Speaking Azza

Martin Jay: Where are you coming from?, 28 November 2002

Situatedness; Or, Why We Keep Saying Where We’re Coming From 
by David Simpson.
Duke, 290 pp., £14.50, March 2002, 0 8223 2839 9
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“... can know a real world whose solidity cannot be dissolved even by the most imaginative exercise in self-fashioning. He is not won over by Postmodernist models of social science in which there has been a wholesale abandonment of the objectivist hopes of its classical practitioners. Much of what Simpson says should encourage ...”

Demented Brothers

Declan Kiberd: William Trevor, 8 March 2001

The Hill Bachelors 
by William Trevor.
Viking, 245 pp., £15.99, October 2000, 0 670 89256 4
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“... Nation’ came, but it began to look increasingly threadbare as Ireland boomed with an economic self-confidence which seemed founded on exactly the sort of social consensus thought likely to produce long, accomplished novels. As early as the 1960s O’Connor and O’Faolain had begun to go out of fashion, their demise chronicled in John Montague’s ...”

Locked and Barred

Robert Crawford: Elizabeth Jennings, 24 July 2003

New Collected Poems 
by Elizabeth Jennings.
Carcanet, 386 pp., £9.95, February 2002, 1 85754 559 1
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“... I don’t remember which poems she read; I recall instead the gestures she didn’t make, her self-effacement. In the early 1980s, Larkin was lauded and Amis was famous; Jennings was reading with some student poets at the Old Fire Station arts centre. She was shy, and that brought out the shyness in me, so I didn’t speak to her. But I knew who she ...”

Something Fishy

James Francken, 13 April 2000

When We Were Orphans 
by Kazuo Ishiguro.
Faber, 313 pp., £16.99, April 2000, 0 571 20384 1
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“... covered in dust and grime,’ he complains at the scene of battle – Ishiguro’s prose tends to self-parody. J.G. Ballard’s autobiographical novels, Empire of the Sun and The Kindness of Women, give much more effective accounts of wartime Shanghai: their sense of place is more vivid, and the ways in which the war dims ‘the brightest lightbulb in the ...”

Dipper

Jason Harding: George Moore, 21 September 2000

George Moore, 1852-1933 
by Adrian Frazier.
Yale, 604 pp., £29.95, May 2000, 0 300 08245 2
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“... remarked that with Moore it wasn’t so much a case of kiss and tell as tell and not kiss. His self-dramatisations might be traceable to his parents’ taunts that only an old and ugly woman would wish to marry him. Unrequited love led him unchivalrously to boot Pearl Craigie’s backside during a walk in Hyde Park – or at least to fantasise about doing ...”

No Dancing, No Music

Alex Clark: New Puritans, 2 November 2000

All Hail the New Puritans 
edited by Nicholas Blincoe and Matt Thorne.
Fourth Estate, 204 pp., £10, September 2000, 1 84115 345 1
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“... Put that way, and understood as an experiment with the aim of discouraging writerly pretension or self-indulgence, the Pledge doesn’t sound so bad. Indeed, when one gets to the stories themselves, it is not the restrictions of the manifesto that are the problem: any of these pieces could find its way into any number of anthologies and not excite particular ...”

Diary

Charles Nicholl: At the Maison Rimbaud in Harar, 16 March 2000

“... rule that the picturesque is based on someone else’s inconvenience. Harar is a walled city, self-contained. Though you are no longer required to leave your spear at the city gates, you are still very much an outsider here. Only two Europeans have made any impact, in the sense that their names are known and recognised. One is the English explorer Richard ...”

And then there was ‘Playtime’

Jonathan Coe: Vive Tati!, 9 December 1999

Jacques Tati 
by David Bellos.
Harvill, 382 pp., £25, October 1999, 1 86046 651 6
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“... started investigating the matter. Comedians know it as well: hence the increasingly destructive self-importance of, say, Tony Hancock, with his futile efforts to get to grips with Bertrand Russell, both on screen and off. (Hence, too, the bizarre comic erudition of Ken Dodd, who has an enormous collection of theoretical writings about humour, and is fond of ...”

