Play Again?
Matthew Reynolds: Douglas Coupland’s ‘JPod’, 3 August 2006
“... even those that are called experimental. Usually in such books – in B.S. Johnson, say, or Jonathan Safran Foer’s Extremely Loud and Incredibly Close (2005) – the messing around with words is designed to be expressive: this page is split in half because the character is in two minds; this page is fragmented because the character cannot hear. The ... ”