Into the Underworld

Iain Sinclair: The Hackney Underworld, 22 January 2015

“... the Knights of St John. The Hole is a statement and it is properly capitalised. The labourers, a self-confessed art collective, work the Hole by hand, with pick and shovel, turn and turn about: four days to complete a grave shaft, without any of the tortured grinding and screeching, the mechanical gouging that attends the uncivil engineering projects that ...”

The Last Witness

Colm Tóibín: The career of James Baldwin, 20 September 2001

“... gives them a compelling honesty and edge. In his novels, he sought to explore the parts of the self which most of us seek to conceal. He was also concerned with style, with how you write a sentence, how you control the music and rhythms of prose. Baldwin was born in Harlem in 1924, the eldest of a large family. His father died when he was 19. ‘On the ...”

A Man of Parts and Learning

Fara Dabhoiwala: Francis Williams Gets His Due, 21 November 2024

“... David Bindman, who has studied the picture closely for thirty years, proposed that it is in fact a self-portrait, painted by Williams himself.What is the intent of the image and what is created by its beholders? The problem of Francis Williams’s portrait shows the degree to which personal identity depends on both. Three hundred years after Williams lived, it ...”

Kick over the Scenery

Stephanie Burt: Philip K. Dick, 3 July 2008

Four Novels of the 1960s: ‘The Man in the High Castle’, ‘The Three Stigmata of Palmer Eldritch’, ‘Do Androids Dream of Electric Sheep?’, ‘Ubik’ 
by Philip K. Dick.
Library of America, 830 pp., $35, May 2008, 978 1 59853 009 4
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Five Novels of the 1960s and 1970s: ‘Martian Time-Slip’, ‘Dr Bloodmoney’, ‘Now Wait for Last Year’, ‘Flow My Tears, the Policeman Said’, ‘A Scanner Darkly’ 
by Philip K. Dick.
Library of America, 1128 pp., $40, August 2008, 978 1 59853 025 4
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“... to work. Though he defended the genre in essays, his sometime resentment shows up in his many self-hating low-status protagonists: unappreciated and underemployed repairmen, a designer of Barbie-doll props, a man who ‘retreads’ used tyres to be sold as new. SF fans honoured Dick early, giving their highest award, the Hugo, to The Man in the High ...”

Upwards and Onwards

Stefan Collini: On Raymond Williams, 31 July 2008

Raymond Williams: A Warrior’s Tale 
by Dai Smith.
Parthian, 514 pp., £25, May 2008, 978 1 905762 56 9
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“... cultural celebrity by the vogue for working-class sentimentalism in the 1960s and lefter-than-thou self-righteousness in the 1970s. In the immediate aftermath of his death, positive assessments understandably predominated. Some moving tributes appeared as former comrades, colleagues and students tried to take stock, emotionally and personally as well as in ...”

Passing-Out Time

Christopher Tayler: Patrick Hamilton’s drinking, 29 January 2009

The Slaves of Solitude 
by Patrick Hamilton.
Constable, 327 pp., £7.99, September 2008, 978 1 84529 415 1
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The Gorse Trilogy 
by Patrick Hamilton.
Black Spring, 603 pp., £9.95, June 2007, 978 0 948238 34 5
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“... as he put it, ‘almost for “fun”’, this combination of expressionist political fable and self-pitying fantasy is Hamilton’s most arresting novel. The Slaves of Solitude, its follow-up, was assembled much more painfully. Hamilton finished it by taking to his bed in Henley early in 1946, not long after Bruce had worked out that he was spending £2000 ...”

He Roared

Hilary Mantel: Danton, 6 August 2009

Danton: The Gentle Giant of Terror 
by David Lawday.
Cape, 294 pp., £20, July 2009, 978 0 224 07989 1
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“... she meant what she said and no more. Readers of her memoirs may see her as an irritating and self-regarding woman, but they will also remember her frankness about her early sexual experiences; she was not a fool, and not someone who lacked self-awareness. It’s questionable, anyway, if her personal feelings mattered ...”

Bitten by an Adder

Tim Parks: ‘The Return of the Native’, 17 July 2014

The Return of the Native 
by Thomas Hardy, edited by Simon Avery.
Broadview, 512 pp., £9.50, April 2013, 978 1 55481 070 3
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“... her, then casts him aside for the newly returned Clym … What does she want? … some form of self realisation … to attain herself. She does not know how … so romantic imagination says Paris and the beau monde. As if that would stay her unsatisfaction. Clym has found out the vanity of Paris and the beau monde. What then does he want? … his ...”

