“... on the Sundays around Easter. But this was not quite what Cranmer intended. As his biographer, Diarmaid MacCulloch, has insisted, worship for Cranmer entailed the profound commitment of the frequent Eucharist. He would neither have understood nor approved of an ‘Anglicanism’ (a term he could never have encountered) which celebrates, as the jewel ...”

“... There is no engagement with the cluster of ranking Henrician historians, Starkey, Guy, E.W. Ives, Diarmaid MacCulloch, Susan Brigden, nor with Henry VIII’s biographers, J.J. Scarisbrick (here renamed ‘Scarisbrook’) and Bernard. Not to put too fine a point on it, this is tabloid history. It is also the kind of biography which Elton might have ...”

“... of master. Cromwell was the boy from Putney who rose and fell at the court of Henry VIII with, as Diarmaid MacCulloch’s biography shows, spectacular unobtrusiveness. A man who in life strenuously resisted easy categories, Cromwell has been forced into the competing roles of hero and villain many times over. Neither quite fits him. To his enemies, of ...”

“... drawn from the fanciful romances of Geoffrey of Monmouth, whose ‘Arthurian fables’, to quote Diarmaid MacCulloch in his Life of Cranmer, ‘have met their nemesis in Walt Disney and Monty Python’. The king lapped it all up, and now so do the Jacob Rees-Moggs and Iain Duncan-Smiths, whose freedom to practise their Catholic faith is no thanks to ...”

“... to quote the title of a seasoned classic by Anthony Fletcher (1968), recently revised by Diarmaid MacCulloch and reissued (1997). But in the perception of the actors this was not rebellion at all, and when they found themselves described as rebels in intercepted government bulletins, their fury almost turned them into what they were sure they ...”

“... The religion of the Miroir and of its translator is evangelical, but scarcely Protestant. As Diarmaid MacCulloch has recently argued, Elizabeth’s religious style closely resembled that of Catherine Parr, but that allowed room for a deep and old-fashioned love of the symbolic imagery of the cross, which Catherine still called the crucifix. So when ...”

“... historical studies of the Reformation period, like Eamon Duffy’s The Stripping of the Altars and Diarmaid MacCulloch’s Reformation: Europe’s House Divided 1490-1700, may be written from different ideological positions, yet will imply a similar historical picture. The world they describe is one of political confusion, religious bewilderment and ...”