“... sit down at table with his own salt and pepper. It is not, however, a technique I associate with Philip Roth. Roth’s preferred method has been to bombard the reader with sensory and intellectual stimuli, a gouache painted so stridently that at times it appears to be held in place only by the muscularity of the stroke; and American Pastoral, Roth’s 21st ...”

“... the Danish master Jørn Utzon; the inside by a confused committee, or, as the Australian critic Philip Drew sourly calls them, ‘a conspiracy of nobodies’. It is a bittersweet story, and one that goes far to explain why most modern architecture is so awful. Like Sydney, the Opera House was a British idea. Sir Eugene Goossens, the violinist and ...”

“... an effect enhanced by guest appearances from Phil Collins, Willie Nelson, Little Richard, Miles Davis and many others. But the other, complementary theory of the series’ origin names a news story about vice cops using repossessed goods as a glossy cover for their assumed criminal characters. This is why Don Johnson drives a Ferrari and has two fancy ...”

“... combed the cobwebs from our hair: the starship arrival of Blake Bailey’s authorised biography of Philip Roth, Philip Roth: The Biography. The ‘the’ of the subtitle said: accept no substitutes. Another biography of Roth was in the offing, Ira Nadel’s Philip Roth: A Counterlife, a ...”

“... In a lovely 1963 piece on Miles Davis, Kenneth Tynan quoted Cocteau to illuminate the art of his ‘discreet, elliptical’ subject: Davis was one of those 20th-century artists who had found ‘a simple way of saying very complicated things’. Jump to 1966 and the meatier, beatier sound of a UK Top 20 hit, the Who’s ‘Substitute’, a vexed, stuttering anti-manifesto, with its self-accusatory boast: ‘The simple things you see are all complicated!’ You couldn’t find two more different musical cries: Davis’s liquid tone is hurt, steely, recessive, where Townshend’s is upfront, impatient, hectoring ...”

“... an automatic cashing in by Warners and Hawks, sustained by Raymond Chandler’s romanticism – Philip Marlowe risks his life but not his honour for $25 a day and the chance to enjoy some flawless crosstalk with a suddenly grown-up Slim. Has a picture caught a couple in love more clearly than this? The film is generally faithful to Chandler. Even so, it ...”

“... and church. Not Queen Elizabeth, who would surely have giggled if anyone had suggested it; not Philip II, who would have been shocked; not even, perhaps, the Emperor Rudolph II, who sat in his high palace in Prague communing with the stars and tried to get John Dee to put him in touch with the heavenly orders. True, there had been Pope Paul III, a ...”

“... finesse and a military-trained marksman. He had been at Reed College in Portland with Snyder and Philip Whalen, a formidable Pacific Rim triumvirate of youthful poets and seekers. Heavily dosed on Gertrude Stein, and fired up by a chance encounter with William Carlos Williams, Welch was confirmed in his destiny as an outsider, a casual labourer, cab ...”

“... Of Philip Larkin’s​ many ostentatiously ‘less deceived’ accounts of family life, among my favourites is the soaring riff that concludes his introduction to All What Jazz (1970), a collection of mainly unimpressed reviews of John Coltrane, Miles Davis et al that initially appeared in the Telegraph ...”

“... when you think you have made a real hit: send off to Olson.’ In response to a submission from Philip Whalen: ‘I cant bring myself to say: yes, they go. It’s me you gotta make happy. And I aint.’Wieners also had the authority of the streets. In Boston, he hung out with ‘the junkies, and bums MINE, me swinging with them, as one, worth what one pays ...”

“... she chose for debate included ‘That this House thanks Heaven for little girls’. Her boyfriend, Philip May, who was two years below her, succeeded her as president of the Edmund Burke and went on, unlike his future wife, to become president of the Union in an election where he saw off more fancied candidates – including Damian Green and Alan Duncan ...”

“... by special studies of anonymous or bestselling authors now suitable for academic recovery, Philip Fisher’s Still the New World marks a return in some ways to an older and less suspicious idea of ‘classic American literature’. Fisher is a critic who has written extensively on realist prose and painting, and his new book is a commentary on ...”

“... for score-settling with enemies, whether big beasts, like George Osborne and the chancellor, Philip Hammond, or smaller fry in the office, like Katie Perrior, May’s official director of communications, who had dared to direct communications, an area of activity that fell squarely within Hill’s bailiwick. The book is peppered with feuds ...”

“... in Stockholm on 12 June, in the presence of the queens of Sweden and England, as well as Prince Philip, Princess Margaret and members of the Swedish royal family. Sargent was in his element, the concert was a triumph, and he received a great ovation. But Sargent’s greatest and most sustained efforts went into the Promenade Concerts, where he eventually ...”

“... at times by Gramsci’s concept of cultural hegemony, Eugene Genovese, Eric Foner and David Brion Davis conceived slavery as a mode of organising labour, as well as a system of racial domination. This led to the recognition that advocates of ‘free labour’ had economic as well as humanitarian reasons for opposing slavery, and that the Northern victory ...”