At the MK
Brian Dillon: Gerard Byrne, 31 March 2011
“... and image, and especially the vexed relay between written and photographic evidence. Loch Ness may seem a whimsical subject for an artist whose source material has recently included psychiatric reports on Nazi war criminals and interviews from the 1960s with Minimalist artists, but it’s worth considering the machinery of print and picture by which the ... ”