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“... separable. Writers – Sir Thomas More, Sir Walter Ralegh, Samuel Daniel, Ben Jonson, Thomas May, John Milton, Andrew Marvell and many more – moved between history and poetry or drama, finding in them complementary means of instilling virtue and wisdom and influencing events. History, which was seen as a branch not only of scholarship but of rhetoric and of ...”

“... his works should be called poetry. Matthew Arnold took this line further, dismissing Pope and Dryden as ‘classics of our prose’. Attacks on Pope’s morals also continued in the 19th century: C.W. Dilke was shocked to discover that Pope had ‘cooked’ a few letters in his published correspondence by claiming that he had sent them to persons more ...”

“... ideas, and the way he expressed them seemed like a return to the sinewy and colloquial manner of Dryden or Johnson, the no-nonsense prose that corresponded to the Metaphysicals’ directness and wit in verse. After flowery and carefully euphonious Edwardian fine writing, the paragraphs of a George Moore or of Chesterton himself with his well-turned ...”

“... claim to be remembered for his efforts in securing democracy, freedom of speech and fairness was John Wilkes, the subject of Arthur Cash’s informative and enjoyable new biography. Now that ‘high politics’ is taught less and less in schools and universities, Wilkes’s great political achievements, which included lowering the tone of high politics, are ...”

“... The Canterbury Tales. But it is not hard to find enthusiastic readers of Marvell or Spenser or Dryden or Donne who cannot warm to Milton, and make no apology for it. Anti-Milton sentiment became respectable literary opinion with the Modernists. Woolf thought of Milton as the ‘first of the masculinists’, a judgment since echoed by many. Eliot blamed him ...”

“... shires of Hardy and Betjeman – there was also the bright American world of the New Criticism, John Crowe Ransom, I.A. Richards, Allen Tate, and young up-and-coming members like Randall Jarrell, a world in which the academic and the poet were entering together a new world of feeling and technique, joining tradition and novelty. Bliss was it in that dawn ...”

“... Laureate. Who was? Well, the first is usually said to be Ben Jonson, followed by D’Avenant and Dryden, who was given the title officially. Then came Shadwell, Tate, Rowe, Eusden (who celebrated the Duke of Newcastle from whom he received the office and ‘sleeps among the dull of ancient days’ in Pope’s ...”

“... most echoed by consenting men’. A generation later, in his essay ‘Of Dramatick Poesy’, Dryden singled him out as the ‘greatest man of the last age’. These are literary judgments. Posterity has preferred a briefer, more elusive epitaph. As his grave at Westminster Abbey was being covered, a passer-by, Sir Jack Young, noticed that the headstone ...”

“... where he has been accused of a supposed fault of taste that he finds shared by Spenser, Milton or Dryden. He makes his marks and comments for himself, but evidently not only as the confirmation of his feelings as he reads. They are also the signs for future revenges. Many of the marginal lines and crosses are easy-to-find reminders of the most personally ...”

“... He affects​ the Metaphysics,’ Dryden wrote of John Donne, ‘not only in his satires, but in his Amorous Verses, where Nature alone should reign; and perplexes the Minds of the Fair Sex with nice Speculations of Philosophy, when he shou’d ingage their Hearts, and entertain them with the softnesses of Love ...”

“... assistant. A typical letter from Malone asks where he might find a particular prologue by Sir John Denham, wonders whether Warton has come across any mention of ‘Marocco’ (a famous acrobatic horse exhibited around Europe in the 1590s), enquires about any use of ‘the pun on Ajax and A-jakes previous to Sir ...”

“... to give a canonical stamp to work which was more appropriately read within a manuscript culture. John Suckling’s Fragmenta Aurea appeared in 1646, four years after the poet’s death, probably by suicide, in France. Its printer places poems to the King at the start of the volume in order to make it look like a piece of aggressive nostalgia from a dead and ...”

“... density of satirical allusion. He also admitted to missing the play of intertextuality in John Gay’s The Beggar’s Opera, a satire shot through with innuendo and obfuscation: ‘I did not understand that the Scene of Locket and Peachum’s quarrels was an imitation of one between Brutus and Cassius till I was told it.’ Nothing approached the ...”

“... Forest with a guest appearance by Sterne, Constable’s Salisbury Cathedral from the Meadows, a John Martin and a Turner, with snatches of poems by Wordsworth and Coleridge, and echoes of De Quincey, Shelley, Frankenstein (not sure about that); and then on to Samuel Palmer to Wuthering Heights to Ford Madox Brown to George Eliot to Whistler to Edwin Drood ...”

“... this time in a more objectively historical context. Hamilton offers 22 case studies, from John Donne – the first properly biographed English author – to Philip Larkin of last month’s Observer fame. Hamilton could not, if he tried, write an unreadable book. Keepers of the Flame is that rarest of modern things, lit crit with laughs. Hamilton has ...”