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“... British entry for the Eurovision Song Contest in 1969, it came last. (All six songs were sung by Lulu, and the winner was called ‘Boom Bang- a-Bang’.) To make money, Elton began to work as a session musician, singing backing vocals for Tom Jones and playing piano with the Hollies. He also worked for a label called Marble Arch which knocked out versions ...”

“... works) Mahler’s Tenth, Schoenberg’s Jakobsleiter, Ives’s Universe, Act Three of Berg’s Lulu, or, in a more fantastical and freewheeling way, exemplified in Busoni’s Fantasia Contrappuntistica (on Bach’s unfinished Art of Fugue) or Berio’s play with the fragmentary material of Schubert’s Tenth Symphony. But F.A., which might work well as ...”

“... goal from the halfway line in the 1995 Cup Winners’ Cup Final. And now he lets in an absolute lulu. Oh dear – I don’t much like Seaman, but he doesn’t deserve this. (But what does that mean? He let it in, after all. I suppose what I mean is, he doesn’t deserve to take all the blame for England’s exit. The other day I heard someone reply to one ...”

“... Vertes, Dusty in Memphis, Ferrier’s Kindertötenlieder, Toots and the Maytals, Têtes Raides, Lulu, Lulu – even Gurdjieff’s potty piano ramblings. He always makes me think of Katherine Mansfield.But things went AWOL from the start. Stopping for gas at Casa de Frutta, between Highway 101 and 5, I found the batteries ...”

“... doubt about Wotan’s Farewell or Isolde’s Liebestod or the hatred of Elektra for her mother or Lulu’s joy in her transfiguring moment of freedom. In opera we are moved by the drama, by the fate of the characters, not by ourselves. Meanwhile, the conductor is safely out of the public eye, in the orchestra pit, getting on with the complex job of holding ...”

“... very much in love with, and shaped by, mainstream British showbiz and Saturday night TV. Recall: Lulu singing ‘The Man Who Sold the World’. Recall: Bryan Ferry duetting with Cilla (‘and special guests Gerald Harper and Tony Blackburn!’). Recall: a newly shorn Bowie guest-starring on Bolan’s camp-for-kids teatime show, Marc. This was what made them ...”

“... the day of the week, the month and the year. Inmates shout over the partitions, requesting updates.Lulu Norman has done well by BineBine’s original, as Linda Coverdale did by Jelloun’s. Both books belong to a small corpus of detention narratives, fact and fiction, set in the Hassan era. Most, including Diouri’s memories of Dar el-Mokri, are stories ...”