Other Selves

John Bayley, 29 October 1987

How I Grew 
by Mary McCarthy.
Weidenfeld, 278 pp., £14.95, September 1987, 0 297 79170 2
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Myself and Michael Innes 
by J.I.M. Stewart.
Gollancz, 206 pp., £12.95, September 1987, 0 575 04104 8
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... dramatic sketch for Rayner Heppenstall and the Third Programme, for instance, which featured Henry James being driven in Turn of the Screw country in Edith Wharton’s car, and catching sight of the notice MOTORISTS! BEWARE OF THE CHILDREN. Nice to feel that a past could consist almost wholly of anecdotes, and of a self constructed by their ...

Capital W, Capital W

Michael Wood: Women writers, 19 August 1999

Women Writers at Work 
edited by George Plimpton.
Harvill, 381 pp., £9.99, February 1999, 1 86046 586 2
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Just as I Thought 
by Grace Paley.
Virago, 332 pp., £8.99, August 1999, 1 86049 696 2
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... she describes is familiar, and memorable, and can be recognised more generally. The pages of Henry James, for example, are full of a sexual desire he has ‘forgotten’ in this sense, that is, neither shouted out nor encrypted nor entirely repressed, just allowed to slip beyond the reach of his conscious word-choices. In her very sharp introduction ...

Life and Death Stuff

Amanda Claybaugh: Claire Messud, 19 October 2006

The Emperor’s Children 
by Claire Messud.
Picador, 431 pp., £14.99, September 2006, 0 330 44447 6
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... of age. An accomplished novelist of manners, Claire Messud writes in the tradition of Jane Austen, Henry James and Edith Wharton. Her first novel, When the World Was Steady, even nods to Austen through one of its plots, which involves a vicar and a spinster; its other plot, however, recounts the adventures of an Australian divorcée among the expatriates ...

Outfoxing Hangman

Thomas Jones: David Mitchell, 11 May 2006

Black Swan Green 
by David Mitchell.
Sceptre, 371 pp., £16.99, May 2006, 0 340 82279 1
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... to bear. ‘Small children have many more perceptions than they have terms to translate them,’ Henry James wrote in his preface to the New York Edition of What Maisie Knew. ‘Their vision is at any moment much richer, their apprehension even constantly stronger, than their prompt, their at all producible, vocabulary.’ This is also true of not so ...

‘You have a nice country, I would like to be your son’

Bee Wilson: Prince Bertie, 27 September 2012

Bertie: A Life of Edward VII 
by Jane Ridley.
Chatto, 608 pp., £30, August 2012, 978 0 7011 7614 3
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... The only tutor to develop any emotional bond with Bertie, a handsome former Eton master called Henry Birch, was sacked by Albert for not being Presbyterian enough and for himself being found to have an unsatisfactory skull when the phrenologist was called to examine it. Albert kept setting Bertie tasks at which he couldn’t fail to disappoint. When he was ...

In Praise of Spiders

Caleb Crain: Wilkie Collins’s Name Games, 11 September 2008

The Woman in White 
by Wilkie Collins.
Vintage, 609 pp., £5.99, October 2007, 978 0 09 951124 3
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... salad days, he sputters about her ‘shameless depravity’ and ‘atrocious perversity’. When Henry James complained of the novel’s ‘general ponderosity’, he may have had Walter partly in mind. By contrast, nothing is lost on Walter’s enemy, Isidor Ottavio Baldassare Fosco, count of the Holy Roman Empire. The name is false, which may be why ...

Updike’s Innocence

Craig Raine, 25 January 1990

Just Looking: Essays on Art 
by John Updike.
Deutsch, 210 pp., £19.95, November 1989, 0 233 98501 8
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... Dramatists, contains a passage germane here: ‘A play of Shakespeare’s and a play of Henry Arthur Jones’s are essentially of the same type, the difference being that Shakespeare is very much greater and Mr Jones very much more skilful.’ This explains a lot when Updike criticises Degas’s ‘unevenness of rendering’: the woman’s dress in ...

My Missus

John Sutherland, 13 May 1993

Popular Reading and Publishing in Britain, 1914-1950 
by Joseph McAleer.
Oxford, 284 pp., £35, December 1992, 0 19 820329 2
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American Star: A Love Story 
by Jackie Collins.
Heinemann, 568 pp., £14.99, March 1993, 0 434 14093 7
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... One will look at the books in the rack with a new respect now that one knows their origins in Henry James and Nietzsche. The principle on which Mills & Boon runs its list is that the imprint is always greater than the author. Over the years, the firm has built up a stable of romancers several of whom (like Jean S. Macleod) have a hundred or more ...

