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“... rate truth, and her historical sense collapsed chronology. I was moved to remember this by J.F.C. Harrison’s ‘coda’ to his fine new book: ‘As writers like Thomas Hardy have noted, there is a certain timelessness about the common people, which means that in the last resort their experience can be expressed by myth as well as by history.’ Yes, and the ...”

“... however huge. It is almost as if the younger gallery-goer had already digested Charles Harrison’s salutary and illuminating study of the theory and practice of Modernist art in England, with its detailed clinical case-histories of groups and individuals. Sniffing its moment, this book appears as the tide moves against the uncritical survey books ...”

“... of showbiz saccharine and the political process: Monroe’s birthday tribute to JFK, Sinatra as MC at the Kennedy White House, late-liberal millionaires from Tinseltown rallying round Bill Clinton. Walter Mosley’s Easy Rawlins sequence uses colour as its title gimmick – Devil in a Blue Dress, A Red Death, White Butterfly – where Sallis opts for ...”

“... cared about the play. It was Dead-eye Dick, tormented by guilt in Midland City, who had found old John Fortune’s quite pointless death in Katmandu, as far away from his hometown as possible, somehow magnificent. Would we have a novel, then, if there were no authorial guilt to be discharged? The question is a blunt one, and yet it gains in significance if ...”

“... intellectuals included some famous names: Bryce, Courtney, Freeman, Lecky, Lowe, J.S. Mill, John Morley. A nervous concern about the consequences of mass franchise, worries about the concessionary mood of the Liberal leaders – especially in the face of violence in Ireland – led many Late Victorian Liberal intellectuals to drift rightwards toward ...”

“... living at home only endurable at the cost of complete silence about everything that interested me’. Barbara Wootton and her childhood friends went further, and fended off the adults by evolving a private language. Only the exceptional child writes down his experience, and adults rarely think about their childhood: indeed, most adults are adept at ...”

“... Poetry written in dialect seems to be undergoing a resurgence. Tony Harrison has made extensive use of Northern idioms. Tom Paulin has been busy raiding Ulster (and, I suspect, Scottish) dictionaries. Craig Raine has produced a manifesto, ‘Babylonish Dialects’, on dialect’s behalf. And several of the books under review here – by Scots, Welshmen and British West Indians – cannot be read without the glossaries which they thoughtfully provide ...”

“... is usually left until the third year. A supplementary class I picked at the very beginning of my studies, however, turned out to include a practical lesson in blood-taking. ‘Next week,’ the lecturer announced, ‘we’ll be giving you a chance to try out venipuncture for yourselves.’ After a short pause, as the meaning of the term ...”

“... the terminal rim, I would hesitate to take bets that resurrection is ruled out. Thirty years ago John Updike gave us in Rabbit Run Harold ‘Rabbit’ Angstrom, the basketball-player lately wed to tippling slatternly Janice Springer, who failed to cope. When baby Becky drowns through the negligence of Janice, Rabbit runs away. In Rabbit Redux, the title ...”

“... however, Young thought that the Early Victorian period had fallen into contempt, and by 1917 John Morley’s Recollections confessed that ‘critics today are wont to speak contemptuously of the mid-Victorian age.’ Lytton Strachey’s Eminent Victorians was published in May the following year – a revenge, at least in part, on the Victorian values ...”

“... Bedford College. Here, at the age of 14, she fell violently in love with her headmistress, Lucy Harrison. Miss Harrison was one of the great educationalists of the turn of the century. ‘There was something royal in her nature,’ Octavia Hill wrote. There was also a strongly masculine element. She was one of the ...”

“... My subject-matter is subject-matter. Is it true, as it sometimes seems, that certain subjects are inevitably more interesting than others, however much we may protest that they are merely different? For instance, does Robert Lowell’s Life Studies intrigue us more than, say, Tony Harrison’s family reminiscences in Continuous? If so, is it because Lowell’s technique is more sophisticated and fluid than Harrison’s vigorously clanking sonnet sequence in which the rhymes come like a boisterous game of snap? Or is it because the Lowell family tree is richer in eccentricity and event than that of Harrison? Where Lowell can boast a Great Aunt Sarah thundering ‘on the keyboard of her dummy piano’ and ‘risen like the phoenix / from her bed of trouble-some snacks and Tauchnitz classics’, Harrison’s relations are more familiar figures, bickering on Blackpool’s Golden Mile or locked into their ordinarily absurd theatre of non-communication: Your life’s all shattered into smithereens ...”

“... composers he could. Henze accepted it (Elegy for Young Lovers, The Bassarids); Tippett and Harrison Birtwistle resisted. The latter has worked fruitfully (the small-scale pieces Bow Down and Yan Tan Tethera) with Tony Harrison, another poet avid for theatrical and operatic activity; and his most recent full-length ...”

“... compliments’ and rather little nagging. Well-meaning colleagues have rushed to provide me with examples of errors, but since every visit to shelf or screen has left me in a state of head-shaking amazement at the quantity of exact information packed into its pages, I feel no inclination to nag. Moreover, the ...”

“... to do without ‘misogynist satire, self-congratulation, smut’. He has left these to the other John, whose anthology is bold, noisy, rude, aggressive and full of itself, all of which things love can be, too, given half a chance. Neither editor is taking any chances, though. Fuller’s book, which has a long and elegant introductory essay, is an ...”