“... States, thanks to the inclusion of a short story of his, ‘The Babysitter’, in the appropriate Norton anthology. (I have taught it myself, and it is splendid seminar material.) The principal characters of ‘The Babysitter’ are a married couple going out to an evening party, their children, the babysitter, Jack (her boyfriend) and Jack’s buddy ...”

“... to Elizabeth which repeated the language of the play and which one of its authors, the MP Thomas Norton, was delegated to read to her. The second episode produced the meditations on tyranny and misgovernment in Sidney’s Arcadia and Spenser’s The Shepheardes Calender and Mother Hubberds Tale. Michelle O’Callaghan’s essay in The Crisis of 1614 ...”

“... on a stock image developed over centuries, by painters especially. Brueghel in the 16th century, David Teniers in the 17th, and Joseph Wright in the 18th, all painted grimy scenes of reclusion and penury, with hints of mad obsession and radiant wonder. Cornelis Pietersz Bega’s alchemist, from 1663, adds pathos to the mix: were it not for the delicately ...”

“... April 1583, when Dee first refers to Kelley’s wife. She was Joan Cooper (or Cowper) of Chipping Norton, Oxfordshire; her age was 19. Things did not start well. In early July Kelley rants: ‘I cannot abide my wife, I love her not, nay I abhor her.’ Dee describes him as ‘marvellously out of quiet against his wife’ and says certain friends of hers have ...”

“... in The Book History Reader, Roger Chartier and D.F. McKenzie, can be found on none of the new Norton Anthology of Theory and Criticism’s several thousand pages. Perhaps this is as it should be; to call book history a theory would be to read it against the grain. For many literary critics a decade ago, the study of texts’ production, circulation, and ...”

“... holy war, human rights and the status of women. In his entry on Terrorism, Augustus Richard Norton argues that the ‘deliberate and random uses of violence for political ends against protected (i.e. non-combatant) groups’ has historic roots in the Middle East, but is far from being exclusive to one confession. He maintains that the first modern act ...”

“... off as a ‘dull’ decade, repeating the clichéd and inaccurate suggestion that until Elizabeth David published her Book of Mediterranean Food no British person had used olive oil except as a cure for earache. Craxton, however, found England both dull and cold and from now on spent as much time as he could in Greece, where he faced the ‘unending ...”

“... that suited her best. Johnson was soon the star attraction of a circle that included Edmund Burke, David Garrick, Oliver Goldsmith, Frances Burney and Joshua Reynolds, whose portraits of the group adorned the walls of the library in Streatham. Hester presided with remarkable wit, vivacity and in Burney’s neologism, ‘agreeability’; in both contemporary ...”

“... afford to purchase all the journals their researchers need, what hope do the rest of us have?’ David Prosser, executive director of Research Libraries UK, asked the Guardian. When Swartz was 21, he and three other unidentified authors wrote the ‘Guerrilla Open Access Manifesto’, the text of which is included in The Boy Who Could Change the World. It ...”

“... James.7 August, Oxford. To Oxford and the Holywell Music Room where Bodley’s librarian emeritus David Vaisey and I have a conversation about our time at Oxford in the 1950s. David and I were first aware of each other at the scholarship examination in Exeter College hall in January 1954. The hall was bitter cold but both ...”

“... Eliot while accepting the terms within which Eliot had formulated the question of time in ‘Burnt Norton’. Eliot’s premise is that ‘If all time is eternally present/All time is unredeemable.’ Humanity needs some kind of redemption from time, but, paradoxically, ‘Only through time time is conquered.’ This juxtaposition of chronological time and ...”

“... In​ the early 1960s, David Hockney made a series of etchings inspired by the poems of Constantine Cavafy; he went to Egypt to discover the places Cavafy had drunk coffee and picked up lovers, but in the images it’s mainly Hockney’s own life and friends who figure. The etchings touch on rapture, and the frankness of their erotic pleasure at the sight and memory of boys in bed brought Cavafy to a new, wide readership ...”

“... merge, to become aspects of a single burning emotion.In a letter to his old Boston friend Grace Norton the year he published The Princess Casamassima, James made clear his deep dislike for Ireland, the country of his grandparents. Ireland, he felt, could injureEngland less with [Home Rule] than she does without it … She seems to me an example of a country ...”

“... rape reported to have taken place in 2015 at the home of one of the Times’s book critics. Norton halted shipments and cancelled a second print run; the panels, interviews and book festival events instantly vaporised. What began as a parade float was a runaway dumpster fire.Let us backtrack a bit. Not too far back: just far enough to present a portrait ...”

“... one of the curators.’ I tell him about visiting Chastleton, the 17th-century house near Chipping Norton newly restored by the National Trust, and it turns out he was the expert called in to advise on the conservation of the stonework. The Trust was anxious to know where the stone had originally been quarried. He told them to walk across the field opposite ...”