At the National Portrait Gallery
Rosemary Hill: ‘The Lost Prince’, 6 December 2012
“... counterfactual possibilities began to gather round his memory almost at once. Those who found King James unsatisfactory for his reluctance to enter the Thirty Years’ War or opposed his plan to marry Charles, now heir, to a Spanish princess, found in the figure of the dead prince a once and future hero, a Protestant warrior who would have redeemed ... ”