Illustrating America

Peter Campbell, 21 March 1985

Willem de Kooning: Drawings, Paintings, Sculpture 
by Paul Cummings, Jorn Merkert and Claire Stoullig.
Norton, 308 pp., £35, August 1984, 0 393 01840 7
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Abstract Expressionist Painting in America 
by William Seitz.
Harvard, 490 pp., £59.95, February 1984, 0 674 00215 6
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About Rothko 
by Dore Ashton.
Oxford, 225 pp., £15, August 1984, 0 19 503348 5
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The Art of the City: Views and Versions of New York 
by Peter Conrad.
Oxford, 329 pp., £15, June 1984, 0 19 503408 2
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... statements about his work suggest he intended. They were particularly well received in England – Henry Moore spoke of them as his ‘most revelatory experience in modern painting since his youthful discovery of Cézanne, Picasso, Matisse, and the Cubists’. This quick response in England may have owed something to our familiarity with the cloudy sublimities ...

I’m ready for you!

Raymond N. MacKenzie: Balzac’s Places, 23 January 2025

Balzac’s Paris: The City as Human Comedy 
by Éric Hazan, translated by David Fernbach.
Verso, 20 pp., £15.99, June 2024, 978 1 83976 725 8
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The Lily in the Valley 
by Honoré de Balzac, translated by Peter Bush.
NYRB, 263 pp., £16.99, July 2024, 978 1 68137 798 8
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... humaine.) Balzac’s significance in the history of the novel was fully apparent by 1905, when Henry James said that his ‘achievement remains one of the most inscrutable, one of the unfathomable, final facts in the history of art’. Of course, not all Balzac’s contemporaries agreed on the quality of the work; some complained that his prose was ...

At the Shore

Inigo Thomas, 30 August 2018

... only pebble on the beach’ was the title of a 19th-century song that has become a saying. ‘Dear Henry,’ William James wrote to his physician friend Henry Bowditch, ‘you see that you are not the only pebble on the beach, or toad in the puddle of senile degeneration.’ ‘What is a ...

Societies

Perry Anderson, 6 July 1989

A Treatise on Social Theory. Vol. II: Substantive Social Theory 
by W.G. Runciman.
Cambridge, 493 pp., £35, February 1989, 0 521 24959 7
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... of the social sciences have the confidence to invoke the ideals of Herbert Spencer and Henry James simultaneously. In his second volume, Runciman proceeds to his own substantive social theory. He remarks at the outset that he will here be concerned only with the explanatory segment of his overall prescriptions. But this involves no shrinkage ...

In the Egosphere

Adam Mars-Jones: The Plot against Roth, 23 January 2014

Roth Unbound: A Writer and His Books 
by Claudia Roth Pierpont.
Cape, 353 pp., £25, January 2014, 978 0 224 09903 5
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... process gave him a model for ‘reckless narrative disclosure’ of a sort very far removed from Henry James. He doesn’t go into detail in The Facts, but Roth Unbound provides some disconcerting background information about the talking cure as it worked in this particular case. His analyst was Hans Kleinschmidt, an émigré German Jew who fled the ...

Plonking

Ferdinand Mount: Edward Heath, 22 July 2010

Edward Heath 
by Philip Ziegler.
Harper, 654 pp., £25, June 2010, 978 0 00 724740 0
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... the women minded it more), then it must have been as obscure as the hurt allegedly suffered by Henry James, since nobody so far has convincingly explained it. Ted’s father and grandfather were convivial, easygoing men, rooted in their native Kent, fond of a drink and ready to pinch any passing bottom. On his 80th birthday, Heath père, who had ...

Is R2-D2 a person?

Galen Strawson, 18 June 2015

Staying Alive: Personal Identity, Practical Concerns and the Unity of a Life 
by Marya Schechtman.
Oxford, 214 pp., £35, March 2014, 978 0 19 968487 8
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... that ‘this isn’t the person I married,’ and one doesn’t need to be unwell to feel what Henry James felt, writing to Rhoda Broughton in November 1915 after she had praised one of (what he called) his ‘old perpetrations’: ‘I think of it, the masterpiece in question, as the work of quite another person than myself, at this date – that of ...