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“... his income. The aesthetics of obscurity is his greatest resource. ‘It is with Writers, as with Wells,’ he tells us. The thing to do with a shallow well, and equally a shallow text, is to keep it muddy, and then ‘it shall pass … for wondrous Deep, upon no wiser a Reason than because it is wondrous Dark.’ Critics finding fault with the Tale played ...”

“... stamps issued in his reign. Stamp-collecting was made fashionable by the pharmacist Edward Stanley Gibbons, who was also remarkable for his prolific sexual adventures and the fact that three of his wives succumbed to ailments that suggested poison. Joseph Boehm, who designed the commemorative coins for the 1887 Jubilee, may – but then again may not ...”

“... was the one who gossiped most in his art, devilling away at the details like another Dadd. Where Stanley Spencer laced his Cookham scenes with the Song of Solomon and Havelock Ellis, forever explicating in spidery handwriting, Burra made his Burra-Burra pictures speak for themselves – i.e. for him – without notes. Descriptive accounts of a few of ...”

“... other enthusiasts were to say similar things, then and later (Lincoln Steffens, the Webbs, H.G. Wells, Walter Duranty of the New York Times, Bernard Shaw), but it was Ransome who first coined those glowing phrases that lingered in the Western mind for so long. He was thus a valuable commodity, as his great friend Karl Radek, the presiding genius of the ...”

“... been a different attitude towards the world of the Underground. In The Time Machine (1895), H.G. Wells portrayed the beautiful, degenerate, soft-headed heirs of the aristocracy frolicking in the sunlight, prey, on dark nights, to the cannibalistic attentions of an underground-dwelling industrial proletariat. ‘There is a tendency to utilise underground ...”

“... positions of Austin, Moore, Kant, Carnap and Quine, as well as in the diagnoses of its sources in Stanley Cavell and Thompson Clark. One could easily take issue with a number of Stroud’s specific claims. But the book is engaging because it is unusual to find a philosopher who is not so concerned with offering the final word on a problem, and who is trying ...”

“... compares their ‘crafty mingling of accurate observation with metaphorical form’ to the work of Stanley Spencer. Motion is usually perceptive in his sometimes quite elaborate commentaries on paintings (looking at the reproduction of A Sergeant of the Light Horse, I wouldn’t agree, though, with either part of his verdict that it is ‘a masterpiece of ...”

“... you can rely on being told that she was displaying ‘qualities that must have once made H.G. Wells wonder what he had gotten into’. There is in this book too much snide misrepresentation and sheer error to report in detail, but most of it pales beside the dottiness of his idea that the Chatterley trial showed ‘literature’s lack of any theoretical ...”

“... their former head gardener in an attempt to make sure that Mrs Leonard had not gone to Malvern Wells to see the country house which Ladye and John had owned, the layout of which is endlessly and confusingly discussed in the séances. Their ingenious explanations of Feda’s more inaccurate remarks merely betray their determination to believe the wily Mrs ...”

“... kind. His friends included the black novelist Richard Wright and critics like Kenneth Burke and Stanley Edgar Hyman; his heroes were Joyce and Eliot; he studied The Golden Bough for the mythical themes he hoped would make his novel immortal. Ellison aspired mightily and he dressed the part as he imagined it: Man of Letters, with carefully knotted tie, dark ...”

“... break with one book – disc recordings for the archive were only set up for the very great, like Wells and Shaw, or for people absolutely assured of a permanent place in the history of English letters, like Sir Max Beerbohm and J. B. Priestley. Orwell’s privacy was not pathological, it was perfectly normal: but it makes things difficult for a ...”

“... them. But these historical variants are not genuine time-travel narratives on the order of H.G. Wells’s Time Machine (1895), which inaugurates the standard narrative of the history of science fiction, to the detriment of Jules Verne or that other increasingly popular recent candidate, Mary Shelley’s Frankenstein (1818). But where did the genre come ...”

“... sources to create a compensatory postwar cult of the southern English chalk downs, and also by Stanley Spencer, whose paintings of the Berkshire village of Cookham had much in common with Chesterton’s defensive advocacy of England: the smaller and more localised the better; the less your knowledge of the wider world, the more profound your experience is ...”

“... many of them held on Astor leases, the investment reaped a prodigious annual return. H.G. Wells said of one of John Jacob’s great-grandchildren, William Waldorf Astor, that he extracted rents ‘as effectively as a ferret draws blood from a rabbit’, though by Wells’s day spending rather than getting had become ...”

“... to putting things into categories’. This required a constant responsiveness sustained by deep wells of intellectual energy. Part of Wilson’s subsequent standing, and much of his status as a fantasy object, is due to the stamina he displayed in fulfilling his regular reviewing duties. The sheer miscellaneousness of what he covered has its own ...”