“... air. Ravers joined in a raggedy coalition with the New Travellers, whose knowledge of England’s green spaces proved crucial to evading the police. Out of this emerged the ‘free party’: an outdoor gathering that broadly resembled the free festivals of the 1970s and 1980s, but with space rock and campfires swapped for cutting-edge electronic music and ...”

“... Ms Ortiz Taylor sets up her fiction on much shakier ground – not on the turf of the village green but on the thin crust of earth which protects California from the San Andreas fault. If she also selects a homely simile, it is to pile layer upon layer the pretexts for her heroine’s insecurity: ‘Picture, if you will, a tiny child standing next to her ...”

“... which is awaiting it upon the cinema screen. Susan Hill’s The Woman in Black and William Peter Blatty’s Legion (‘The sequel to The Exorcist’) very neatly illustrate this parting of the ways. If Susan Hill’s ‘ghost story’ is not a pastiche, it is undoubtedly an essay in recreating the almost exhausted genre. We are back in that indefinable ...”

“... in order ‘to protect the mainland’. McCartney has campaigned vociferously with Ian Paisley and Peter Robinson against the Agreement – in April, at the launch of the United Unionist campaign, he gave the clenched fist salute – and though most people regard him as a provincial politician, his policy of trying to make Northern Ireland permanently part of ...”

“... uncannily like one of those advent-calendar mobiles they used to make out of coat-hangers on Blue Peter. That’s how it goes with structures of occult significance. Phenomena which seem loaded with brooding horror by evening have a funny way of looking limp, harmless and rather foolish by the rising light of day. In one section of the novel – Book II to be ...”

“... and Glasgow also enthral him. He is baffled by those like G.M. Trevelyan and, more recently, Peter Hall, who have found in the Victorian urban patchwork only muddle. Yet muddle there was, the reader is reminded, as idea locks horns with idea and style jostles with style. Take the marginal matter of style. The industrial cities were aware they amounted to ...”

“... triumphs are those of 1945, 1964 and 1997; neither has found any inspiration in 1924 or 1929. Peter Clark and David Torrance both set out to reassert the political importance of the 1924 government and to restore the place of its senior figures in the history of the Labour Party. Both focus on high politics, and in particular the way the members of the ...”

“... gone to heaven? Is he playing a game on his PC?On the voice-over to the first Fellowship trailer, Peter Jackson, who directed the movie, portends: ‘The technology has caught up with the incredible imagination that Tolkien injected into that story of his. And so, this is the time.’ Of the many strange things there are to observe about Tolkien, the way his ...”

“... Iread​ Peter Biskind’s book about the New Hollywood, Easy Riders, Raging Bulls, long ago. Apart from scraps of celebrity anecdote, what I remember of it now is something more diffuse, a mood associated with the mysterious figures of the producers: an impression of flared trousers and shirts with the two top buttons undone, collar points two feet apart, of tanned white skin, gold, nice teeth, the smell of tobacco and aftershave and deodorant, of men outwardly confident, hungry, vain, bullying, concupiscent and covetous, but also charming, garrulous, fascinating, prone to infatuations with strangers and their stories, flitting from one intense interest to another, even as they held on stubbornly to ideas for years until the money and the creatives could be married and a film born ...”

“... The elongated shards of smog grey, pea green and lemonade that, since 1968, have cast a wan light on pews reserved for the use of MPs in St Margaret’s, Westminster, are untypical of John Piper. Normally, his stained glass seethes, particularly in Coventry Cathedral, where a Piper sunburst behind the boulder that serves as a font irradiates a great wall of clunky fenestration ...”

“... They lived sparely, healthily, openly. By contrast, modern England was ‘fat – obese’, and so green that no one there could appreciate greenery, unlike in the desert. The true Arabs had no cities – those sinks of iniquity in the West. Egypt had Cairo, which may have been one of the reasons he disliked it. Battles were conducted with a ‘chivalry and ...”

“... Irina Nakhova, a founder of Moscow Conceptualism, has restored the 1914 building to its original green. The Austrian pavilion looks empty; Heimo Zobernig’s contribution is a black false ceiling. It doesn’t have much to say, unlike the Uruguayan pavilion by Marco Maggi, which also gives the impression of having nothing in it until one gets up close. The ...”

“... dressed with a flimsy backdrop of beige, brown, grey; here and there are torn swatches of yellow, green and maroon. At first we seem to see an austere Kurt Schwitters collage from the early 1920s. Close up, we discover unadorned cardboard, plain or coloured card. The wings of the stage are decorated with pages from a dictionary. Front of stage are two ...”

“... down, physical sensations overwhelmed him. He had infiltrated the pages of Patrick Kavanagh’s Green Fool, but the lyricism was spattered with ancient brutalities, bedridden bachelors, mud-slow policemen, bicycles, stone fields – and, always, the drink. Attending him on the farm, as in the city, never further than the end of the bed, was his dark ...”

“... manufactured a French infiltrator called Spy Nozy. How, then, should a Life of Blake be written? Peter Ackroyd is having a go at one, and I suspect that what attracts him is Blake’s London, for which King has very little feeling. The poetry is crowded with London voices and London places. I remember my delight as a student when a supervisor remarked that ...”