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“... In​ the early 1960s, David Hockney made a series of etchings inspired by the poems of Constantine Cavafy; he went to Egypt to discover the places Cavafy had drunk coffee and picked up lovers, but in the images it’s mainly Hockney’s own life and friends who figure. The etchings touch on rapture, and the frankness of their erotic pleasure at the sight and memory of boys in bed brought Cavafy to a new, wide readership ...”

“... be more empowering than to sit looking at an immaculate rectangle of water, a three-dimensional David Hockney which will never be disturbed by a thrashing alien presence? Neighbours lacking this obscene quantum of liquidity might well complain about the noise, the dust, the inconvenience and the damage to their foundations. It doesn’t signify. And ...”

“... the skin. Red Fog has all the modest desperation of the best American pulps, Jim Thompson, David Goodis. Depression literature. Orphan books written to be abandoned. Dream logic without the luxury of revision. Even the cover illustration is pastiche Gold Medal: it doesn’t illustrate anything in the book, but gloats over a top-heavy blonde. There are ...”

“... about his second film, Le Petit Soldat, he invoked Welles’s The Lady From Shanghai, which David Thomson has seen as ‘deconstructing’ film noir. Une femme est une femme reminded him of Lubitsch’s supposed ‘failure’, Design For Living, and Richard Quine’s decidedly minor My Sister Eileen. Godard treated Hollywood as a kind of conceptual ...”