“... starring Richard Burton and Julie Andrews called Camelot, an advertisement for Who’s Afraid of Virginia Woolf? There is a row of books from the time: Barbara Tuchman’s The Guns of August; Betty Friedan’s The Feminine Mystique; The Rise and Fall of the Third Reich by William Shirer. On every side you can hear Kennedy’s voice: ‘Let the word go ...”

“... if I would write a preface for one of her books I could not have been more flattered had she been Virginia Woolf herself and I was soon eating out of her hand. Once the request was made I knew there was no refusing, saying that the only woman I had come across with a will of comparable iron was Miss Shepherd. Thereafter Debo signed all her letters to me ...”

“... this is a more fully embodied version of George and Martha’s fantasy son in Who’s Afraid of Virginia Woolf? – is also obviously wrong. It’s not just that the narrator is troubled by odd gaps in her ‘memory’ of Xavier’s earlier years, asking herself ‘was it normal for a mother to be so unreflective?’, in a way that makes no sense if ...”

“... of pluralism has many virtues, but I am not sure that structure or organisation are among them. Virginia Woolf wondered at the absence of well-managed transitions in Autumn Journal and put it down to MacNeice watching too many films. Eliot’s uneasiness about pluralism is, like Arnold’s, an uneasiness about order; and he associated its modern form ...”

“... realism, she was largely impervious to the avant-garde experiments of writers like Joyce or Woolf. Nor, for all her bleakness, was she interested in conveying that spirit of sophisticated cultural malaise and psychosexual malfunction so palpable in Hemingway or Fitzgerald. As Acocella puts it, Cather went on giving readers ‘stories about noble-minded ...”

“... were interrupted from time to time by some quite straightforward piece of information, as in Woolf, Virginia (1882-1941): ‘One of the foremost experimenters with the technique and form of the novel. She was a leading member of the Bloomsbury Group among whom many new artistic ideas were discussed.’ After reading ...”

“... set up a studio with Yanko Varda, and became close friends with Duncan Grant, Vanessa Bell and Virginia and Leonard Woolf, all of whom spent time in Cassis during those years. Through Max Ernst, a friend of Boué’s, he met the Surrealist poets and painters, and with Herbert Read and David Gascoyne, introduced ...”

“... beginning arise and raise its voice in the world’. In The Years, written on the eve of fascism, Virginia Woolf treads similar ground. She is commenting on the dire consequences of parental exclusivity, on the damage it does to the social fabric – which was on the point of being rent beyond repair – to think it right to put your child, your ...”

“... keeps the narrative going, however unbalanced the judgments become. In fact, Keynes and Leonard Woolf, the only politically active members of Bloomsbury, were always very strongly anti-Communist, particularly Woolf, and that sinister upwards and downwards movement is a mere fever of fantasy, as those of us old enough to ...”

“... He examined the books I was carrying (a collection of Edwin Muir’s essays, of which he approved; Virginia Woolf’s Three Guineas, at which he wrinkled his nose) and asked me to come for a drink at six that evening, before moving off towards Clare Old Court with a curiously sideways walk that made him look as though he were being gently pulled away from ...”

“... artists as well as thinkers. After Dickens, as it were, the weather took a turn for the worse, as Virginia Woolf recorded in Orlando: ‘The great cloud which hung, not only over London, but over the whole of the British Isles on the first day of the 19th century stayed, or rather, did not stay, for it was buffeted about constantly by blustering ...”

“... have been hard going. Clive Bell found Eliot’s ‘studied primness’ deliciously comic, and Virginia Woolf was a great tease. But this was his chosen milieu, and although Eliot could call himself ‘Metoikos’ (meaning ‘exile’) as late as 1945, he had obviously acquired the censorious Bloomsbury habit. Russell, he discovered, ‘has a ...”

“... Sholokhov and T.E. Lawrence, Baudelaire and Rimbaud, F.R. and Q.D. Leavis, Elizabeth Bowen and Virginia Woolf – this is just a small sampling. Basically, he read his way through the Marylebone public library. He periodically put this marathon on hold to sprint through examinations. What on earth was he doing? Fending off the boredom of teenage ...”

“... world, where the laws of time are suspended, and yet which is still my own’. Reviewing Lee’s Virginia Woolf book in 1996, Fitzgerald wrote that as a biographer she is ‘calm, patient, strong, deeply interested and interesting’, and her book ‘wonderfully fluid [and] imaginative … every chapter [with] its own pattern’. The present ...”

“... inches of ivory – i.e. tiny observant minutiae. Much the same was said of Emily Dickinson and Virginia Woolf. Those things made me angry. In any case, why could there not be experience and experiment? Why could there not be the observed and the imagined? Why should a woman be limited by anything or anybody? Why should a woman not be ambitious for ...”