“... Aristotle, Kant, Mill, Marx, John Rawls, Amartya Sen, Catharine MacKinnon, Andrea Dworkin, Susan Moller Okin. Though some of the nudging she gives feminists – typically referred to in Sex and Social Justice as ‘them’ but in the more recent Women and Human Development as ‘my fellow feminists’ – is healthy, her presentation of feminism is ...”

“... of their East Hampton hammocks signing up biographies of high-profile authors such as Saul Bellow, Susan Sontag and Norman Mailer (three thus far, along with a memoir by one of his former wives, with other exes waiting in the wings to take their whacks). The irony is that publishers seem more eager to bring out books about golden-oldie authors than books by ...”

“... more than mark that wildness’s grave. Being by trade a poet of plain language – William Carlos Williams would be another hero, also George Oppen, also Eileen Myles – Nelson finds her artistic focus drawn in two main directions. On the one hand, she crafts her words until she gets them to ‘facet’ as accurately as she can: ‘How to explain that for ...”

“... literary brilliance’, Pacino writes, and introduced him to many writers, such as William Carlos Williams. This was the late 1950s, and Pacino says he would often go to an automat with a book and make a single cup of coffee last for hours. Laughton also encouraged him in his Shakespearean ambitions: Pacino’s audition piece was ‘O, what a rogue and ...”

“... reduce to hero, patriot, saint, martyr and genius, that wouldn’t account for his virtuosity. Susan Bernstein suggests in Virtuosity of the 19th Century, that as a virtuoso he doesn’t reduce to anything, not even to yet another myth Walker touches on: the myth that Liszt embodied Romanticism. (Walker calls him ‘the central figure in the Romantic ...”

“... a volley probably directed at the Surrealist Charles Henri Ford. Twenty years before Susan Sontag insisted that the camp sensibility had ‘hardly broken into print’, Duncan was arguing in print that the time for camp was over. In the name of gay rights, and in line with his universalist instincts, Duncan suggested that the appropriate attitude ...”

“... information. Two contributors in the Memorial Symposium touch interestingly on this aspect of FA: Susan Bradshaw, who remarks that Hans’s ‘greatest original invention’ may have been ‘his destined compositional outlet’, and Alexander Goehr, who claims that ‘behind the form of his Functional Analysis stood a being who really wanted to communicate ...”

“... Coker’ and ‘The Dry Salvages’), W.H. Auden, Wallace Stevens, Randall Jarrell, William Carlos Williams, Marianne Moore and Elizabeth Bishop; fiction by Kafka (‘In the Penal Colony’), Jean Stafford and Saul Bellow; criticism by Wilson, Rahv, Trilling, Phillips, Kazin and McCarthy. As the group acknowledged, far from embracing radicalism, or even ...”

“... Keywords’, Jan Zita Grover runs through a lexicon of Aids vocabulary after the manner of Raymond Williams, angrily expounding the ways in which PLWA (people living with Aids) are linguistically punished by the rest of the community. Her approach is determinedly polemical, so that despite what must be an overwhelming sympathy with many aspects of her ...”

“... But is the matter remedied by calling Ellis Cornelia Knight ‘Cornelius’? Or Helen Maria Williams ‘Helena’? Or Lady Mary Wortley Montagu ‘Montague’? Or Cecilia ‘Cecelia’? Or Anne Ehrenpreis ‘Ehrenpries’? Or Patricia Köster ‘Koster’? Or Margarette Smith ‘Margaret’? Or Antonia Fraser ‘Frazer’? Above all, what credence can ...”

“... intrude on your privacy, but we’re both wearing your underpants.’ Calvin Klein is sitting with Susan Sontag. Actually he isn’t but if he were it would sum up what celebrity means in New York.22 May. Watch the second programme in the BBC2 series It’s Not Unusual, in which gays and lesbians, many in their seventies and eighties, recall their experiences ...”

“... author to a little thing he was hosting. Who was there? Oh, you know, the usual crew: Tennessee Williams, Laurence Olivier and Vivien Leigh, and Hemingway’s great chum, the one he called ‘the Kraut’: Marlene Dietrich. ‘You could have knocked me over with a pin,’ Styron wrote to his aunt Edith, ‘when Leo took me over to meet Dietrich and she took ...”

“... remember thinking … Why couldn’t I play the part? I felt I could do it just as well as Susan Strasberg.’ Her talent, especially at the beginning, was a product of her ambition rather than the other way around; when she played a Roman slave pining after a centurion, ‘I wasn’t particularly attracted to the actor. So … I put a piece of ...”

“... a letter from mother of stale news she’d already relayed over the phone, a card from Oscar Williams inviting us to a cocktail party in New York on the impossible last day of my classes. No news.’ In late 1959, waiting for short story acceptances that would not come, she wrote in her journal: ‘Must not wait for mail as it ruins the day.’ Then the ...”

“... Baldwin identified with her too, as he told Weatherby when he was introduced to him by Tennessee Williams. Not that Weatherby was the only writer on Monroe to spot these moments of what might seem like odd affinity. Lee Strasberg’s daughter, Susan, remembered a self-portrait Monroe drew alongside a sketch of a Negro girl ...”