“... at his preparatory school writing on a classroom noticeboard ‘I REBEL’. Lambert quotes Helen Mirren as saying that ‘conservatism was the flip side of Lindsay the rebel – and for a rebel, conservatism becomes an act of rebellion.’ That’s a neat way to resolve the contradiction, but why resolve it at all? A highly polished product of a system ...”

“... have identified a variety of sources for Campanella’s idiosyncratic vision, from Plato to Thomas More. What no one before Noel Malcolm noticed – although it would be unmistakable to any student of the early modern Middle East – is the extent to which the city of the sun was modelled on the Ottoman Empire.From the Renaissance to the ...”

“... care and phenomenological panache in her account of the way the reader is ‘bludgeoned’ by Thomas Bernhard’s repetitions and overwhelmed by his ‘twitches’. Similarly, in just a few sentences about Eva Hoffman’s Lost in Translation, Felski captures Hoffman’s ‘sensuous gravity’ of style and the ‘loving exaggerations’ her memoir uses to ...”

“... as the most significant poet in the 130 years between the death of Chaucer and the flourishing of Thomas Wyatt; but it has to be said that the competition for the top ranking south of the Scottish border is not very fierce, and until the 1930s such a judgment would have struck most people as bizarre. His poetry had come to be little regarded within fifty ...”

“... they changed, overnight, the language in which they had all lived together. Elena was now Helen, Mummy not Mami; Papa became Daddy; the boys were still Donald and Peter, of course, but they had far fewer words at their disposal by which to express themselves. They were now British – British refugees, to be exact – not just because their identity ...”

“... to a different publisher, Richard Crosby. He paid £10 for it, but didn’t publish it. In 1810, Thomas Egerton agreed to publish Sense and Sensibility on commission: Austen paid for her own printing and some advertising, and it found its readers. But what if Egerton had been of the same mind as Crosby? Of if Austen hadn’t been able to raise the ...”

“... There has been an abundance of good critical writing about Thomas Hardy, from Lionel Johnson in 1894 to our own day, but his biography has been in a curious condition from the start. The authorised version (Early Life, 1928; Later Years, 1930) is supposed to be by Florence, his second wife, but is wholly composed from notes by Hardy himself, and for the most part actually dictated by him ...”

“... long, elegant fingers that were always flying upward) to hide a beautiful gap-toothed smile. (Thomas Victor’s photograph, reproduced on the dust-jacket of the Collected, catches the smile convincingly.) Salter also fills in, for Clampitt’s new readers, the moral background to the poems. It was Quakers who had settled New Providence, but a more ...”

“... of the earliest literature in French was written in England, including some of the most famous: Thomas of Britain’s Tristan, and, very possibly, the lais of Marie de France. More was written under the broad aegis of the Angevin courts, of Henry II and the various powerful women connected with him (his wife Eleanor of Aquitaine, her daughter Marie de ...”

“... of his career he published, either in his sole name or in partnership, Anna Barbauld, Joel Barlow, Thomas Beddoes, William Beckford, William Blake (as an illustrator), S.T. Coleridge, William Cowper, Erasmus Darwin, Humphry Davy, Maria Edgeworth, Olaudah Equiano, Benjamin Franklin, Henry Fuseli, William Godwin, Mary Hays, William Hazlitt, ...”

“... Frances Milton waited until she was 30 before making a good match with a London barrister. Thomas Anthony Trollope had professional prospects and ‘expectations’ of a rich, unmarried and conveniently antique uncle. The dutiful Mrs Trollope had seven children in ten years (only two were to survive into mature age), while her husband contrived to ruin ...”

“... centred on the pomp of his funeral, down to the robe and jewels in which he wished to be buried. Helen Castor begins The Eagle and the Hart, a double biography of Henry IV and Richard II, with her own definition of tyranny. The tragedy of the two kings is ‘chillingly resonant’, she writes, because it shows ‘what happens when a ruler demands loyalty to ...”

“... as Francis Bacon, Philip Guston and Antonio Tapiès, and such contenders as Rachel Whiteread, Thomas Ruff and William Kentridge. Rosa Martínez selected the survey in the vast Arsenale, the old shipyard, where 49 artists and/or groups are spread out over nine thousand square metres.Both exhibitions include work that alludes to the present debacle of war ...”

“... and eloquently, declared in his ‘Art poétique’ of 1874. The line must have lodged in Edward Thomas’s mind: in May 1914, some six months before his late efflorescence into verse at the age of 36, he wrote to Robert Frost of his longing to ‘wring all the necks of my rhetoric – the geese’. He was referring to the over-elaborate style of some of his ...”

“... does not marry Nausicaa, and Penelope is virtuous. But this isn’t the case with Clytemnestra or Helen in the poem, nor will it be the case with Emma Bovary, Anna Karenina or Molly Bloom. We recognise ourselves in Homer’s poem, we can agree with Hall, because we’ve been there before in the works it continues to spin off. Hall organises her book into ...”