Search Results

“... and predicate, before signs and selves.Hope Mirrlees’s Paris: A Poem, recently reissued by Faber (£9.99), was first published a century ago by the Hogarth Press. The original manuscript was typeset – the mistakes hand-corrected – by Virginia Woolf. It opens with the line: ‘I want a holophrase.’ Mirrlees wrote Paris in the spring of 1919, when ...”

“... returned from a year in Berlin, who had finally had his first collection of poems accepted by Faber. He was a young man beginning to make his mark on the world; he was discovering his voice, and his role. He had decided to become a teacher. Auden taught full-time for five years, from 1930 to 1935, at Larchfield Academy in Helensburgh, not far from ...”

“... a field’. Probably the most beautiful and attentive drawing had been done five years earlier by David Hockney, in which Auden appears wrapped up in himself and a cigarette: ‘I kept thinking,’ Hockney reportedly said afterwards, ‘if his face looks like this, what must his balls look like?’ Not everyone was struck in quite that way, but everyone was ...”

“... Célestin Deliège (Eulenburg, 1976) and the refractory theoretical work Boulez on Music Today (Faber, 1971) are – or were – easily obtainable, the English translation of Boulez’s first book of essays, Notes of an Apprenticeship, published in New York by Knopf in 1968, remains exceptionally hard to find in this country. Now the second ...”

“... their political differences: but it was Edwin Muirrather than MacDiarmid who became canonised as a Faber Poet, and to understand his later poetry it is necessary to remember his increasing sense of being a prophet crying in the wilderness. Denied many outlets for his writing by his political views, he was forced either to live off advances for bland potboilers ...”

“... dog, has written a play, premiering at Quahog, which ‘all the playwrights’ (i.e. Yasmina Reza, David Mamet and me) duly go and see – and rubbish. They had first of all asked if they could use me as a cartoon character to which I graciously agreed (not saying that I felt it was the highlight of my career). It was then they asked if I would voice ...”

“... terrible departures from civilised norms. As Bail later wrote in his Introduction to The Faber Book of Contemporary Australian Short Stories (1987), local fictioneers were licensed to subvert ‘a drought time of conservatism, conformity and censorship’ by following ‘the avant-garde strategy of provocative revision ... giving realism an extra ...”

“... stories in this book recognise it in one way or another. Most, like the examples by Helen Garner, David Brooks, Peter Carey, Joan London, Kate Grenville, are admirably achieved on this basis, the authors all born in the Forties or Fifties; and the names indicate that the newer European immigrants have not yet found a voice in their new language. Particularly ...”

“... any Scots from the indictment (though – unkindest cut – he does exonerate one Welshman, David Jones). Worse still for Crawford, Kenner announces, ‘There’s no longer an English literature’: by which he means that, whereas ‘talent has not been lacking’ – on the contrary, ‘good poets are dispersed round the land’ and each has a personal ...”

“... similar, and no more that a handful of whom can be found in the Penguin, Picador, Harvill or Faber anthologies. The editors give us a spread of generations, from Brian Coffey (1905-95) and Jonathan Griffin (1906-90) to Catherine Walsh (b. 1964) and Fred D’Aguiar (b. 1960), and represent a wide diversity of poetic practices. They also tell us the names ...”

“... In the Thirties and early Forties the English poet David Gascoyne was much enamoured of the Continental, Late Romantic image of writing and of the writer as a visionary misfit. By the end of the Thirties, his place in the great Euro-Visionary Song Contest was almost secured. He confessed his ambition in his Journals in 1938: Want to write an essay on ‘The Apotheosis of Lautréamont ...”

“... littering the sofa tables of the Manchester bourgeosie. In the 1980s, the American poet David Antin charged that ‘anthologies are to poets as the zoo is to animals.’ More recently, Marjorie Perloff called for undergraduates to swear off Evian, in the hope that tap-water drinkers could afford unabridged books rather than hackneyed ...”

“... severely impersonal drama. In contrast, Douglas Dunn’s translation, published simultaneously by Faber, is a colloquial but faithful rendering of the play into rhyming ...”

“... Germans who were ahead. Indeed, already by the time of the Great Exhibition of 1851 the word ‘faber’ was being used as a generic name for pencil. Fabers was an old Nuremberg firm (the location in a city of printers is significant) that had produced pencils before Conté, and during the decade before 1851 it was already exporting pencils to the United ...”

“... into the nether regions is frequently heroic and, in achieving it, he is ennobled but emasculated. David Goodis is the laureate of this mood. William Kennedy, a more recent mythologist of hobo as artist, has seen his novel Ironweed make it all the way to the screen, where Jack Nicholson was obliged to continue his career-long impersonation of the damaged but ...”