“... supposed. It is to the history of one of the greatest of these cities, London no less, that John Morris addressed himself. Morris was a brilliant, if idiosyncratic scholar, best-known for an ambitious and highly controversial interpretation of the Age of Arthur. Londinium has been published posthumously, like Pirenne’s Mohammed and Charlemagne; unlike ...”

“... is not merely a mirror of nostalgia. It is also a useful tool with which to work in the present. John Fowles begins Daniel Martin with the words: ‘Whole sight: or all the rest is desolation.’ But human beings do not perceive things whole; we are not gods but wounded creatures, cracked lenses, capable only of fractured perceptions. Partial beings, in all ...”

“... voice begins to be heard. What is unusual in his case is not extreme precociousness – he was no John Stuart Mill – but a relatively early settling-in to a way of looking at things and a way of expressing it. Russell was, of course, always of well above average ability, but it was only in his mid-twenties that he began to appear exceptional. The practice ...”

“... as I Benandanti in 1964, and has now been skilfully, even elegantly translated into English by John and Anne Tedeschi. Night Battles follows the fortunes of the benandanti through a series of Inquisition trials from 1575, when they first appear in the records, until 1676, when both they and the witches had ceased to be of much interest to the Church ...”

“... go like this: it has produced few characters of depth or life (only Mr Biswas, Jean Brodie and John Self in almost forty years); it has been grossly, childishly explicit with symbol and allegory (Golding, Carter); the freedom of its characters has been too often muffled by bossy authorial intrusion (Spark, Drabble, Byatt); its comedy is too easy, too ...”

“... The 17th-century antiquary John Selden spent his life deciphering Greek inscriptions and interpreting Near Eastern myths. No scholar of his time had more experience with the historical study of material remains; no one knew better how easily a modern intellectual can read too much into an ancient object. As he remarked one day, ‘It was an excellent question of my lady Cotton, when Sir Robert Cotton was magnifying of a shoe, which was Mose’s or Noah’s, and wondering at the strange shape and fashion of it: But Mr Cotton, says she, are you sure it is a shoe?’ The 20th-century art historian Martin Kemp has spent his life reconstructing the techniques with which Italian Renaissance artists analysed and represented the natural world: the science of art, as he once called it ...”

“... the editors of the Times Literary Supplement (successively Alan Pryce-Jones, Arthur Crook and John Gross) and indeed held the whole London literary world in contempt as a self-serving clique. He became a lecturer in 1936, already over forty, and a full lecturer at 52. MacKillop deals with this scandalously slow ascent in great detail and with a measure of ...”

“... are William Gaskill’s superb revivals of The Recruiting Officer and The Beaux Stratagem, John Dexter’s A Woman Killed With Kindness, Coward’s Hay Fever, Stoppard’s Jumpers, Clifford Williams’s all-male As you like it, and Olivier’s own productions of Three Sisters and Juno and the Paycock. All of those, I’m sure, were Tynan’s ...”

“... Pound’s Cantos, the spatial innovations of Marianne Moore, William Carlos Williams, John Cage. But spatiality functions in other less obvious, if no less important ways. The formating of a printed text (book or otherwise), the conventions of book production which dictate what sorts of framing materials will be included (for instance, the ...”

“... view’. Jacobson sets the Moffats against more brazen scouts of empire, including their own son, John, whose work among the Ndebele, further north and somewhat later, typified the ‘open alliance between the interests of the local missionaries and the colonisers’ into which Robert and Mary, worried about land expropriation and enslavement, had felt unable ...”

“... of art address the spectator in a way that particularly demands a first-person response. Thus, John Berger in Success and Failure of Picasso evokes the experience of three pictures from the Thirties like this. (The sentences are interleaved with the relevant illustrations.) ‘The effect is magical; it is as though we, looking at these figures, possess ...”

“... Wales. The British Government appears to retain a strong ego-investment in the latter two and (as John Major and Douglas Hurd have repeatedly said) would feel ‘diminished’ if they turned away from England. Ulster Unionists are right to stress the importance of such feelings. They register what is really happening – a psychological withdrawal from ...”

“... to lead their own lives. When, later, he was one of the five ministers selected to check whether John Profumo was lying about his relationship with Christine Keeler, Macleod distinguished himself by avoiding his colleagues’ ponderous circumlocutions. ‘Look, Jack,’ he said, ‘the basic question is: “Did you fuck her?” ’ Sadly, Profumo continued ...”

“... everything short of pre-paid order forms. The illuminati have been smuggled into the Index: John Wilkinson, Peter Riley, Drew Milne, Rod Mengham and (of course) J.H. Prynne himself. Prynne and Zappa? Certainly, why not? Ben Watson (the footnotes): ‘When I asked Jeremy Prynne what he thought of Captain Beefheart, he said he thought he sounded like ...”

“... In this the Government enjoyed the enthusiastic support of the Nationalist leader at Westminster, John Redmond, who made a dramatic recruiting speech at Wooden-bridge, County Wicklow in September 1914. Despite this, most Irish proved unwilling to die for what they were increasingly unsure was their country. By early 1916, only 48,315 Irishmen (excluding ...”