“... In Of the Rights of Persons, the first volume of his celebrated Commentaries on the Laws of England (1765-69), William Black stone concluded his account of how the law makes a husband and wife one person by suggesting that the legal disappearance of the married Englishwoman was effectively a tribute to her sex. ‘These are the chief legal effects of marriage during the coverture’, Blackstone wrote, ‘upon which we may observe, that even the disabilities, which the wife lies under, are for the most part intended for her protection and benefit ...”

“... Towards the end of A.S. Byatt’s first novel about the Potter family, The Virgin in the Garden (1978), the heroine and a clever friend debate the question of whether modern life has rendered some literary forms obsolete. The year is 1953, and the immediate occasion is the staging of a verse drama in the manner of Eliot and Fry; but the debate quickly turns to Frederica Potter’s own hypothetical future as a writer ...”

“... We have good reason to be wary of paternal metaphors for authorship, but characterising W.D. Howells as the father of The Whole Family is hard to resist – if only because it reminds us of how little control a modern patriarch has over his offspring. A composite novel by 12 hands that originated in a suggestion from Howells to the editor of Harper’s Bazar (as the magazine was then called) in the spring of 1906, The Whole Family began its serial run the following year with a contribution by Howells himself ...”

“... Sometime early in 1876, a person connected with the James family met a 27-year-old woman called Alice Howe Gibbens at the Radical Club in Boston and immediately concluded that William James should marry her. In one version of the story, Henry James Sr returned from a meeting and announced to those at home that he had seen William’s future bride. Another version attributes the discovery to the philosopher Thomas Davidson, who invited his friend to meet ‘the woman you ought to marry ...”

“... Shut off from more immediate contact with others, the ailing Elizabeth Barrett Barrett was a prodigious correspondent – as these three heavy volumes amply testify. Like one of Richardson’s immured heroines, she boasts of her skill at writing ‘in a horizontal posture’. ‘I can write as well or as badly when I lie down, as at a desk,’ she announced soon after she began corresponding with Mary Russell Mitford, and more than once she urged the older writer to lessen the strain of fatigue or illness by adopting the practice ...”

“... Berry’s death in 1927 may have left Wharton ‘utterly rudderless’, as she wrote to Bernard Berenson; but she still managed to get into his Paris apartment and to burn almost all the letters she had ever written to him. ‘No words can say, because such things are unsayable, how the influence of his thought, his character, his deepest ...”

“... essentially accurate but repressive. Brophy’s conclusions leave things pretty much as they were. Ruth Yeazell presents us with an analysis that changes the picture. Fictions of Modesty investigates, with relentless wit and in fascinating detail, the creation and sustenance of a large social fiction. Yeazell’s point ...”

“... life in the East, do cast some light on the minds and societies which produced them. That is Ruth BernardYeazell’s subject. To find out how Western concerns and speculations were projected by the distorting lens of (often wishful) ignorance, she has trawled a substantial range of material – from the sparse ...”

“... shadow and achieved some stature of their own: Jean Strouse in Alice James: A Biography (1980); Ruth BernardYeazell in The Death and Letters of Alice James (1981); Howard Feinstein in Becoming William James (1984); Gerald Myers in William James: His Life and Thought (1986); Jane Maher in Biography of Broken ...”

“... the implication being that she was too highly moral, a Calvinist at heart. The sad fact is, as Ruth Yeazell says in the subtle and sophisticated biographical essay with which she introduces her selection of Alice James’s letters, that Alice, who wasn’t what her father said ‘woman’ ought to be, a ‘form of personal affection’, a lover and ...”