“... prioritise the needs of fiction over what might seem more normal sorts of human obligation: T.S. Eliot strikingly said of James’s criticism that it ‘preyed not upon ideas, but upon living beings’. At the same time, Tóibín’s affection for James is palpable: his haplessness and social awkwardness are treated indulgently, he is frequently seen to be a ...”

“... apparently vulgar obviousness, which again seems unusually calculated, as if inserted as a dare to test how confident the reader is about his or her response. One short poem from 1930 gives a flavour of the general effect. The poem is called ‘Beyond’, and it is reprinted here in its entirety. Pain is impossible to describe Pain is the impossibility of ...”

“... known were their unfriendly depictions of Levantine Greeks and, in particular, Jews. Unlike T.S. Eliot, however, Georges Remi, aka Hergé, was very certain of his nationality. He was, according to Pierre Assouline, ‘the personification of Belgium’, and it’s true that he created, in Tintin, one of the few national emblems his squabbling country can ...”

“... the best text. Not without errors and awkwardness, Noble and Hogg have performed the helpful task of fitting line-by-line glosses beside the poems (even the word ‘wee’ is explained), but they are not consistent about such things as sources for texts or quotations, or about differentiating Burns’s notes from their own. They have spliced an academic ...”

“... assault on Bentham and a PR job on behalf of Coleridge. For all his later disagreements with T.S. Eliot – in whom the faithful William Walsh sees, disparagingly, a French or American taste compared with Leavis’s native English one – Leavis did not define the great English literary tradition very differently. But ...”

“... in Lawrence that Nottinghamshire negative, ‘Nay’, appears), repeating, joking. Lawrence, T.S. Eliot said, was humourless. Actually, the appeal of his voice lies partly in its comedy. This is less obvious in the longer novels than in the stories, novellas, travel writing and poems, forms to which Kinkead-Weekes gives full and overdue ...”

“... I don’t know. I come from work, dead tired. The Guardian is taking all out of me – writing tosh. What price salted fish and things of that sort. Actually that is my assignment for tomorrow! It hurts. Now keep your chin up, and far more important: keep yourself out of mischief.   Love from Ma and all, Pa. So in his liberated and intelligent ...”

“... private income and some reviewing. He was not short of friends, including some as grand as T.S. Eliot, who admired Empson as well as finding him funny (‘dirtier and more distrait than ever … most refreshing to see him’). But the war was coming on; myopia left him unfit for military service, and so, almost inevitably, he found himself in mid-1940 ...”

“... of subjects: verse techniques, the difficulty of finding servants, staying with Max Beerbohm, the Test series, his first meeting with Thomas Hardy, the shortcomings of his wife/son/daughter-in-law, his neglect by the critics – this last a recurring theme. ‘They don’t understand what a talent I have for light verse.’ He had no pudeur about expressing ...”

“... The Criterion, T.S. Eliot’s periodical, ran from shortly after the First World War to the very eve of World War Two. Or, if one prefers, from one of Eliot’s major bouts of depression to another. The two time-schemes are, in fact, related. In 1921, the business negotiations to finance the proposed journal had to be suspended when Eliot suffered a nervous breakdown; it was during his convalescence from this illness that he wrote The Waste Land ...”

“... predictably widened in its range, but it hardly deepened. Joyce, Hardy, Dickens, Camus, George Eliot, Hemingway, Henry Miller, Lawrence Durrell, D.H. Lawrence, Scott Fitzgerald, Keats, Byron, Auden, Pound, T.S. Eliot … At 16 I was a chain-reader, on a steady three library books a day when not in school, but my style of ...”

“... now mutates. We find Marlowe conversing, albeit in a master-servant way, about T.S. Eliot with a black college graduate. By the time we get to The Long Good-Bye, the Los Angeles County sheriff’s department has acquired a Hispanic captain whom Marlowe feels able to call ‘a cool, competent, dangerous guy’. Marlowe explicitly questions (to ...”

“... and Fascist readings have tugged at it repeatedly. Both Charlotte Brontë’s Shirley and George Eliot’s Felix Holt have processed it for their own purposes. The play seems always to have functioned as a kind of arena. However, Patterson’s concern to establish what the ‘text of Coriolanus itself’ has to say presumes to stand aside from all this in an ...”

“... This is the irresponsibility that James would demand in 1885 when he complained that George Eliot knew her characters too well, hemmed them in with her knowing essayism. He wanted characters that were ‘seen, in the plastic irresponsible way’ – meaning probably Shakespeare, whose people, as Coleridge put it, ‘like those in real life, are to be ...”

“... which has it that no ending is possible because there has not yet been a beginning. T.S. Eliot wrapped a religious message around the proposition, ‘In my beginning is my end.’ In Endgame, Hamm half-quotes Eliot (‘the end is in the beginning’), but then adds derisively: ‘and yet you go on.’ Continuation ...”