Above it all

Stephen Sedley, 7 April 1994

Suing Judges: A Study of Judicial Immunity 
by Abimbola Olowofoyeku.
Oxford, 234 pp., £27.50, December 1993, 0 19 825793 7
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The Independence of the Judiciary: The View from the Lord Chancellor’s Office 
by Robert Stevens.
Oxford, 221 pp., £25, November 1993, 0 19 825815 1
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... the one case in a million where judicial wrongdoing might go unredressed. This is not quite as self-interested as it sounds. The threat of litigation which hangs over every American operating theatre and consulting room, and increasingly over every British one too, has a palpable effect on the way medicine is practised. Undoubtedly the fear of litigation ...

Damn all

Scott Malcomson, 23 September 1993

Culture of Complaint: The Fraying of America 
by Robert Hughes.
Oxford, 224 pp., £12.95, June 1993, 0 19 507676 1
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... as the chief goal of contemporary art; both are emanations of a love of the self, ‘the sacred cow of today’s culture’. (The briefest hop takes the reader from here to Culture of Complaint, though in this book, characteristically, both narcissism and post-structuralist anti-narcissism, defined as the belief that ‘the subject ...

Il n’y a pas de Beckett

Christopher Prendergast, 14 November 1996

Damned to Fame: The Life of Samuel Beckett 
by James Knowlson.
Bloomsbury, 872 pp., £25, September 1996, 0 7475 2719 9
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Samuel Beckett: The Last Modernist 
by Anthony Cronin.
HarperCollins, 645 pp., £25, October 1996, 9780246137692
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The Theatrical Notebooks of Samuel Beckett. Vol I: Waiting for Godot 
edited by Dougald McMillan and James Knowlson.
Faber, 472 pp., £75, March 1994, 0 571 14543 4
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The Theatrical Notebooks of Samuel Beckett. Vol II: Endgame 
edited by S.E. Gontarski.
Faber, 276 pp., £50, November 1992, 0 571 14544 2
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The Theatrical Notebooks of Samuel Beckett. Vol III: Krapp’s Last Tape 
edited by James Knowlson.
Faber, 286 pp., £50, May 1992, 0 571 14563 9
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Eleutheria 
by Samuel Beckett, translated by Barbara Wright.
Faber, 170 pp., £6.99, September 1996, 9780571178261
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... and cannot resist the irritating familiarity of ‘Sam’. Knowlson’s style is on the whole self-effacing, soberly and relentlessly factual and, in the information stakes, altogether more substantial, given the sources at his disposal. There is much that is new here: for example, on the subject of Beckett’s psychotherapy with Wilfred Bion at the ...

The Cult of Celebrity

Jacqueline Rose, 20 August 1998

... for example, celebrities of the Left. You might want to argue that for this kind of celebrity any self-aggrandisement is offset by the collective good aimed at by their necessarily public commitment. There is a famous psychoanalytic article by Harold Searles called ‘The Effort to Drive the Other Person Crazy’, in which he lovingly details all the ways ...
... she has escaped worried objections or been guiltless of deliberately provoking them. There is a self-mortifying element in Humphries’s theatre which is all the more striking because the selves are multiple, and which goes all the way back to the beginning of his career. But so does his extraordinary sense of language, best studied in the monologues of ...

Kipling and Modernism

Craig Raine, 6 August 1992

... with ‘lukewarm’ poetry was not a consideration. In ‘The King’ (1894), Kipling shows him self fully aware of his aesthetic position which is completely counter to Arnold, who felt Victorian England to be intractably unpoetic – a supposition indubitably correct in his own case, as a glance at ‘East London’ and ‘West London’ will ...

Kick over the Scenery

Stephanie Burt: Philip K. Dick, 3 July 2008

Four Novels of the 1960s: ‘The Man in the High Castle’, ‘The Three Stigmata of Palmer Eldritch’, ‘Do Androids Dream of Electric Sheep?’, ‘Ubik’ 
by Philip K. Dick.
Library of America, 830 pp., $35, May 2008, 978 1 59853 009 4
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Five Novels of the 1960s and 1970s: ‘Martian Time-Slip’, ‘Dr Bloodmoney’, ‘Now Wait for Last Year’, ‘Flow My Tears, the Policeman Said’, ‘A Scanner Darkly’ 
by Philip K. Dick.
Library of America, 1128 pp., $40, August 2008, 978 1 59853 025 4
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... to work. Though he defended the genre in essays, his sometime resentment shows up in his many self-hating low-status protagonists: unappreciated and underemployed repairmen, a designer of Barbie-doll props, a man who ‘retreads’ used tyres to be sold as new. SF fans honoured Dick early, giving their highest award, the Hugo, to The Man in the High ...

