“... descends into civil war. The end.The Confidence Man: His Masquerade was the last full-length book Herman Melville published in his lifetime. Moby-Dick had been poorly received and Melville could no longer scrape by on his writing. A flat-out failure, he was about to take a job as a clerk in the New York Customs ...”

“... Tahiti and the rich Japanese cruising grounds. And Lucchesi delights to imagine him there, Melville, of course, ruddiest of writers, strolling in the Malvinas! Strolling beaches of white quartz sand and suddenly seized by impulse, stripping, and plunging out of sight into the frigid surf, to dare the giant kelp coils. Look! ...”

“... of contributors who made the magazine’s reputation. His special subject was the sea: he shared Herman Melville’s vision of New York as a city of the sea, ‘your insular city of the Manhattoes, belted around by wharves as Indian isles by coral reefs’. Mitchell was the laureate of the waters around New York. He recorded the arcana of the ...”

“... the absolute refuser (1853). Perhaps the two portrayals are not coincidental. In 1851, the Melville family read David Copperfield aloud as their evening entertainment. The pre-20th-century office worker saw himself as a cut above the unsalaried labouring masses, and was as ambivalent about his superiors, who were his only means of rising, as the rest ...”

“... he left without notice on an open-ended cruise in the South Seas, for the purpose of retracing Herman Melville’s early career, in the hope of summoning, from places Melville had touched, that writer’s robust tutelary ghost. Then, on a soundless veranda in the Marquesas, while making notes on an advanced draft of ...”

“... he received a Festschrift, with tributes from Thomas and Heinrich Mann, Musil, Schoenberg, Herman Hesse, Gorky, the first President of Czechoslovakia, Tomás Masaryk, and Gide. Five years later, in 1934, he received tributes only from Goebbels and from a crowd of lesser German writers who are now forgotten outside Germany. In 1939, for his 80th ...”

“... extensively on realist prose and painting, and his new book is a commentary on Emerson, Whitman, Melville, James and Twain, among others, with significant asides on Thomas Eakins and Winslow Homer. It aims to look freshly at these artists and to ask again why their originality matters. Names like Stevens, Eliot and Ashbery are frequently dropped and ...”