“... a friend, ‘I admit to a taste for certain affectations and ornamental commissions.’ He was as frank as he could be about his artful concealments. His extensive correspondence with his family (just over 650 pages of letters to his mother, father and maternal grandmother), taken together with Mariani’s gruelling account of the parents’ marriage, makes ...”

“... at the Guggenheim. Designed by the Post-Modern artist Robert Wilson, who has draped the Frank Lloyd Wright spiral ramps with white gauze, bathed the museum in patchouli and musk, and created a Japanese soundtrack to accompany the show, the exhibition is a perfect example of the blend of fashion, art, commerce and academic analysis that marks the ...”

“... the American delegation: the dancers and choreographers Arthur Mitchell, Alvin Ailey and Katherine Dunham; the musicians Duke Ellington and Marion Williams; the writers Langston Hughes and Amiri Baraka. Senghor’s friend Césaire made an appearance, as did the Barbadian writer George Lamming, the South African writer Keorapetse Kgositsile and ...”

“... Fuzzy and Jean at school, Miss Educated in Seacliff psychiatric hospital, Waldo to the writer Frank Sargeson, Janetta in Ibiza. Then there was what people said about her: she was dirty, a thief, shy, different, an aspiring poet, ‘a lovely girl, no trouble at all’, officially insane, ‘pleasant to the guests at all times’, the ‘niece who is going ...”

“... to note how few people knew about him, even those who were wise in other ways. In his preface to Frank Harris’s book on Wilde, Shaw made clear that neither he nor his associates, Harris included, knew of Wilde’s homosexuality until he was cross-examined. (This is confirmed by Ford, although he suggested that Wilde was unmasked not at the trial but some ...”

“... from the ensemble’s complicity and literal support of the song’s demeaning lyrics, sung by Katherine Handy (W.C. Handy’s daughter), which include ‘They [Harlemites] just live on dancin’/They never blue or forlorn!/And it ain’t no sin to guzzle down gin!/Now that’s just why darkies were born,’ the last line echoing ‘That’s Why Darkies ...”

“... or any other playwright.”’ And a similarly recommendable though much briefer introduction, Frank Kermode’s to his Riverside edition, confines itself to an elegant review of the play’s problems, chronological, textual and critical. Kermode calls Hamlet ‘the first great tragedy Europe had produced for two thousand years’, but he declines the ...”

“... school of female writing which is really boasting about how ‘nice’ we were. V. Woolf, K.A.P. [Katherine Anne Porter], Bowen, R. West etc – they are all full of it. They have to make quite sure that the reader is not going to misplace them socially, first – and that nervousness interferes constantly with what they think they’d like to say. The ...”

“... front of our apartment, I was always jumping all over them in a passion.In Straight Life Pepper is frank – and hilarious – on the subject of his looks. Detailing his stay in an expensive detox sanitorium in Los Angeles in the mid-1950s, he recalls prinking about in the nude after getting some huge shots of morphine to mitigate the symptoms of heroin ...”