“... third of his collaborations with Herrmann. It is a very atypical Hitchcock, a return to black and white for the first time in a few years and shot in a low-key documentary style. It tells the true story (or true-ish: there is a tacked-on happy ending) of a jazz musician, played by Henry Fonda, who is wrongly accused of armed robbery and put through a ...”

“... inch a mandarin’ – and the political scientist Colin Leys. Qualified praise goes to Christopher Hill; there are fond memories of Tariq Ali (who contests one or two details in the memoir). Johnson remembers Hodgkin, a dogged adversary of Pretoria, refusing to sign a petition in favour of anti-apartheid activists who’d torn up the cricket ground ...”

“... and its personnel were far brighter than SIS’s ‘failed cavalry officers recruited in White’s or Boodle’s’. It was also less socially exclusive than the other secret services, giving it a wider pool of potential talent to trawl, though that was also thought to pose dangers: could the other classes’ loyalties be trusted? Despite these ...”

“... topographical sweep make the poem seem almost like a fragmented and extremely compacted Patrick White novel; and it is not always easy to follow. It is technically inventive, a quasi-cinematic exercise in sudden cross-cutting and the talented mimicry of a wide range of Australian voices and accents: but I find the rise and swell of Murray’s free verse in ...”

“... jogging, praising, claiming – even if he only has someone saying: ‘I am drinking a dry white wine’ – is finally cringing, odious and unbelievable. ‘My life, on the other hand, has been a series of border violations’; ‘Women are drawn to his heat; dogs rub against his legs’; ‘In her company, his manhood still soars, like Gothic ...”

“... law, the reversal of government policy on the privatisation of Heavy Goods Vehicle testing and the White Fish Authority levy. The Foreign Affairs Committee report on the repatriation of the Canadian constitution is widely reckoned to have influenced the smooth passage of the ensuing legislation. But such instances are exceptions rather than the norm and have ...”

“... there, or discussed his feelings. Orton concludes: ‘the sleeve of my rainmac is covered with white-wash from the wall. It won’t come off.’ All emotion, all sensation, is edited out. But the scene is there – horribly vivid, carefully written. Because Orton’s prose is naturally flat and economical, the pose is perfunctory. Was Orton ...”

“... laid on a grand night-time tour that climaxed in a visit to the Colosseum, which – according to Christopher Woodward in his excellent In Ruins – ‘was lit from inside by red lamps so that, as if ablaze, it cast a bloody glow on to the grass and the ruddy brick ruins on the surrounding slopes.’* Descanting to Albert Speer, his pet pseudo-classical ...”

“... do much without Ray’s driving energy.’ She even found time, despite the birth of her son, Christopher, and periods of near constant bleeding and pain from uterine fibroids, to campaign for the removal of the iron grille from the Ladies’ Gallery of the Commons, allowing women a clear view when, on 6 February 1918, the Representation of the People Act ...”

“... in the character of the pig-woman Ursula – in the words of Peter Stallybrass and Allon White in The Politics and Poetics of Transgression (1986), ‘belly, womb, gaping mouth, udder . . . the celebrant of the open orifice’. It is a commonplace among critics that, since ‘Bartholomew Fair’ is almost the same thing or place as the theatre ...”

“... At Thomas Hodgkin’s memorial service, in 1982, Christopher Hill, formerly Master of Balliol, used the pulpit of the college chapel to give an address entirely free of religious reference, quite a feat in view of Hodgkin’s Quaker roots and Hill’s status as historian of the Puritan revolution. ‘God was dead all right when you wrote that speech,’ I said to Hill afterwards ...”

“... a simple rule that determines their sequence in a given line by assessing the colour – black or white – of neighbouring cells in the previous line. The pattern is left to evolve through iteration of the rule. An astronomically large set of such rules can be defined, and Wolfram charted the behaviour of as many of them as he could. Despite their extreme ...”

“... that the writing of criticism is often an act of postponement. This explains a lot: what are Christopher Ricks’s essays, say, or Harold Bloom’s books, but preludes to great unwritten poems? And mere reviewing is even worse: apology rather than excuse. So was Alvarez wasting his time? Not entirely. He was and remains one of the few critics both to ...”

“... to premature autobiography.’ Precocious Beverley Nichols headed the field with Twenty-Five while Christopher Isherwood and Cyril Connolly wisely allowed another ten years of their lives to elapse before they wrote, respectively, Lions and Shadows and Enemies of Promise. Hillier publishes long sections of Summoned by Bells which were excised, including ...”

“... editors, ‘I wish to point out to you, an editor of the New Yorker,’ he writes to Katharine White, ‘that Mr West’s review of Augie March is disgraceful … Let us hope that it is only my mental health that is endangered and not that of your readers as well.’ Two weeks later, he is putting on his best shirt for Lionel Trilling. ‘The many ...”