“... had been my parents’ landlord in New York City in the 1970s. Another of his tenants was Thomas Pynchon, who wrote some of Gravity’s Rainbow at 161 Charles Lane in the West Village. Their association was complicated by Pynchon’s fear of Harrison’s feral cat Martha, who stalked his rooms and disrupted his ...”

“... have been a brilliant one, though hardly palatable to any but the most reticent souls, such as Thomas Pynchon. Mailer and Capote, more than anyone else, used television and the popular press to create personae in a culture where art objects and ideas are considered indigestible except in a solution of strong personality. Mailer married ...”

“... and gives the novel a starred review, praising its ‘charming’ recombination of the styles of Thomas Pynchon and Boris Vian and its ‘tender’, ‘childlike’ depiction of heterosexual love. Jack figures the Kirkus reviewer must be a woman, probably studying French, unduly influenced by Will’s touched-up author photo. Then comes a review in the ...”

“... other aspect is an aesthetic challenge: can anything explain why someone should, as the hero of Thomas Harris’s Red Dragon does, kill and rape his victims, insert shards of broken glass into their eyes and elsewhere, and then bite them with his grandmother’s false teeth? Wonder at the possible collapse of ways of explaining has always been a major part ...”

“... of work, consumption and war. The masters of this quintessentially American literature have been Thomas Pynchon and Don DeLillo, prophets of Cold War paranoia, rather than Philip Roth and Jonathan Franzen, or all the chroniclers of the immigrant experience from Henry Roth to Jhumpa Lahiri. Pynchon and DeLillo have had ...”

“... Stone was born in August 1937, nine months after Don DeLillo and three – we’re told – after Thomas Pynchon. Dog Soldiers, his second novel, made his name in the mid-1970s, and since then he has stubbornly held his ground on the upper slopes of American literary life. Fellowships, prizes, grants and commissions have rarely been in short supply, and ...”

“... better the impulse to post pictures of your balls than the impulse to evangelise or bomb. When Thomas Pynchon asked the same question in Gravity’s Rainbow (‘What’s it all been for, the murdering seas, the gangrene winters and starving springs, our bone pursuit of the unfaithful, midnights of wrestling with the Beast?’), his answer was much ...”

“... and charisma with a gift for big tech, electro-prophecy and bullshit. He was a near perfect Thomas Pynchon character, and his cameo appearance in Pynchon’s Against the Day in 2006 confirmed his status as a counter-cultural hero. Pynchon’s Tesla is a fleeting and mysterious ...”

“... friends have verified it. Thus, as often happens with US fiction (remember the rumours that Thomas Pynchon was really J.D. Salinger under another name?), attention is deflected away from the substantive matter of the novel, and onto various gee-whizz discussions of supposedly Post-Modernist authorial behaviour – the adult version of the ...”

“... the genre demands it. The Modern American Novel is an ‘Opus Book’ (General Editors – Keith Thomas, Alan Ryan, Peter Medawar) intended for students. The Literature of the United States is a volume in the Macmillan History of Literature. But no Oxford undergraduate could get by with generalities like this aperçu of Professor Walker’s: ‘Jewish novels ...”

“... add a little of the ‘I can’t go on, I go on’ of Beckett and a lot of the run-on ranting of Thomas Bernhard, a contemporary whom the Gaddis surrogate here accuses of plagiarism before the fact. (Agapē Agape does recall Concrete, a Bernhard novel about a writer unable to begin a biography of a composer.) In the end, as the dying man works to get his ...”

“... Vidal once called the ‘Research and Development’ arm of American fiction – the tradition of Thomas Pynchon, Robert Coover, William Gaddis and Don DeLillo. That might not sound hard if you think of R&D as a matter of surface effects: pop-cultural references, metafictional gestures, glazed irony and so on. But for Moody (b.1961), as for Jonathan ...”

“... Our ideas about metafiction are still strongly influenced by the 1960s: John Barth, Robert Coover, Thomas Pynchon, William Gass. Thanks to the work of this group and the self-named characters of Philip Roth, we might well brace ourselves for archness or emotional coolness (rather than sincerity, warmth and optimistic political engagement) at the first ...”

“... still to come. I’m not sure what the book can reasonably be likened to – a mad mixture of Thomas Pynchon and Penelope Fitzgerald? – and I’m not sure that I’d recommend it over Red Plenty to someone havering between the two. But there’s no question that Spufford has extended his activities into an only very slightly more conventional ...”

“... sliced-thin sentences leaving a trail of stitches – maximalists like Moody follow the lead of Thomas Pynchon and Don DeLillo by wiring themselves into consumer culture, conspiracy theory, pop iconography and spy-craft technology, trying to chart an underlying pattern in the chaos, a treasure map of paranoia. Purple America, Moody’s major-statement ...”