When the Sandwich Was Still a New Invention
Jenny Turner, 17 July 1997
“... or just a Post-Modern romparama of the sort Umberto Eco managed so elegantly in The Name of the Rose. It’s much more densely webbed with allusiveness. And its mood is far more rigorously subjunctive: it’s an open network of potentialities, like a mutating spreadsheet or grid. It is all these things because it is at bottom a historical novel, and one ... ”