Reasons for Liking Tolkien

Jenny Turner: The Hobbit Habit, 15 November 2001

... gone to heaven? Is he playing a game on his PC?On the voice-over to the first Fellowship trailer, Peter Jackson, who directed the movie, portends: ‘The technology has caught up with the incredible imagination that Tolkien injected into that story of his. And so, this is the time.’ Of the many strange things there are to observe about Tolkien, the way his ...

Do Anything, Say Anything

James Meek: On the New TV, 4 January 2024

Pandora’s Box: The Greed, Lust and Lies that Broke Television 
by Peter Biskind.
Allen Lane, 383 pp., £25, November, 978 0 241 44390 3
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... Iread​ Peter Biskind’s book about the New Hollywood, Easy Riders, Raging Bulls, long ago. Apart from scraps of celebrity anecdote, what I remember of it now is something more diffuse, a mood associated with the mysterious figures of the producers: an impression of flared trousers and shirts with the two top buttons undone, collar points two feet apart, of tanned white skin, gold, nice teeth, the smell of tobacco and aftershave and deodorant, of men outwardly confident, hungry, vain, bullying, concupiscent and covetous, but also charming, garrulous, fascinating, prone to infatuations with strangers and their stories, flitting from one intense interest to another, even as they held on stubbornly to ideas for years until the money and the creatives could be married and a film born ...

Silly Willy

Jonathan Bate, 25 April 1991

William Blake: His Life 
by James King.
Weidenfeld, 263 pp., £25, March 1991, 0 297 81160 6
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... manufactured a French infiltrator called Spy Nozy. How, then, should a Life of Blake be written? Peter Ackroyd is having a go at one, and I suspect that what attracts him is Blake’s London, for which King has very little feeling. The poetry is crowded with London voices and London places. I remember my delight as a student when a supervisor remarked that ...

Diary

Norman Buchan: In Defence of the Word, 1 October 1987

... the press is free because it is free from government control. In parallel, the later Government Green Paper calls for a ‘lighter’ regulation in commercial radio. The Government simply cannot take on board that at the present time regulation is the means to secure diversity of opinion and diversity of programme. The truth is that the Peacock exemplar of ...

Monster Doss House

Iain Sinclair, 24 November 1988

The Grass Arena 
by John Healy.
Faber, 194 pp., £9.95, October 1988, 0 571 15170 1
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... down, physical sensations overwhelmed him. He had infiltrated the pages of Patrick Kavanagh’s Green Fool, but the lyricism was spattered with ancient brutalities, bedridden bachelors, mud-slow policemen, bicycles, stone fields – and, always, the drink. Attending him on the farm, as in the city, never further than the end of the bed, was his dark ...

Last Word

Michael Ignatieff, 3 February 1983

The Wolf-Man: Sixty Years Later 
by Karin Obholzer, translated by Michael Shaw.
Routledge, 250 pp., £12.50, November 1982, 0 7100 9354 3
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Ernest Jones: Freud’s Alter Ego 
by Vincent Brome.
Caliban, 250 pp., £12.50, January 1983, 0 904573 57 5
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... a mirror to his nose. She diagnosed paranoia. The Wolf-Man knew immediately what that meant: Uncle Peter. He had abandoned his mansion, set up a tent in a secluded field on his estate and had lived with his farm animals, believing everyone else lied to him. He eventually died of exposure and neglect and was found by his servants, semi-devoured by rats. That ...

At the Venice Biennale

Alice Spawls: All the World’s Futures, 18 June 2015

... Irina Nakhova, a founder of Moscow Conceptualism, has restored the 1914 building to its original green. The Austrian pavilion looks empty; Heimo Zobernig’s contribution is a black false ceiling. It doesn’t have much to say, unlike the Uruguayan pavilion by Marco Maggi, which also gives the impression of having nothing in it until one gets up close. The ...

Dome Laureate

Dennis O’Driscoll: Simon Armitage, 27 April 2000

Killing Time 
by Simon Armitage.
Faber, 52 pp., £6.99, December 1999, 0 571 20360 4
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Short and Sweet: 101 Very Short Poems 
edited by Simon Armitage.
Faber, 112 pp., £4.99, October 1999, 9780571200016
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... lines distributed among ten stanzas – the sort of poetry mathematics of which Peter Reading, an admirer of Armitage’s work, is master), but altogether another to write 1000 lines to a year-end deadline, not least when attempting an essentially public poem which reflects on our times and recollects some recent headline-grabbing ...

