Diary

Terry Castle: Shaking Hands with the Hilldebeest, 31 March 2016

“... Seven Sisters colleges, almost as if I myself had attended one. Wellesley, Bryn Mawr, Smith, Sarah Lawrence … The very names seem aphrodisiac, hallucinatory, like magic portents. I will finally come around, shocked back into sentience by Blakey and Bev’s instant joint diktat, as soon as they hear the jumbled story of my encounter: You must put this ...”

Stalking Out

David Edgar: After John Osborne, 20 July 2006

John Osborne: A Patriot for Us 
by John Heilpern.
Chatto, 528 pp., £25, May 2006, 0 7011 6780 7
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“... Inadmissible Evidence (with Nicol Williamson) and A Patriot for Me (which, along with Edward Bond’s later Saved, can be credited with having brought about the end of theatre censorship). Moving through two further marriages in quick succession (to Mary Ure, who played his first wife in Look Back in Anger, then to Penelope Gilliatt, the film ...”

Anglo-Egyptian Attitudes

Marina Warner, 5 January 2017

“... expressions: à la mode, chic, soignée, distingué/e, raffiné/e, correcte, bien dans sa peau, en beauté, haut ton, bon ton, mignon/ne, gamin/e; this gave them permission to behave in certain ways, ways that were fervently envied, while others were to be mocked at best, shunned at worst (louche, arriviste, parvenu, outré, richissime, nouveau ...”

Faint Sounds of Shovelling

John Kerrigan: The History of Tragedy, 20 December 2018

Ladies’ Greek: Victorian Translations of Tragedy 
by Yopie Prins.
Princeton, 297 pp., £24, April 2017, 978 0 691 14189 3
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Greek Tragic Women on Shakespearean Stages 
by Tanya Pollard.
Oxford, 331 pp., £60, September 2017, 978 0 19 879311 3
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Eclipse of Action: Tragedy and Political Economy 
by Richard Halpern.
Chicago, 313 pp., £34, April 2017, 978 0 226 43365 3
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Samson Agonistes: A Redramatisation after Milton 
by John Kinsella.
Arc, 109 pp., £10.99, October 2018, 978 1 911469 55 1
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“... followed the Greeks. His Eclipse of Action starts with an account of the Oresteia and ends with Sarah Kane’s Blasted, a viscerally shocking play which reworks atrocities from tragic tradition. As turning points, he focuses, like Pollard, on Hamlet but also on Samson Agonistes. He gives an ingenious account of the latter as a self-consciously failed mixed ...”

Notes on a Notebook

Andrew O’Hagan, 30 September 1999

“... drove away a bomb went off in the car. She lost both legs and suffered fatal abdominal injuries. Sarah, the youngest of her three children, was on her break at the primary school fifty yards away when the bomb went off. The two boys were on a school trip to France. Her husband was at work. Mrs Nelson had just come back from a few days in Donegal. Her car had ...”

The Impermanence of Importance

David Runciman: Obama, 2 August 2018

The World as It Is: Inside the Obama White House 
by Ben Rhodes.
Bodley Head, 450 pp., £20, June 2018, 978 1 84792 517 6
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“... senses she is right. Yet he can’t break free from the idea that he and Obama have a special bond, something that transcends their personal circumstances. He persuades himself early on that, notwithstanding their very different backgrounds, he and the president are similar people. We both have large groups of friends but maintain a sense of privacy that ...”

Where be your jibes now?

Patricia Lockwood: David Foster Wallace, 13 July 2023

Something to Do with Paying Attention 
by David Foster Wallace.
McNally Editions, 136 pp., $18, April 2022, 978 1 946022 27 1
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“... he’d conjured out of a tennis academy and a rehab centre’. In other words, a saint of 20 lb bond paper, who must have worked in a state of enthralled and transcendent boredom, of the type that Wallace had made it his mission to describe. Pietsch assures us that had Wallace been in charge of the final product it would not have contained so many ...”
“... than she does without it … She seems to me an example of a country more emancipated from every bond, not only of despotism but of ordinary law, than any so-called civilised country was before – a country revelling in odious forms of irresponsibility & licence. And surely, how can one speak of the Irish as a ‘great people’? I see no greatness, nor any ...”

Memoirs of a Pet Lamb

David Sylvester, 5 July 2001

“... by his being on crutches. He had been knocked down by a car when stepping off an island in Bond Street, just before or after we moved house; I think it was before. It was a partial cause of his death at the age of 53, probably in 1931, but possibly in 1930: I am certain about the 53 because from then on my mother was always saying that that was the age ...”