Serried Yuppiedromes

Owen Hatherley: What happened to London?, 21 August 2014

Guide to the Architecture of London 
by Edward Jones and Christopher Woodward.
Phoenix, 511 pp., £16.99, July 2013, 978 1 78022 493 0
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“... its skyline mangled by ‘the erection of tall buildings, especially if they are of eccentric or self-promoting “iconic” design’, its scattered structure filled in through ‘central government’s quite gratuitous policy of “densification”’, ease of living made all but impossible for anyone other than the very wealthy, with a property bubble ...”

Everything is good news

Seamus Perry: Dylan Thomas’s Moment, 20 November 2014

The Collected Poems of Dylan Thomas: The New Centenary Edition 
edited by John Goodby.
Weidenfeld, 416 pp., £20, October 2014, 978 0 297 86569 8
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Under Milk Wood: The Definitive Edition 
edited by Walford Davies and Ralph Maud.
Phoenix, 208 pp., £7.99, May 2014, 978 1 78022 724 5
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Collected Stories 
by Dylan Thomas.
Phoenix, 384 pp., £8.99, May 2014, 978 1 78022 730 6
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A Dylan Thomas Treasury: Poems, Stories and Broadcasts 
Phoenix, 186 pp., £7.99, May 2014, 978 1 78022 726 9Show More
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“... poetry of a child, volcanic, and unreasoning.’ These remarks pick up on Thomas’s own line in self-representation, a fascination with premature experience which was manifest not just in his life and letters but in his poems too. ‘Now as I was young and easy under the apple boughs/About the lilting house and happy as the grass was green’: no modern ...”

I am French

Jeremy Harding, 21 January 2016

Who is Charlie? Xenophobia and the New Middle Class 
by Emmanuel Todd, translated by Andrew Brown.
Polity, 211 pp., £16.99, September 2015, 978 1 5095 0577 7
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“... up anger. Above all, he read the marches last January as a massive show of anti-egalitarian self-regard, when those who took part or looked on with pride saw them as an affirmation of French values, including freedom of expression. Todd’s mode of delivery, a mixture of abrasiveness and superiority, has added to the offence: Who is Charlie? is laden ...”

Damn all

Scott Malcomson, 23 September 1993

Culture of Complaint: The Fraying of America 
by Robert Hughes.
Oxford, 224 pp., £12.95, June 1993, 0 19 507676 1
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“... as the chief goal of contemporary art; both are emanations of a love of the self, ‘the sacred cow of today’s culture’. (The briefest hop takes the reader from here to Culture of Complaint, though in this book, characteristically, both narcissism and post-structuralist anti-narcissism, defined as the belief that ‘the subject ...”

Kipling and Modernism

Craig Raine, 6 August 1992

“... with ‘lukewarm’ poetry was not a consideration. In ‘The King’ (1894), Kipling shows him self fully aware of his aesthetic position which is completely counter to Arnold, who felt Victorian England to be intractably unpoetic – a supposition indubitably correct in his own case, as a glance at ‘East London’ and ‘West London’ will ...”

Above it all

Stephen Sedley, 7 April 1994

Suing Judges: A Study of Judicial Immunity 
by Abimbola Olowofoyeku.
Oxford, 234 pp., £27.50, December 1993, 0 19 825793 7
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The Independence of the Judiciary: The View from the Lord Chancellor’s Office 
by Robert Stevens.
Oxford, 221 pp., £25, November 1993, 0 19 825815 1
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“... the one case in a million where judicial wrongdoing might go unredressed. This is not quite as self-interested as it sounds. The threat of litigation which hangs over every American operating theatre and consulting room, and increasingly over every British one too, has a palpable effect on the way medicine is practised. Undoubtedly the fear of litigation ...”

Buffed-Up Scholar

Stefan Collini: Eliot and the Dons, 30 August 2012

Letters of T.S. Eliot, Vol. III: 1926-27 
edited by Valerie Eliot and John Haffenden.
Faber, 954 pp., £40, July 2012, 978 0 571 14085 5
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“... this at face value (he sometimes resorted to this reductive idiom to ward off any suspicion of self-importance; he was in fact delighted that Faber’s new firm was willing to publish, in effect, an interim ‘collected’), the need he felt to make a fresh start poetically seems genuine enough. But it didn’t come easily: in fact, in the years covered ...”