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Ian Hamilton: Little Magazines in Canberra, 9 July 1987

... politics, he quotes sneeringly from ‘a pre-publication interview with a Motion discovery, Ms Fiona Pitt-Kethley’ and then goes on to comment: The Deputy Literary Editor of the paper into which all that got dumped was co-editor, with Andrew Motion, of a major anthology. On another page of the same issue we find four excerpts from a forthcoming ...

Sex’n’Love

Blake Morrison, 21 February 1991

The Chatto Book of Love Poetry 
edited by John Fuller.
Chatto, 374 pp., £13.99, August 1990, 0 7011 3453 4
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The Faber Book of Blue Verse 
edited by John Whitworth.
Faber, 305 pp., £14.99, October 1990, 0 571 14095 5
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Self-Portrait with a Slide 
by Hugo Williams.
Oxford, 62 pp., £5.95, June 1990, 0 19 282744 8
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The Virago Book of Love Poetry 
edited by Wendy Mulford.
Virago, 288 pp., £6.99, November 1990, 1 85381 030 4
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Erotica: An Anthology of Women’s Writing 
edited by Margaret Reynolds, foreword by Jeanette Winterson .
Pandora, 362 pp., £19.99, November 1990, 9780044406723
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Daddy, Daddy 
by Paul Durcan.
Blackstaff, 185 pp., £5.95, August 1990, 0 85640 446 2
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... women poets. No Fleur Adcock, Carol Rumens, Carol Ann Duffy and certainly no Fiona Pitt-Kethley or Wendy Cope – which means denying herself, out of petty literary in-fighting, poems that would have strengthened her case. The best poems she does include are the toughest, not just Marina Tsvetayeva’s and Anna Akhmatova’s, but the ...

Uncertainties of the Poet

Nicolas Tredell, 25 June 1992

Kid 
by Simon Armitage.
Faber, 89 pp., £4.99, June 1992, 0 571 16607 5
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Feast Days 
by John Burnside.
Secker, 52 pp., £6, April 1992, 0 436 20103 8
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An African Elegy 
by Ben Okri.
Cape, 84 pp., £4.99, March 1992, 9780224030069
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Memorabilia 
by Colin Falck.
Taxus, 77 pp., £5.95, March 1992, 1 873012 23 3
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Serious Concerns 
by Wendy Cope.
Faber, 87 pp., £12.99, March 1992, 9780571166589
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... fellas, also evident here. Men are put in their place, but in a kindly way, rather than, as with Fiona Pitt-Kethley, being sucked dry, then discarded like used lolly-sticks. In this way, Cope reassures: even so, her men still depart. She evokes a world of transient relationships, of fleeting joys that give way to isolation; she is, as Falck can ...
London Reviews 
edited by Nicholas Spice.
Chatto, 222 pp., £5.95, October 1985, 0 7011 2988 3
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The New Review Anthology 
edited by Ian Hamilton.
Heinemann, 320 pp., £12.95, October 1985, 0 434 31330 0
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Night and Day 
edited by Christopher Hawtree, by Graham Greene.
Chatto, 277 pp., £12.95, November 1985, 0 07 011296 7
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Lilliput goes to war 
edited by Kaye Webb.
Hutchinson, 288 pp., £10.95, September 1985, 9780091617608
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Penguin New Writing: 1940-1950 
edited by John Lehmann and Roy Fuller.
Penguin, 496 pp., September 1985, 0 14 007484 8
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... it out of the paper and keep it, but he already had a reputation so anyone might have printed it. Fiona Pitt-Kethley, however, was little known until the LRB started printing her poems. For anyone with a teenage daughter their scabrous subject-matter is hard to take. They would scare Martin Amis. It needed a true appreciation of literary talent to spot ...

Karl Miller Remembered

Neal Ascherson, John Lanchester and Andrew O’Hagan, 23 October 2014

... Chaudhuri and Romesh Gunesekera, reflections and memoirs and poems by everyone from A.J. Ayer to Fiona Pitt-Kethley. We often used to argue about Pitt-Kethley’s super-sexually frank work in the office. Karl was a believer and said something very useful about her work: ‘When people are shocked by something,’ he ...

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