“... besides, or in spite of, the ones they depict. This isn’t a new charge – even an admirer like Henry James thought Burne-Jones’s ‘languishing type … savours of monotony’ – but that hasn’t stopped reviewers of the Tate show serving up stale critique. Jonathan Jones of the Guardian called Burne-Jones ‘stupid’, while to Waldemar ...”

“... Stated baldly, the plot of the novel – The Moth, The Darter, The Darter’s enthusiasm for Henry James, Agnes’s love-talk full of poetry, the near kidnapping, the archive, the effortless class slippages – strains credulity. Indeed it bursts credulity at the seams. Of course in a romance it doesn’t strictly matter what’s believable in ...”

“... they see as a sterile political landscape, is an ersatz form of insight and fulfilment. Reading Henry James isn’t likely to put paid to QAnon, but like a good deed in a naughty world it shines a frail light on our unsavoury situation. No doubt it’s tough to be a middle-class liberal in today’s United States, but feeling forlorn should be ...”

“... The convent and its art encourage a sort of contemplation different from that of a museum. Henry James, who visited in 1873, put it well: ‘You may be as little of a formal Christian as Fra Angelico was much of one, you yet feel admonished by spiritual decency to let so yearning a view of the Christian story work its utmost will on ...”

“... The only tutor to develop any emotional bond with Bertie, a handsome former Eton master called Henry Birch, was sacked by Albert for not being Presbyterian enough and for himself being found to have an unsatisfactory skull when the phrenologist was called to examine it. Albert kept setting Bertie tasks at which he couldn’t fail to disappoint. When he was ...”

“... One will look at the books in the rack with a new respect now that one knows their origins in Henry James and Nietzsche. The principle on which Mills & Boon runs its list is that the imprint is always greater than the author. Over the years, the firm has built up a stable of romancers several of whom (like Jean S. Macleod) have a hundred or more ...”

“... Dramatists, contains a passage germane here: ‘A play of Shakespeare’s and a play of Henry Arthur Jones’s are essentially of the same type, the difference being that Shakespeare is very much greater and Mr Jones very much more skilful.’ This explains a lot when Updike criticises Degas’s ‘unevenness of rendering’: the woman’s dress in ...”

“... statements about his work suggest he intended. They were particularly well received in England – Henry Moore spoke of them as his ‘most revelatory experience in modern painting since his youthful discovery of Cézanne, Picasso, Matisse, and the Cubists’. This quick response in England may have owed something to our familiarity with the cloudy sublimities ...”

“... salad days, he sputters about her ‘shameless depravity’ and ‘atrocious perversity’. When Henry James complained of the novel’s ‘general ponderosity’, he may have had Walter partly in mind. By contrast, nothing is lost on Walter’s enemy, Isidor Ottavio Baldassare Fosco, count of the Holy Roman Empire. The name is false, which may be why ...”

“... humaine.) Balzac’s significance in the history of the novel was fully apparent by 1905, when Henry James said that his ‘achievement remains one of the most inscrutable, one of the unfathomable, final facts in the history of art’. Of course, not all Balzac’s contemporaries agreed on the quality of the work; some complained that his prose was ...”

“... only pebble on the beach’ was the title of a 19th-century song that has become a saying. ‘Dear Henry,’ William James wrote to his physician friend Henry Bowditch, ‘you see that you are not the only pebble on the beach, or toad in the puddle of senile degeneration.’ ‘What is a ...”

“... of the social sciences have the confidence to invoke the ideals of Herbert Spencer and Henry James simultaneously. In his second volume, Runciman proceeds to his own substantive social theory. He remarks at the outset that he will here be concerned only with the explanatory segment of his overall prescriptions. But this involves no shrinkage ...”

“... process gave him a model for ‘reckless narrative disclosure’ of a sort very far removed from Henry James. He doesn’t go into detail in The Facts, but Roth Unbound provides some disconcerting background information about the talking cure as it worked in this particular case. His analyst was Hans Kleinschmidt, an émigré German Jew who fled the ...”

“... who had all the confidence of the class without giving a damn about belonging to it. Oddly enough, Henry James was in the same position because, as Ralph Touchett says, ‘being an American here, you don’t belong to any class.’ The Portrait of a Lady is not about a lady in the English sense, but about a specimen of a particular sort of American ...”

“... way everyone would if they had a writer lurking in their consciousness, just as characters in late Henry James speak not as their real-life equivalents might but as they themselves have to if they are to stretch their own emotional and intellectual possibilities as far as they will go. In James the money and the social ...”