“... Two days later, Gide wrote once more to his mother: ‘One sees characters like this in a Shakespeare play. And Wilde! Wilde!! What more tragic life is there than his! If only he were more careful – if he were capable of being careful – he would be a genius, a great genius … I am happy to have met him in such a distant place, though even Algiers ...”

“... between Malthus’s invocation of nature to recommend social inaction, in contrast with, say, William Godwin’s active interventionism. In fact, Malthus was a true guru of evolutionary theory. Darwin explains in The Origin that, in part, his theory ‘is the doctrine of Malthus applied with manifold force to the whole of animal and vegetable ...”

“... she was Gustave’s lover; certainly, she gave him English lessons. ‘In six months, I will read Shakespeare like an open book,’ he boasted; and together they translated Byron’s ‘The Prisoner of Chillon’ into French. (Back in 1844, Flaubert claimed to his friend Louis de Cormenin that he had translated Candide into English.) In May 1857, Flaubert ...”

“... English village. On Thursday 27 December 1756 two of Turner’s neighbours, Thomas Fuller and William Piper, arrived uninvited and stayed smoking and drinking (‘sponging,’ their host records bitterly) until they began to quarrel, because Tho. Fuller told that which in my opinion was really true, viz., Master Piper, being lavish of his professions of ...”

“... it’s The Chiltern Hundreds, which isn’t rubbish but a well-plotted light comedy written by William Douglas Home, with the legendary A.E. Matthews, Cecil Parker and David Tomlinson. I know the play well, or should, having been in it at school in the Tomlinson part. After a succession of female roles (including Katherina in The Taming of the Shrew), my ...”

“... an alternative tradition in Henrician historiography, and not only on the Catholic side. Beside Shakespeare’s tribute to Henry stands Sir Walter Ralegh’s protest: ‘if all the pictures and patterns of a merciless prince were lost in the world, they might all again be painted to the life out of the story of this king.’ To the 17th-century republicans ...”

“... drawn to Henry V’s soliloquy before the Battle of Agincourt, yet does not seem to realise that Shakespeare was parading both the vanity and the vainglory of kingship. He seems to think, in his more arrogant moments, that he can walk on water, but he also possesses a remarkable capacity for shooting himself in the foot. And in marrying Lady Diana ...”

“... and Trevor Phillips’s history of postwar black England. Early arrivals who had been weaned on Shakespeare, Wordsworth and Dickens imagined the metropolis as ancient and archival. They had peered at celluloid images of its citadels and monuments on the Movietone newsreels screened before the main features at their local Empire Theatre fleapit. They had ...”

“... moral philosophers based their arguments on self-evident truths. (An unclerical example is Sir William Temple, in his essay on Epicurus.) It was also commonly agreed that few men bowed voluntarily to the constraints of morality; nearly all had to be driven into it by supernatural warnings. Objectors, like Shaftesbury and his followers, were audible but ...”

“... with factual errors, is hopelessly uncritical, and largely derives from the work of writers like William Blisset and Herbert Knust. I would have added John DiGaetani’s Richard Wagner and the Modern British Novel, which was published four years earlier, but Martin claims that a book of that title ‘by Bernard di Gaetani’ was ‘under preparation at the ...”

“... a speaker’s intention’ has at best only a trivial relevance to literature. A phone call from Shakespeare might disambiguate a tricky line, but it could not disambiguate Hamlet, which, it might be maintained, is undisambiguable. Juhl, however, wishes to apply his rule to all literary works, including Finnegans Wake. All are speech acts, and to be ...”

“... Westmorland hills; Hardy too, haunting his Wessex ways, A pastoral order dying in his gaze, and William Yeats – a ‘stubborn and age-angry man’ – who laughed ‘with rod and can’. Hall attributes vain powers by falsely calling these poets ‘lords/ Of a landscape’; this sort of tribute does neither living nor dead any ...”

“... Yale and Harvard, ‘more decadently turns sport into ballet’, though why myth, religion or Shakespeare are not also made ‘decadent’ by the same transformation goes unexplained, unless for Conrad ballet itself is ‘decadent’. At first, Kipling and Stevenson were happy that America was an alternative to the Victorian novel, since they were looking ...”

“... we may consider the following passage dating from 1895 on a painting then in the collection of Sir William Farrer but today in the Ashmolean Museum: perhaps the freshest and most charming, as well as the earliest of all Montagna’s existing works ... the child is thin-haired, large-headed, and chubby-limbed. His ear has the nick in the cheek so rarely absent ...”

“... heretical books. Chief among the writers of these and among More’s English antagonists was William Tyndale, Luther’s chief English disciple – if it is fair to call anyone so combative and individual the disciple of anyone. In the preface to his translation of the Pentateuch, made in 1530, Tyndale tells us how he had determined to translate the New ...”