At Tate Modern
Brian Dillon: Klein/Moriyama, 22 November 2012
“...  he was the graphic equal of Irving Penn and a far stranger photographer than, say, David Bailey or Richard Avedon. But then he has long been ambivalent about his fashion photography; already in 1966 he had skewered that milieu with Who Are You, Polly Maggoo?, the first in a series of satirical films that would take up much of his next decade. Klein effectively ... ”