In Central Park
Hal Foster: The Gates, 3 March 2005
“... hung rather dull and limp like big tarps or giant laundry. Red would have been better, or black or white, but all these colours have political associations, and everything about The Gates was dictated by an assiduous avoidance of any such significance. It’s easy to understand why: Christo and Jeanne-Claude first petitioned to do the piece in 1979 but ... ”