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“... Hardy arrived in the city, already trained as an architect whose sympathies lay with William Morris (‘we are only trustees for those who come after’), the rebuilding of Rome, now the confident capital of Italy, had torn away the ancient fabric, leaving no space for accretions, whether of flora or of association. The shaggy figures of William ...”

“... In 1886 there was an exhibition at the Grosvenor Gallery of the work of John Everett Millais (Sir John, in fact: he had recently been made a baronet). There were pictures from his Pre-Raphaelite infancy, like Isabella and Christ in the Carpenter’s Shop; anecdotal ones, like My First Sermon (a child portrait in the Bubbles line); landscapes (Chill October); pictures with stories (The Proscribed Royalist) and pictures from stories (Mariana ...”

“... work of Hirshfield.’The strangely compelling creature was Angora Cat, one of only two paintings Morris Hirshfield had begun before 1939. He was 67. In the seven years before his death in 1946, he painted almost eighty more. Angora Cat carries a strange psychological charge. A white cat with electric yellow eyes sits on an Art Deco sofa, beneath a small ...”

“... of, and delight in, realms of the highest creative thought. If only one could say the same about John Cage! The quality of his achievement is still in dispute, and there are some who would doubt that he has contributed anything of substance to the music of his time – which, however, is not to say that he has contributed nothing. A kind of Diogenes or ...”

“... away from the diplomatic quarter in Arts and Crafts country at Hammersmith. This was where William Morris lived at Kelmscott House and where in October of that year he died. It was Morris, along with Ruskin and occasionally Goethe, whose writings gave Muthesius the epigraphs for his book, and it was in ...”

“... practical of men, it seems. His wife, Esther, the tough one, had two goals, the art historian John Rewald wrote: ‘to make friends happy while at the same time running his life by any means she could think of’. Together she and Lucien produced the 30-plus books printed by the Eragny Press, the subject of the current exhibition at the Ashmolean (until ...”

“... John Carswell is uniquely qualified to provide an official’s chronicle of British higher education in the Robbins and post-Robbins phases. He was assigned to the universities desk in the Treasury in 1960 when the Robbins Committee was being appointed. He left the secretaryship of the University Grants Committee for that of the British Academy in 1977 ...”

“... black hair and dark moustache, produced a quirky resemblance to Lenin. Although his biographer John Bew finds the likeness ‘somewhat forced’, he notes that contemporary observers as different in their politics as George Orwell and the Daily Mail made sport with the superficial similarity. The British Lenin might all too easily have become the David ...”

“... the City Government and the New York Police were doing something right. It is easy to forget that John Lindsay, still burdened with one of the most harshly negative public reputations among American political figures, was hailed in 1968 as the politician of the future, the man who had kept the city cool and who offered hope that the liberal experiment for the ...”

“... a family.’ This view is no longer held in its crude state, and sophisticated work by Colin Morris and other Medievalists has made a strong case for the 12th century, with its ‘Renaissance’, as the era of the discovery of individual self-consciousness. If a biography of a Medieval figure is to be attempted, the 12th century offers a fruitful ...”

“... revulsion knew no limits. During her last aria she lies spreadeagled before the severed head of John the Baptist which between deep breaths she kisses and caresses with great theatrical gusto. I’m not suggesting that the director should have turned Salome into a Pollyanna – as Hollywood did in the 1953 film which had Rita Hayworth dance in order to save ...”

“... the planet’s history. And something in common, too, with the myth-making in Rousseau or William Morris that offers visions of hope or disaster for mankind. The myth-making here seems, by comparison, unpersuasive – being vague on the lost values of the past (‘voluntary submission to the great Whole’) and both vague and cranky on the continuing bond ...”

“... all, he loved wombats. Rossetti mourning his wombat. He had two, one named Top after William Morris, whose nickname ‘Topsy’ came from his head of tight curls. In September 1869, Rossetti wrote in a letter that the wombat had successfully interrupted a seemingly uninterruptable monologue by John Ruskin by burrowing ...”

“... abandoned old theatre with a chanteuse, drinks and the audience sitting round tables, I saw Mark Morris for the first time, already widely acknowledged in this city of dance aficionados as the next big thing. At Oxford I had become aware that dance could be profoundly ideological, that these were not just dance classes but enrolments in movement movements ...”

“... scattered collections – made by Marion Scott, the Gurney family, Ivor’s Gloucester friend John Haines, Vaughan Williams and others – into a central archive. The process continued after Finzi’s death in 1956. Neither Gurney nor Scott had bothered much about dates and the habit of confusion grew by amalgamation. Blunden, returning manuscripts ...”