Too Glorious for Words

Bernard Porter: Lawrence in Arabia, 3 April 2014

Lawrence in Arabia: War, Deceit, Imperial Folly and the Making of the Modern Middle East 
by Scott Anderson.
Atlantic, 592 pp., £25, March 2014, 978 1 78239 199 9
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... They lived sparely, healthily, openly. By contrast, modern England was ‘fat – obese’, and so green that no one there could appreciate greenery, unlike in the desert. The true Arabs had no cities – those sinks of iniquity in the West. Egypt had Cairo, which may have been one of the reasons he disliked it. Battles were conducted with a ‘chivalry and ...

Piperism

William Feaver: John and Myfanwy Piper, 17 December 2009

John Piper, Myfanwy Piper: Lives in Art 
by Frances Spalding.
Oxford, 598 pp., £25, September 2009, 978 0 19 956761 4
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... The elongated shards of smog grey, pea green and lemonade that, since 1968, have cast a wan light on pews reserved for the use of MPs in St Margaret’s, Westminster, are untypical of John Piper. Normally, his stained glass seethes, particularly in Coventry Cathedral, where a Piper sunburst behind the boulder that serves as a font irradiates a great wall of clunky fenestration ...

Who’d call dat livin’?

Ian Glynn: Ageing, 3 January 2002

The Quest for Immortality: Science at the Frontiers of Ageing 
by S. Jay Olshansky and Bruce A. Carnes.
Norton, 254 pp., £19.95, August 2001, 0 393 04836 5
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... unfortunate and now long-dead woman, from whose name HeLa is derived.* So why do we age? In 1952, Peter Medawar pointed out that until the middle of the 18th century most of our ancestors would have died from infections or injuries long before they were old enough to experience the effects of ageing. Genes that produced harmful effects late in life would ...

A bird that isn’t there

Jeremy Noel-Tod: R.F. Langley, 8 February 2001

Collected Poems 
by R.F. Langley.
Carcanet, 72 pp., £6.95, January 2001, 9781857544480
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... was, until recently, a secondary school teacher). The nature of his writing has been described by Peter Riley, in A Poetry in Favour of the World (1997), as ‘non-persuasive’, avoiding ‘the rhetorical habits which are so dominant in Western poetry’. By this Riley seems to mean that Langley lets his experience tell its own story, without the ...

Never Knowingly Naked

David Wootton: 17th-century bodies, 15 April 2004

Common Bodies: Women, Touch and Power in 17th-Century England 
by Laura Gowing.
Yale, 260 pp., £25, September 2003, 0 300 10096 5
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... our understanding of power. At Berkeley he ran a seminar from which two other major books emerged: Peter Brown’s The Body and Society: Men, Women and Sexual Renunciation in Early Christianity (1988), which explored the theme of carnality and spirituality, and Thomas Laqueur’s Making Sex: Body and Gender from the Greeks to Freud (1990), which offered a ...

Wholly Given Over to Thee

Anne Barton: Literary romance, 2 December 2004

The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare 
by Helen Cooper.
Oxford, 560 pp., £65, June 2004, 0 19 924886 9
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... at least as we understand it in Chrétien de Troyes, in Malory, or in Sir Gawain and the Green Knight? Cooper’s most interesting and successful chapters are probably ‘Desirable Desire: I Am Wholly Given Over to Thee’ and ‘Women on Trial’. The first takes off from Germaine Greer’s suggestion that the idea of the ‘pure but ...

At the Whitechapel

Jeremy Harding: William Kentridge, Thick Time, 3 November 2016

... dressed with a flimsy backdrop of beige, brown, grey; here and there are torn swatches of yellow, green and maroon. At first we seem to see an austere Kurt Schwitters collage from the early 1920s. Close up, we discover unadorned cardboard, plain or coloured card. The wings of the stage are decorated with pages from a dictionary. Front of stage are two ...