“... about names – he has been known to refer to Liam Brady as ‘Ian’, to Paul McGrath as ‘John’, and during the World Cup described Egypt’s best players as ‘the boy with the beard, the dark lad who played in midfield, the sweeper, the goalkeeper, the little dark lad who played in midfield and the very coloured one’. Political pressure from the ...”

“... their pictures; of others, we know their names but nothing by them; of very few, other than John Wootton and George Stubbs, do we have the materials to begin to construct a life. This is partly because sporting artists were often itinerant, and worked largely in the provinces, but it speaks also of the lowly status that has always been allotted to ...”

“... but in his instinct for the paramount importance of such things in the life of a university. As John Sparrow and others have pointed out, and as Dr Green exhibits, Patti son was the champion of a university not as a training ground – ‘a school for young men who have outgrown school’, as he put it – but a place where learning really mattered, and one ...”

“... Edward III in Stratford. It’s a rainbow copy of The Shakespeare Apocrypha, scribbled over by John Barton when he was at King’s, with blacklead for Shakespeare, green for Greene and, jokily, orange for Peele. This is the good thing about ‘Shall I die?’, that it drives you back to the ‘margins’ of the oeuvre. And what a play you find ...”

“... of Morgan’s own way of writing. They were fellow connoisseurs of J.H. Shorthouse’s novel John lnglesant, often mentioned in Morgan’s novels, of the Nicholas Ferrar community, of the moment               while the light fails On a winter’s afternoon, in a secluded chapel ... Eliot, we know, read The Fountain with enthusiasm, and ...”

“... 18th-century critic Maurice Morgann suggested in his ‘Essay on the Dramatic Career of Sir John Falstaff’, Shakespeare’s art is to make us infer far more material about the nature and potential of his characters than is needed for the action of the play. Cordelia is not pinned to her filial devotion and her demise at the hands of Edmund’s ...”

“... level, there is rivalry among two of Freddie’s pupils to fill the part of Prince Arthur in King John. One boy is crude but magnetic and destined for stardom; the other is finer-grained, a true Thespian. Their opposition is less interesting than Fitzgerald’s sharply accurate evocation of an old-style West End production of Shakespeare, footlights and ...”

“... He usually picked on a big beast – big, that is, in the little world of Oxbridge English. John Carey, for instance, is lampooned for his ‘naivety’ in taking Shakespeare’s plays as ‘a good sample of how vivacious the English language was in the playwright’s day’. (This is really just an excuse for Griffiths to perform an imagined dialogue ...”

“... he calls the ‘a priori’ languages, thought up by such as the 17th-century Bishop of Chester, John Wilkins, or by Leibniz, in order to remedy the perceived illogicalities of existing languages, are mimetic in one sense, because the verbal forms they contain are derived from an analysis of the perceived properties of the things or ideas they stand for; but ...”

“... the heroine (born in 1844 and now 17) has been brought up. The inmates are described, among them John Vroom, ‘a thin, dark, knifish boy about fourteen’ whose doxy is (implausibly) ‘stitching dog-skins onto stolen dogs, to make them seem handsomer breeds than what they really were’, as Vroom himself does ‘a deal with a dog-thief. This man had a ...”

“... used vociferously to demand, who will analyse the analysts, if not the artist? Philip Roth, like John Updike, is a survivor from the glory days of the heavyweights, the Hemingways and the Faulkners and the Bellows. His first book, the story collection Goodbye, Columbus, published in 1959, won the National Book Award, a notable achievement for a tyro in his ...”

“... Small boys​ of all ages and both genders look forward to World Cups. Perhaps nobody, though, looks forward to it more than actual small boys. I’ve been looking forward to them ever since my first, in 1970 – the best, I still think. The thing I remember almost as well as the drama and excitement of the football was my incredulous horror at the thought that I would be 12 before this thing came round again ...”

“... Chronic Symbiosis These things can be arranged, he said. Besides, glitter has become reasonable again. Hadn’t you heard? For one irrational second I thought today’s subject was plagiarism, as symbolised by that desk. But no, it’s joy in never knowing, in having once known, and in its still not being too late to know. Yes, but I know now that I knew long ago when children around me grew ...”

“... Promenade My mind occupied by something, I notice shoals of dry leaves rattled by the wind, upsurging like a dog that’s starting to lie down, and a voice like that of my mother says, ‘Then you’ll just have to learn to do without it. The leaves are shells.’ Another time the voice brings me back from not too far away. I was imagining sisters, how a door holds sway over one’s long life, only coming at the end to a ‘foolish consistency’, by which time one has passed all the reasonable objections, is on one’s own ...”

“... It is not true that the exchange of goods at the end of the Cold War was entirely one-sided. Granted, the Soviet bloc got gangster capitalism, rampant inequality and freeish elections; but we got some things too. Prominent among them has been the utterly choreographed, wholly undemocratic party congress. These were once a derided feature of Communist states ...”