A Severed Penis

Elizabeth Lowry: Magic realism in Mozambique, 3 February 2005

The Last Flight of the Flamingo 
by Mia Couto, translated by David Brookshaw.
Serpent’s Tail, 179 pp., £9.99, March 2004, 1 85242 813 9
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“... Marxism and state paternalism. This stems partly from a failure to relocate a sense of self that can cope with the globalised world while remaining in tune with traditional attitudes: ‘What those whites did was to occupy us. It wasn’t just the land: they occupied our very selves, they set up camp right inside our heads.’ The chief ...”

Who wears hats now?

Jenny Diski: ‘Lost Worlds’, 3 March 2005

Lost Worlds: What Have We Lost and Where Did It Go? 
by Michael Bywater.
Granta, 296 pp., £12.99, October 2004, 1 86207 701 0
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“... for each younger generation, that things aren’t going to be the slightest bit different for my self-aware, sophisticated age group. We’ll all go down babbling about some Rosebud or other. We’ve started already, at first with our signature irony, but increasingly like the old farts our parents and theirs used to be. We’re all old farts now. There ...”

Mao-ti

Anna Xiao Dong Sun: Is there more to Ma Jian than politics?, 8 July 2004

The Noodle Maker 
by Ma Jian, translated by Flora Drew.
Chatto, 179 pp., £10.99, May 2004, 0 7011 7605 9
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“... Flora Drew’s translation of The Noodle Maker is more graceful than the original, lacking the self-conscious rudeness of the Chinese and the uneasy kinship with Maoist style. The Nobel citation in 2000 described Gao Xingjian’s novel One Man’s Bible as a book ‘settling the score with the terrifying insanity usually referred to as China’s Cultural ...”

Mr and Mrs Hopper

Gail Levin: How the Tate gets Edward Hopper wrong, 24 June 2004

Edward Hopper 
edited by Sheena Wagstaff.
Tate Gallery, 256 pp., £29.99, May 2004, 1 85437 533 4
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“... determined to write Nivison out of the script, however. The show includes Hopper’s one mature self-portrait on canvas but omits its companion, Jo Painting (1936), which is also in the Whitney collection. In fact, Nivison has been all but expunged from the record as far as this exhibition and its catalogue are concerned. At the press preview, the show’s ...”

Wear flames in your hair

William Skidelsky: Jonathan Lethem and back-street superheroes, 24 June 2004

The Fortress of Solitude 
by Jonathan Lethem.
Faber, 511 pp., £12.99, January 2004, 0 571 21933 0
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“... the rich portrayal of Mingus and Dylan’s friendship. Lethem’s approach to race is extremely self-conscious throughout The Fortress of Solitude. The bridge between the two halves of the novel is a piece of Dylan’s journalism, the liner notes for a box set of Barrett Rude Junior, ‘one of the greatest soul singers who ever lived’. Dylan’s black ...”

Point of View

Frank Kermode: Atonement by Ian McEwan, 4 October 2001

Atonement 
by Ian McEwan.
Cape, 372 pp., £16.99, September 2001, 0 224 06252 2
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“... quite different? For contrivances such as these the novelist could be forgiven a Jamesian note of self-congratulation and self-encouragement, usually, in the Master’s case, expressed in French: voyons, voyons, mon bon! Let us see what I, and later what they, can make of this treatment. When Briony comes to the rescue of ...”

Dialect with Army and Navy

David Wheatley: Douglas Dunn and Politovsky, 21 June 2001

The Donkey’s Ears: Politovsky’s Letters Home 
by Douglas Dunn.
Faber, 176 pp., £7.99, May 2000, 0 571 20426 0
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The Year's Afternoon 
by Douglas Dunn.
Faber, 81 pp., £7.99, October 2000, 0 571 20427 9
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“... shells up to them at’ turns its quatrain round with an awkwardness to match any Dreadnought. ‘Self-censorshipped’ may deserve a momentary smile for its nautical pun, but leaning on it as a rhyme word for ‘tight-lipped’ stretches the joke to breaking point. Despite a few misplaced nuts and bolts, and even if the narrative sometimes chunters rather ...”