Rossen.
Macmillan, 193 pp., £27.50, November 1987, 0 333 42372 0
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The Life and Work of Barbara Pym 
edited by Dale Salwak.
Macmillan, 210 pp., £27.50, April 1987, 0 333 40831 4
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... perhaps the circumstances in which she wrote it seemed, after the war, too distant; and it may be that it was too closely attached to her private feelings anyway. As many of her critics remark, Barbara Pym’s fiction characteristically takes off from some autobiographical reality: the unexpectedly high incidence of anthropologists, for instance, is to ...

Making a mess

Adam Phillips, 2 February 1989

Mother, Madonna, Whore: The Idealisation and Denigration of Motherhood 
by Estela Welldon.
Free Association, 179 pp., £11.95, November 1988, 1 85343 039 0
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... their fathers. It is Estela Welldon’s point in this often sympathetic book that maternal incest may be more pervasive than Freud was able to recognise. Psychoanalysis began, however, with the really very puzzling question of the difference between adults and children: that is, the significance of the link between desire and the capacity for reproduction (a ...

Diary

Patrick Wright: The Cult of Tyneham, 24 November 1988

... lamented ruin had become confused with an idea of salvation. As a perfect English village, Tyneham may have been destroyed, but at least it had been spared the many degradations of the post-war period. Nobody had widened the roads, fluoridated the water or filled the place with holiday bungalows. There had been no consumerism or television to foster aberrant ...

Last Farewells

Linda Colley, 22 June 1989

Citizens: A Chronicle of the French Revolution 
by Simon Schama.
Viking, 948 pp., £20, May 1989, 0 670 81012 6
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The Oxford History of the French Revolution 
by William Doyle.
Oxford, 466 pp., £17.50, May 1989, 0 19 822781 7
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The Shadow of the Guillotine: Britain and the French Revolution 
by David Bindman.
British Museum, 232 pp., £14.95, June 1989, 0 7141 1637 8
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... attitudes have persisted. Confronted in 1989 with the bicentennial of the French Revolution, we may still feel inclined to see that event through the complacent, uncomprehending and too easily condemning eyes of a Sidney Carton or a Scarlet Pimpernel. And this is deeply unfair. Yet traditional British distance from – and distaste for – the French ...

Heart-Stopping

Ian Hamilton, 25 January 1996

Not Playing for Celtic: Another Paradise Lost 
by David Bennie.
Mainstream, 221 pp., £12.99, October 1995, 1 85158 757 8
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Achieving the Goal 
by David Platt.
Richard Cohen, 244 pp., £12.99, October 1995, 1 86066 017 7
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Captain’s Log: The Gary McAllister Story 
by Gary McAllister and Graham Clark.
Mainstream, 192 pp., £14.99, October 1995, 9781851587902
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Blue Grit: The John Brown Story 
by John Brown and Derek Watson.
Mainstream, 176 pp., £14.99, November 1995, 1 85158 822 1
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Kicking and Screaming: An Oral History of Football in England 
by Rogan Taylor and Andrew Ward.
Robson, 370 pp., £16.95, October 1995, 0 86051 912 0
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A Passion for the Game: Real Lives in Football 
by Tom Watt.
Mainstream, 316 pp., £14.99, October 1995, 1 85158 714 4
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... from ‘eager-midfield-runner’ to ‘man-capable-of-magic-moments’. Without that goal, Platt may not have been so lucratively pursued by the Italians. He may not even have lasted in the England team. Graham Taylor, though, was always a Platt fan, and Platt owes a lot to Taylor. One of the most strenuous sections of ...

Social Workers

David Cannadine, 5 October 1995

Royal Bounty: The Making of a Welfare Monarchy 
by Frank Prochaska.
Yale, 352 pp., £19.95, October 1995, 0 300 06453 5
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... sovereign that this nation has ever known. Even his sons, who enjoyed a bad press in their day, may have escaped complete derision because they were more involved with charitable associations and voluntary societies than posterity has generally recognised. Predictably, George IV was less generous to others than his father had been, while being much more ...

Post-Retinal

Harry Mathews, 28 November 1996

The Private Worlds of Marcel Duchamp: Desire, Liberation and the Self in Modern Culture 
by Jerrold Seigel.
California, 291 pp., £28, September 1996, 0 520 20038 1
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... now in Philadelphia.) The ready-mades, too, are gathered into Duchamp’s private world. They may have signalled a radical displacement of art from the domain of making to mental distancing, but before they became public they existed already as shorthand emblems of frustration or subverted purpose in the artist’s personal vocabulary. They augmented ...