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“... This is Volume VI of the new history of Wales, under the general editorship of Professor Glanmor Williams. It presents general history as general history ought to be – which means that though the main emphasis lies on the changing world of politics, this is related closely to the basic economy and to alterations in the values of the society, particularly in religion, literature and national sentiment ...”

“... say that you once had a wank in 1947.’ Alan Bennett’s remark is quoted with obvious feeling by Kenneth Dover in a late-inserted footnote to his autobiography, Marginal Comment. Someone, he explains, had leaked part of the typescript of his book to the Evening Standard, who, on the scent of celebrity masturbation, had splashed (under the headline ‘Oxford ...”

“... novel The Nightmarkets as ‘so solidly or anyway heavily involved in the tradition of Pound, Williams, Zukofsky and the yellow pages of the telephone directory’. Here, in neat reversal, only the joke is right. Wearne does have a telephone directory’s worth of circumstantial detail, but he is not remotely in the tradition of Pound, ...”

“... which struggled to accommodate South African material in the dramatic forms supplied by Tennessee Williams, Clifford Odets, Eugene O’Neill and Arthur Miller, Fugard found what he needed in Camus’s treatment of Algeria: ‘when I first encountered the articulation of that almost pagan, sensual life lived out in the sun, next to a sea, with warm rocks ...”

“... The reviewers’ quotes which, fifteen years I ago, Macmillan chose for the reprint of Kenneth Hudson’s The Jargon of the Professions were a moral lot. Auberon Waugh, writing for what should now be called Books and Bookpersons, declared that ‘Mr Hudson writes with the elegance, precision and wit of a Fowler ...”

“... assassinations was to put oneself in line for immortality. Who would nowadays remember Oscar Williams’s verses if Jarrell had not said that they seemed to have been written on a typewriter by a typewriter? Williams at that time was a powerful anthologist and in career terms it was bad policy to mock ...”

“... chose to do, while remaining unknown even to one another, and quite out of the public eye. W.C. Williams was a hard-working New Jersey physician. They were all originals but all in the American grain, declining the European alternatives chosen by Eliot and Pound, and all engaged in discovering idiosyncratic but American ways of being modern. Marianne ...”

“... while supervising a Work Projects Administration programme. She had had a copy of William Carlos Williams’s In the American Grain at the corner of her desk, which she had bought so she’d have something to read on the long subway ride to and from work. The couple had a son, Paul, in 1943, a musical prodigy and now a well-known violinist and ...”

“... preserved in Hiberno-Saxon fastness. I should not be surprised if visitors remembered the lamented Kenneth Clark, transported to whatever northern and wind-buffeted island to tell us ‘we came through by the skin of our teeth.’ Knowing a little of the determination needed to accomplish this project, set back once at least by the financial buffeting, one ...”

“... At a Harvard College full of incipient talent – his classmates included Frank O’Hara, Kenneth Koch, John Ashbery and Donald Hall – Creeley felt discouraged and alone. ‘My eager thirst for knowledge, almost Jude-the-Obscurian in its innocence, was all but shut down by the sardonic stance of my elders,’ he recalled. He left college in 1944 for ...”

“... Thus it was not really surprising that, early in 1943, when I received a letter from a poet named Kenneth Rexroth in San Francisco, I knew nothing about his work or about the extraordinary life he had already lived. My ignorance was partly understandable since, though he had been writing poetry for twenty years, Rexroth did not publish his first book of verse ...”

“... and royals (Princess Marina, Queen Victoria Eugénie, the Princess Royal). Vera Brittain, Ivy Williams (‘the first woman to be called to the English bar’) and Rachel Crowdy (she ‘belonged to a generation when women had to possess very obvious strength of character if they were to attain recognition’) are the only women who might be described as ...”

“... Moore (who joined the staff in 1924 and succeeded Thayer as editor), Cummings, William Carlos Williams, Pound and Kenneth Burke. And despite Thayer’s distaste for high modernism (Pound’s Cantos were ‘silly’, Joyce’s later work ‘unreadable’), he resolved to print what few others would touch. He was ...”

“... they mean Robert Lowell, or Allen Ginsberg, or the Black Mountain imitators of William Carlos Williams. ‘The Liverpool Poets’ are regarded with a mixture of fear and derision. ‘The ranks of the illiterate raise puerile and rhythmless voices,’ wrote Roy Fuller. ‘Infantile simplicity is all,’ wrote Julian Symons.What no one in the symposium ...”

“... were Jacques Barzun, R.P. Blackmur, Alfred Kazin, Lionel Trilling, Delmore Schwartz, Allen Tate, Kenneth Burke, Robert Fitzgerald, Leslie Fiedler and John Crowe Ransom – this last its founder as a school of literary criticism ‘to teach those who teach it’. Marianne Moore, in Brooklyn, had a quieter time, but was just as much in touch with them all ...”