“... celebrity Axel Munthe. His extraordinary memoir, The Story of San Michele, was published by John Murray in 1929, when Munthe was 72. The first edition rapidly sold out; it went into its 20th impression in January 1931, and has been in print ever since.* The reasons for its wide and enduring appeal have to do partly with its subject-matter – Munthe led ...”

“... and two King Richard plays, which relate the origins and course of the Wars of the Roses, and King John. But there are also extensive discussions of the contemporary political pertinence of Titus Andronicus, Julius Caesar, Hamlet, Troilus and Cressida and even The Merry Wives of Windsor.The detection of real-life parallels in Shakespeare has a long and often ...”

“... end – five exhalations, bray of expiry,      absolute silence ... Under the Festival Hall is a foetid    tenebrous concert strobed by blue ambulance light.  PVC/newspapers/rags Since Reading on the first and last pages of this book imitates these ‘five exhalations’, it’s curious that there are actually six in Sibelius’s ...”

“... an oblique and unsolicited tribute. There is evidence of this persistent dialogue of the deaf in John Hollander’s excellent book, The Gazer’s Spirit: Poems Speaking to Silent Works of Art, a learned study of the tradition of ekphrasis – poetic description of paintings – illustrated by a ‘gallery’ of paintings and their tributary poems: Aretino on ...”

“... between their female labourers and male foreman’. One girl was pursued by another into the hall, where the master of the house, Rudyard Kipling, ‘found her looking like Britannia on her pitchfork and howling “Ther dirty woman!” ’ This book has no axe to grind. It draws discriminately on published memoirs and aristocratic archives to build up a ...”

“... piece on radical pirates after the Restoration; Wilson Hays offers an interesting study of John Everard; and there is some predictably tough and valuable political analysis from David Underdown and Nicholas Rogers. What emerges from most of these essays, however, is not so much the undoubted ideological confluence of English and American radicals, as ...”

“... At some time in the 1730s Sir John Clerk of Penicuik, Midlothian, wrote down advice on the building of what he called ‘a family house’. This should consist of a central main block and two side pavilions, as a precaution against destruction by fire. ‘The main or chief Body of the House ought to be at Least double the Bigness of each pavilion and may serve chiefly for lodging the Master of the family and the better kind of Guests who come to visit him ...”

“... society’ at home. In 1932, he and a committee which included the three big N’s – Namier, Sir John Neale and Wallace Notestein – submitted to Parliament a report on the possibility of a multi-volume history of the House of Commons: ‘We were the first people to govern ourselves through responsible representatives. We may be the last. The institution is ...”

“... real: he chooses from it the gestures, the moments and places that will be most revelatory’; and John Ford, for whom ‘creation is only that unique and decisive gesture – giving things a name.’ Antonioni is admired for his ‘establishment of distance’ and Woody Allen for the ‘rarefaction of images and particularly of angles … theorised in Annie ...”

“... rationalist, anti-clerical and republican, showing more affinity with the Co. Derry freethinker John Toland (1670-1722) than with such rosary-bead nationalists as Pádraic Pearse. After Toland, the figure that mattered most to him, historically at least, was Wolfe Tone. The rising of the United Irishmen in 1798 has long been important for republicans ...”

“... made to suggest that he chafed at his isolation and even objected to the new Mao Zedong Memorial Hall in the village below. The narrative has had to be padded with slender recollections by bodyguards and guesthouse staff. These mostly dwell on the familiar hagiographic theme of Mao’s simple tastes in food and clothing. It was simplicity with no expense ...”

“... Denisovich, the zeks’ pleasure in brick-laying for its own sake, their utter contempt for the Hall of Socialist Advancement for which they are laying the bricks. Probably to avoid trouble with the censorship, Dostoevsky also uses a ‘distancing’ device in The House of the Dead of a Pushkinian kind, one he would perfect later. Goryanichikov, the ...”

“... who knocked me flat before I could think, before I knew a thing, leaving me no way back, and took John Keats in a room by the Spanish Steps, stanza della morte, where I caught one glimpse of the flowered beams and fainted fast, and took Pierre Bonnard who delved with me deep in the mysteries of domesticity, year in, year out, leaving me no way back, and took ...”

“... Stradling, Beatrix Campbell, Deirdre Beddoe, Stephen Sedley, Lynette Hunter, Andy Croft, Stuart Hall, Antony Easthope and Christopher Norris. The attacks are now commonplace. Raymond Williams and other writers have been making them for several years. What they amount to is this: Orwell, ostensibly a man of the Left, made his work available to the Cold War ...”