I wasn’t just a brain in a jar

Christian Lorentzen: Edward Snowden, 26 September 2019

Permanent Record 
by Edward Snowden.
Macmillan, 339 pp., £20, September 2019, 978 1 5290 3565 0
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... in 1992, when connections were slow, internet users pseudonymous, and the rooms where they chatted self-regulating and unmonitored. It was a zone of freedom and forgiveness where identities could be picked up and discarded without consequence. Say something silly or stupid and you could simply change your handle and join the other chatroom denizens in mocking ...

What happened to the Labour Party?

W.G. Runciman: The difference between then and now, 22 June 2006

... cynic. Future historians are, I suspect, more likely to depict him as sanctimonious and self-deceiving than as self-consciously amoral and ruthlessly cunning. But just suppose that a latter-day Machiavelli had been asked to devise a ten-point programme for a leader of the British Labour Party at the end of the ...

Everything is good news

Seamus Perry: Dylan Thomas’s Moment, 20 November 2014

The Collected Poems of Dylan Thomas: The New Centenary Edition 
edited by John Goodby.
Weidenfeld, 416 pp., £20, October 2014, 978 0 297 86569 8
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Under Milk Wood: The Definitive Edition 
edited by Walford Davies and Ralph Maud.
Phoenix, 208 pp., £7.99, May 2014, 978 1 78022 724 5
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Collected Stories 
by Dylan Thomas.
Phoenix, 384 pp., £8.99, May 2014, 978 1 78022 730 6
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A Dylan Thomas Treasury: Poems, Stories and Broadcasts 
Phoenix, 186 pp., £7.99, May 2014, 978 1 78022 726 9Show More
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... poetry of a child, volcanic, and unreasoning.’ These remarks pick up on Thomas’s own line in self-representation, a fascination with premature experience which was manifest not just in his life and letters but in his poems too. ‘Now as I was young and easy under the apple boughs/About the lilting house and happy as the grass was green’: no modern ...

Serried Yuppiedromes

Owen Hatherley: What happened to London?, 21 August 2014

Guide to the Architecture of London 
by Edward Jones and Christopher Woodward.
Phoenix, 511 pp., £16.99, July 2013, 978 1 78022 493 0
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... its skyline mangled by ‘the erection of tall buildings, especially if they are of eccentric or self-promoting “iconic” design’, its scattered structure filled in through ‘central government’s quite gratuitous policy of “densification”’, ease of living made all but impossible for anyone other than the very wealthy, with a property bubble ...

Bitten by an Adder

Tim Parks: ‘The Return of the Native’, 17 July 2014

The Return of the Native 
by Thomas Hardy, edited by Simon Avery.
Broadview, 512 pp., £9.50, April 2013, 978 1 55481 070 3
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... her, then casts him aside for the newly returned Clym … What does she want? … some form of self realisation … to attain herself. She does not know how … so romantic imagination says Paris and the beau monde. As if that would stay her unsatisfaction. Clym has found out the vanity of Paris and the beau monde. What then does he want? … his ...

Buffed-Up Scholar

Stefan Collini: Eliot and the Dons, 30 August 2012

Letters of T.S. Eliot, Vol. III: 1926-27 
edited by Valerie Eliot and John Haffenden.
Faber, 954 pp., £40, July 2012, 978 0 571 14085 5
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... this at face value (he sometimes resorted to this reductive idiom to ward off any suspicion of self-importance; he was in fact delighted that Faber’s new firm was willing to publish, in effect, an interim ‘collected’), the need he felt to make a fresh start poetically seems genuine enough. But it didn’t come easily: in fact, in the years covered ...

He Roared

Hilary Mantel: Danton, 6 August 2009

Danton: The Gentle Giant of Terror 
by David Lawday.
Cape, 294 pp., £20, July 2009, 978 0 224 07989 1
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... she meant what she said and no more. Readers of her memoirs may see her as an irritating and self-regarding woman, but they will also remember her frankness about her early sexual experiences; she was not a fool, and not someone who lacked self-awareness. It’s questionable, anyway, if her personal feelings mattered ...