“... feels a certain amount of foreboding, wondering ‘what sort of “beasts” required a seven-foot-high electric fence’. The Restraint of Beasts cheerfully exploits literary conventions lifted from Kafka, Beckett and Pinter. There is much terse dialogue loaded with menace: Donald subtly adjusts the heating and lighting in his office according to the ...”

“... to dissolve into it. At other times the art overwhelms the space. Michael Heizer has cut four 22-foot steel-lined holes in various versions of cones and cubes, but its scale seems wrong, too compressed, like an earthwork beamed inside a museum, and already a clear partition protects against the inadvertent plunge. Other Dia stalwarts are not served as well ...”

“... art-historical spotlight after three centuries in the wings. But commentators are all on the back foot. We might argue that having trained in the north, Caravaggio learned artistic manners brasher than those with which his central Italian contemporaries felt comfortable, and that Counter-Reformation ideologues approved of this trenchant approach. It is ...”

“... a ship called the Zembla). McGuire’s opening sentence is an ironic allusion to John’s gospel – ‘Then came Jesus forth, wearing the crown of thorns, and the purple robe. And Pilate saith unto them, Behold the man’ – but it also recalls the beginning of the novel that The North Water most resembles, Cormac McCarthy’s Blood ...”

“... gnomically (but it’s the truth), ‘Beckmann was time.’ He was successful early, painting John Martin-like catastrophes on a huge scale: visionary, awful, sandy things. The first monograph on him appeared before the First World War, when he was still in his twenties. In the war, he was an ambulance man on the Western Front, before suffering a complete ...”

“... think of asking the question. And it turns out that sex is a very big problem for biologists, as John Maynard Smith explains in one of the most readable essays of this book, an essay that he has simply entitled, ‘Why sex?’. Maynard Smith is an emeritus professor of biology at the University of Sussex and the foremost theoretical biologist in ...”

“... David Bindman does not think that Hogarth was joking when he gave one of his contemporaries, John Nichols, a comic demonstration of minimalism: it took the form of a diagram composed of three lines and he claimed that it contained his memory of ‘a Sergeant with his pike going into an Ale House, and his Dog following ...”

“... By the time you read me, anything might be happening. Brian Clough or Bob Stokoe or Elton John could be the new England manager, nursing bruised dreams for the World Cup in 1986. On the other hand, Sir Ron Greenwood might even now be contentedly inspecting the hotels in Bilbao, hoping to find a likely venue for the lads next summer. Thanks to a series ...”

“... in the dock denies dishonestly handling the video: he says he got it in the pub off a man called John. ‘John who?’ asks prosecuting counsel. ‘Dunno,’ says the accused. ‘How long have you known him?’ says counsel. ‘Oh, we’ve drunk together for years,’ says the accused. ‘And you don’t know his ...”

“... a trail, a trod, a path, a highway. Ever since my memory began I have followed such tracks with foot and eye: the stony, grassy drove roads along which herds and flocks travelled from Aberdeenshire to southern trysts and marts; the white blaze where scree pours down a mountainside from a gap in a solid crag; the slowly vanishing wake left by a liner among ...”

“... no prerogative but what the law of the land allows him,’ he was echoing what his predecessor Sir John Fortescue had written in the 15th century: the king had no power to alter the law (that was for Parliament) or to administer it (that was for the judges). He was also reacting to what the law reporter John Hawarde had ...”

“... Press. Girodias is one of the major characters in Campbell’s story, and the major character of John de St Jorre’s preposterously indulgent narrative of what he calls ‘the erotic voyage of the Olympia Press’. Girodias was a publisher not only of the forbidden avant garde, but also of pornography. The Merlin boys got into the act, forming a kind of ...”

“... In ‘A Wave’, the title-poem of his new collection, John Ashbery says, among many other things: One idea is enough to organise a life and project it Into unusual but viable forms, but many ideas merely Lead one thither into a morass of their own good intentions. The reference to ‘one idea’ recalls the passage in ‘Esthétique du Mal’ where Wallace Stevens dismisses                                      the lunatic of one idea         In a world of ideas, who would have all the people Live, work, suffer and die in that idea In a world of ideas ...”

“... in circumstances that had a lasting effect. On 11 November 1975 the Governor-General, Sir John Kerr, dismissed Whitlam as Prime Minister, dissolved both houses of parliament, and installed the leader of the opposition, Malcolm Fraser, as head of a caretaker government pending immediate elections. It was the gravest crisis in Australian history. Hawke ...”

“... then died out, and with them the magic left the world. In the north of Westeros there’s a 700-foot-high wall, built to keep out ‘white walkers’, terrifying undead magical sort-of zombies who once lived in this same north and were a mortal danger to men. The wall is guarded by the Night’s Watch, a sworn order of men who take a lifelong oath to defend ...”