“... intelligence that compensates for growing old. As Hercule Poirot had waxed moustaches, Lord Peter Wimsey collected first editions and Nero Wolfe wore yellow pyjamas, so Wexford is the sort of man who is always badly dressed and is never certain of having a clean handkerchief. Like Appleby, he has a tendency to quote from literature, but the detective ...”

“... It takes no time to see that Peter Ackroyd’s Hawksmoor is a book wrought with extreme cunning. A slower discovery arrives, that this virtuosity on the surface goes with imaginative density and profundity of inquiry. Inquiry into many related topics: the vagrancy of youth, the corruption of obsession, the permanence of evil ...”

“... a misplaced desire to tease. John Wilkes met all these criteria, and was therefore much loved. Peter Thomas has produced the first serious study of Wilkes for some years. This neglect is surprising, in that Wilkes was the quintessential English Radical. With few teeth, a pronounced lisp and one of the most famous squints in history, he leers out of ...”

“... been incorrectly diagnosed and of the wrong answers half had come from specialists in cardiology. Peter Fleming’s absorbing history does not contain this sobering information, but then it stops at 1970 – and on an upbeat note, with the introduction of cyclosporin, the immunosuppressant drug, and an improved outlook for heart transplant patients. What ...”

“... and concluding that it could go either way. Formally, too, he errs on the side of prudence. Unlike Peter Ackroyd, Holroyd doesn’t insert fictional passages; nor does he emulate Edmund Morris’s insertion of himself – as a schoolboy – into a life of Ronald Reagan. But he’s there nonetheless. It’s been possible to detect Holroyd’s presence in his ...”

“... Until this week I had read no work written by G.M. Trevelyan since my schooldays. No Cambridge supervisor that I can recall ever recommended any of his books, and I have certainly never prescribed them to my own students. Like most people, I knew – or thought I knew – that he had defined social history as ‘history with the politics left out’, and that he was one of the chief stuffed carcasses in the mausoleum of Whig history ...”

“... an illusion. This is the hell most modern folk enter when they feel worthless; it is not dull to read about because negation is enacted through a surprising wealth of images. In one episode the poet shelters in the porch of a deserted church. It contains a sculpture of a sphinx menacing an angel holding an upright sword. Dozing, the poet is wakened by a ...”

“... Peter Ackroyd’s new novel is partly a narrative, partly a series of rhapsodies and meditations on the nature of English culture, written in the styles of various great authors. It is an important and a depressing book, its importance more or less in direct proportion to the depth of the gloom it sheds. With luck we may one day look back on it as the last ‘English’ novel ...”

“... bowl a long-hop.’ Denis Compton said: ‘He is a yobbo, who was never as good as he thinks.’ Peter May and his selectors refused even to pick Botham for England after the ban had expired. Was all this really because the game had been ‘brought into disrepute’ through Botham’s article on cannabis? Cannabis is illegal, but it is not dangerous, as far ...”

“... Seamus Deane that we must bring nothing of ourselves, of our personal experience to a poem when we read. A poem was a verbal structure, and our job was to define the nature of its structure. Thus a poem could be read in the same way by a student in Kenya, at Oxford, in Philadelphia, in darkest Australia and here in ...”

“... think I don’t need to. My first reading, before any reviews appeared, concurs with what I took Peter Ackroyd to be saying on Kaleidoscope, that the bulk of the narrative can be read and enjoyed in a moderately literal way as a mystery story set in London, even though the mystery turns out to be not soluble at this ...”

“... of narrative in The Penguin Book of Contemporary British Poetry being so widely and respectfully read, and well-directed too, since it clarifies what’s confused in the Penguin introduction by the editors’ simultaneous recommendation of Post-Modernist ‘secrecy’ and the Keatsian ‘long poem’. The kind of story which flows from A to Z is clearly not ...”

“... it, or at least he has not found it in anything like the shape any of us imagined it, and having read this book, I am prepared to accept, like a reformed gold-digger on the Sierra Madre, that Wilsonia never existed: that there never was a simple, secret explanation for Wilson’s resignation. His own explanation was probably true – he had had enough. It is ...”

“... Four possible candidates, varying in attainments, would be T.E. Lawrence, Robert Graves, Peter Fleming (perhaps both Flemings) and Richard Hughes. It makes no difference that Lawrence was half-Irish, the Flemings mostly Scottish, and Hughes partly Welsh. The presidential or father figure of the group would be John Buchan, another Scot, whose innings ...”

“... it liked to boost its profits. The speculators and get-rich-quick merchants date from long before Peter Rachman’s Sixties and the Yuppie Eighties. In the history of London, Porter suggests, greed had carte blanche. The free-for-all continued, with neither local nor Parliamentary government overseeing London’s growth, until the setting up of the London ...”